While fiscal sponsorship is a component of the program, unlike other sponsoring organizations, we also provide a suite of support services such as tailored consultations, discounts to our workshops and webinars with leading industry professionals, and other essential resources.
In the last 5 years, WMM’s Production Assistance Program has helped 194 films reach completion and assisted filmmakers in raising more than $46,000,000 from government, foundation, corporate or individual, and crowd-funded sources. Since its inception, the program has been a part of raising more than $100,000,000 and helping more than 1,000 films to completion.
Films and filmmakers we have supported have been nominated for or won Academy Awards for the last 22 years, including Oscar-winning documentary CITIZENFOUR by Laura Poitras, STRONG ISLAND by Yance Ford, SUGARCANE by Emily Kassie and Julian Brave NoiseCat, TO KILL A TIGER by Nisha Pahuja, THE ETERNAL MEMORY by Maite Alberdi and THE BARBER OF LITTLE ROCK by John Hoffman and Christine Turner, the last two of which were directed by PA alum. The program has also supported critically acclaimed fiction features like FAMILIAR TOUCH (dir. Sarah Friedland), Dee Rees’ PARIAH, I CARRY YOU WITH ME (dir. Heidi Ewing, prod. Mynette Louie), FAREWELL AMOR (dir. Ekwa Msangi, prod. Huriyyah Muhammad, Sam Bisbee, Josh Penn), and THE DIARY OF A TEENAGE GIRL (dir. Marielle Heller). We’re thrilled to continue to have a large presence at the Sundance Film Festival, including GOING TO MARS: THE NIKKI GIOVANNI PROJECT (Dir Michèle Stephenson), LITTLE RICHARD: I AM EVERYTHING (dir. Lisa Cortés), Sandi Tan’s SHIRKERS, which won the World Cinema Documentary Competition Award for Best Directing, and most recently SEEDS (dir. Brittany Shyne, prod. Danielle Varga), which won the U.S. Grand Jury Prize for Documentary. In addition to Sundance, films supported by our program premiere at major festivals like Berlin, Tribeca, CPH:DOX, and SXSW.
FIND PROJECTS AND FILMMAKERS TO SUPPORT
How To Power A City
Citizens from all walks of life, fed up with government bureaucracies and Intransigent fossil fuel providers, fight to bring clean power to their cities and homes. Who will prevail — those seeking a cleaner future, or those with a death grip on the fossil fuel past?
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9-Month Contract
For an orphan Jana, motherhood has always been priceless. When she has to raise a kid single and homeless, Jana becomes a surrogate mother to offer her daughter the life she’s never had. Nine months and 14.000 USD - is it as simple and priceless as it sounds?
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Bought/Broken
“Bought/Broken” is an interactive experience that examines the relationships and violence of abuse through the lens of objects bought, broken and repaired, evoking memories through objects and exploring the idea of gain and loss. I have been compositing the experiences and stories of domestic violence survivors.
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The New York Love Songs
Millennial musicians journey from jazz school to adulthood as the aughts give way to a new digital frontier in this lyrical and intimate odyssey shot over 15 years.
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Stand Up for Madinah
“STAND UP FOR MADINAH” follows the first female Muslim legislator in Delaware as she challenges the Biden administration on the ongoing war in Gaza. When she is not confronting the establishment, Madinah is spending time at comedy clubs trying her luck to find success as a local stand up comedian.
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Hope of Escape
A true story that follows the incredible journey of an enslaved mother and daughter who must escape before they are sold and separated forever. Their only hope is to connect with their free relatives in the North and convince the most powerful abolitionists of their time to help them.
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As Prescribed
“Benzo warriors” fight a grassroots battle to save others from the devastating consequences of the little pill they took as prescribed.
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Familiar Touch
Familiar Touch is a coming of (old) age film. It follows an octogenarian woman’s transition to life in assisted living as she contends with her conflicting desires and self-narratives amidst her shifting age identity and memory.
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A Double Life
The filmmaker goes on a journey of discovery to unravel the mystery of her uncle’s past as a civil rights activist lawyer and political fugitive and his alleged involvement in an alleged prison escape attempt which left six people dead, his 13 years as a political fugitive and his return in 1984 to stand trial and gain his acquittal in 1986, returning to his legal aid work after 15 years. The film presents a multi-layered portrait of a turbulent era and the role of one individual seeking justice for others and later for himself.
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999: The Extraordinary Young Women on the First Official Transport to Auschwitz
“66% of millennials cannot say what Auschwitz was” even fewer know that the first Jewish transport to Auschwitz was 999 teenage girls and young women. Discover the truth behind this historical #MeToo moment and meet three survivors of the first transport, who are in their 90s, and their families.
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Roots of Resilience
ROOTS OF RESILIENCE profiles two communities devoted to Northern temperate rainforests, linked by latitude. The film weaves an urgent race to protect the world’s largest temperate rainforest, with rewilders awakening long lost forests. From the Pacific to the Atlantic, these stories invite a new relationship with forests that sustain us.
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Own It! Louis Kelso’s Macroeconomic Fix
Does capitalism work better if workers own capital? Lawyer Louis Kelso gave USA the opportunity to find out.
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This Body, Too/ Y Este Cuerpo Tambien
Face with the decision to replace my expired breast implants or have them removed, I grapple with the concepts of femininity and gender norms as a Dominican immigrant and an intersex-woman.
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INDÍGENA
To fulfill her mother’s dying wish, a filmmaker retraces her mother’s work as an activist and journalist during the Red Power Movement of the 1960’s and 70’s, bringing to light 500 years of Taino resistance and igniting her own journey of reclamation.
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Wittig, Yes!
More than 50 years ago, Monique Wittig, acclaimed writer, theorist, and lesbian feminist icon, dared to envision a world beyond gender. Told by her lifelong partner Sande Zeig, Wittig, Yes! unveils the synthesis of Wittig's public and private personas, tracing the origins of her groundbreaking theories.
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Acting Like Women
In 1973, women artists flocked to the Woman’s Building in L.A. – a birthplace for innovative, fearless, and still-relevant feminist performance art that laid a foundation for today’s art and social justice movements. ACTING LIKE WOMEN is a journey into art, activism, and gender told by those who lived it.
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