Jane Cottis
Jane Cottis is currently a mentor in the ‘Finding Our Wings' community documentary collective. Within this collaborative group of MICA members and teenage girls from East Baltimore, she has co-produced two short narratives: CICADAS (2010) and EVERYONE LOVES BRIENNA (2012). She has been making and screening videos for over 20 years. Her productions include: 30 DAYS: BIGGEST LOSER? (2009), 20+ YEARS, (2009) IT’S A LESBIAN WORLD AFTER ALL (2006), PENNY WEGMAN (2006), SOROROCIDE (1998), WAR ON LESBIANS(1992) and DRY KISSES ONLY (1990) which have screened nationally and internationally. She has also worked collectively on numerous Paper Tiger Productions.
Jane Cottis has continued building relationships with the main campus of MICA and Mica Place in East Baltimore by joining Viewfinders. Viewfinders is a Photography and Entrepreneurship after school mentor program for 13 to 15 year old teenagers at Mica Place. Cottis has begun teaching them basic college level narrative and documentary skills in a continuation of building bridges between the diverse communities of Baltimore. She has been a video instructor for more than two decades teaching at: the Art Institute of Chicago, the California Institute for the Arts, the University of California San Diego, the University of California Irvine, Otis, Hampshire College and currently MICA. (8/14)
Available Title(s):
Dry Kisses Only/War on Lesbians
A film by Jane Cottis, 1992, 100 min, Color
Through manipulated film clips, the hilarious commentary of Theory Woman and interviews with the Lesbian on the Street, DRY KISSES ONLY (1990, 75 mins.) explores the lesbian subtext of classical films. Cottis and Brooke reedit Hollywood movies to affirm the validity of lesbian readings of popular culutre and the tenuous truths of gossip. WAR ON…
Read MoreDry Kisses Only
A film by Jane Cottis, 1990, 75 min, Color
Through manipulated film clips, the hilarious commentary of Theory Woman and interviews with the Lesbian on the Street, this marvelous film explores the lesbian subtext of classical films—the dry kisses of the film’s title. Hollywood movies are re-edited to find the truth behind the relationships between the heroine and the “other woman.” Dykella and Dykenna…
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