This Month's Bestsellers

Years after leaving her Palestinian village to pursue an acting career in France, Emmy-nominated Hiam Abbass (SUCCESSION, RAMY, BLADE RUNNER) returns home with her daughter, in this intimate documentary about four generations of women and their shared legacy of separation. Now Available to Book. Colleges and universities, email [email protected] with purchase inquiries.

Through multigenerational conversations, 80 Years Later engages with the racial inheritance of Japanese American family incarceration during World War II.

Native American survivors of sexual assault fight to restore personal and tribal sovereignty against the backdrop of an ongoing legacy of violent colonization.

REBEL DYKES is a riotous documentary about the explosion that happened when punk met feminism, told through the lives of a gang of lesbians in post-punk, 1980s London.

A 28 minute educational version is also available, email [email protected] for details. THE R-WORD is an intimate look at the history of the word ‘retard(ed),’ cultural representation, and the challenges and triumphs of people living with intellectual and developmental disabilities.

WITHOUT A WHISPER - KONNON:KWE is the untold story of the profound influence of Indigenous women on the beginning of the women’s rights movement in the United States.

Emmy-nominated PRIVATE VIOLENCE explores a simple but deeply disturbing fact of American life: the most dangerous place for a woman in America is her own home.

Dissecting one of the most influential platforms of the contemporary social media landscape, TIKTOK, BOOM., directed by CODED BIAS filmmaker Shalini Kantayya, examines the algorithmic, socio-political, economic, and cultural influences and impact of the history-making app.

On an isolated, surreal Australian homestead, a middle-aged Aboriginal woman nurses her dying white mother. The adopted daughter’s attentive gestures mask an almost palpable hostility. Their story alludes to the assimilation policy that forced Aboriginal children to be raised in white families. The stark, sensual drama unfolds without dialogue against vivid painted sets as the smooth crooning of an Aboriginal Christian singer provides ironic counterpoint. Moffatt’s first 35mm film displays rare visual assurance and emotional power.