Global Feminism

Filmed as the U.S. planned for its September 2021 withdrawal of troops, IN THE RUMBLING BELLY OF MOTHERLAND documents an inspiring female-led news agency in Kabul, Afghanistan.

A Portrait of Three Women in Afghanistan, Syria and Iraq Leading the Fight for Gender Equality

The Tunisian Revolution sparked the Arab Spring. But revolution was the easy part—as two women learned on the journey from protest to functioning government. Emna Ben Jemaa and Jawhara Ettis represent opposite sides of their country’s politics: One is a well-known journalist in the city, fighting for free speech. The other is a strict Islamist from a rural town, elected to help draft the new constitution. Despite their differences, both face the threat of extremists hijacking their fragile political process, and both Emna and Jawhara have to make difficult choices to balance their public political roles with their domestic environment. The film is a gripping and surprising perspective on the clash between Islam and secularism, and the political role of women in the Arab world. Offering an insightful portrait of the messy work of democracy, A REVOLUTION IN FOUR SEASONS is especially poignant in this global era of divided politics.

In rural Siberia, romantic expectations are traditional and practical. The man is the head of the household. The woman takes care of the housekeeping and the children. But filmmaker Olga Delane doesn’t agree. While she was born in this small Siberian village, as a teenager she migrated to Berlin with her family, and 20 years of living in Germany has changed her expectations. SIBERIAN LOVE follows Delane home to her community of birth, where she interviews family and neighbors about their lives and relationships. Amusing and moving, this elegant film paints a picture of a world completely outside of technology, a hard-farming community where life is hard and marriage is sometimes unhappy—but where there are also unexpected paths to joy and family togetherness. Through clashing ideals of modern and traditional womanhood, SIBERIAN LOVE is a fascinating study of a country little known in the US and of a rural community that raises questions about domesticity, gender expectations, domestic abuse, childcare, and romance. Excellent for anthropology, women's studies, sociology, Russian and Eastern European Studies.

INDIA’S DAUGHTER is the powerful story of the 2012, brutal gang rape on a Delhi bus of a 23 year old medical student, who later died from her injuries. In 2012, it made international headlines and ignited protests by women in India and around the world. BAFTA winning filmmaker Leslee Udwin, herself a victim of rape, went to India inspired by the protests against sexual assault. With an all Indian crew, Udwin got exclusive, first time on camera interviews with the rapists and defense attorney, none of whom express remorse. The defense attorney goes even further, stating that “immodest” women deserve what happens to them. An impassioned plea for change, INDIA’S DAUGHTER pays tribute to a remarkable and inspiring young woman and explores the compelling human stories behind the incident and the political ramifications throughout India. But beyond India, the film lays bare the way in which societies and their patriarchal values have spawned such acts of violence globally.

As political conflict and change sweep the Arab world, CASABLANCA CALLING highlights a quiet social revolution under way in Morocco, where 60% of the women have never attended school. For the first time, Moroccan women are trained and employed as official Muslim leaders or morchidat. Charged with teaching an Islam based on tolerance, compassion and equality, they provide vital support and guidance to communities, especially to girls and women. At the film’s heart are Hannane, Bouchra and Karima, three morchidat assigned to mosques in different parts of Morocco. CASABLANCA CALLING follows them for a year on rounds to schools and other sites to provide advice on marriage and employment; champion education for girls and women; caution against early marriage; and help resolve personal problems. Offering unique access to a story we rarely see, this illuminating documentary demonstrates how women’s empowerment through moderate Islam is transforming a nation.

The struggle for Muslim women’s emancipation is often portrayed stereotypically as a showdown between Western and Islamic values, but Arab feminism has existed for more than a century. This groundbreaking documentary recounts Arab feminism’s largely unknown story, from its taboo-shattering birth in Egypt by feminist pioneers up through viral Internet campaigns by today’s tech-savvy young activists during the Arab Spring. Moving from Tunisia to Egypt, Algeria, Morocco, Lebanon and Saudi Arabia, filmmaker and author Feriel Ben Mahmoud tracks the progress of Arab women in their long march to assert their full rights and achieve empowerment. Featuring previously unreleased archival footage and exclusive multigenerational interviews, FEMINISM INSHALLAH is an indispensable resource for Women’s Studies, Global Feminism, Middle East and Islamic Studies.

In Afghanistan, women deciding to be actors make a dangerous choice. Banned under Taliban rule (1994-2001), Afghan theater is experiencing a comeback with many women at the forefront. But with powerful forces of Islamic fundamentalism, a resurgent Taliban, and patriarchal traditions in play, actresses often face the harshest criticism and are even sometimes viewed as prostitutes. Socially ostracized, and pressured to abandon their careers, they receive beatings and death threats for them and their family. Some are forced to flee the country and some are even killed. PLAYING WITH FIRE introduces us to six courageous Afghan women who share their passions for acting, dreams, and difficult realities. They include Sajida, a student targeted by extremists; Monirah, besieged co-founder of an innovative women’s theater troupe; Tahera, forced into exile because of award-winning work at a theater festival; Roya, whose TV career brings her constant harassment; and Leena and Breshna, unprotected by their stage and motion picture fame. Filmmaker Anneta Papathanassiou exposes pervasive erosions of Afghan women’s rights. Her timely, eye-opening documentary perfectly captures art’s transformative power and the dangers these courageous women face to do the work they love.

When Salma, a young Muslim girl in a south Indian village, was 13 years old, her family locked her up for 25 years, forbidding her to study and forcing her into marriage. During that time, words were Salma’s salvation. She began covertly composing poems on scraps of paper and, through an intricate system, was able to sneak them out of the house, eventually getting them into the hands of a publisher. Against the odds, Salma became the most famous Tamil poet: the first step to discovering her own freedom and challenging the traditions and code of conduct in her village. As with her other work (PINK SARIS, ROUGH AUNTIES, SISTERS IN LAW), master documentarian Kim Longinotto trains her camera on an iconoclastic woman. Salma’s extraordinary story is one of courage and resilience. Salma has hopes for a different life for the next generation of girls, but as she witnesses, familial ties run deep, and change happens very slowly. SALMA helps us understand why the goal of global education of girls is one the most critical areas of empowerment and development of women worldwide.

In Southern India, family disputes are settled by Jamaats—all male bodies which apply Islamic Sharia law to cases without allowing women to be present, even to defend themselves. Recognizing this fundamental inequity, a group of women in 2004 established a women’s Jamaat, which soon became a network of 12,000 members spread over 12 districts. Despite enormous resistance, they have been able to settle more than 8,000 cases to date, ranging from divorce to wife beating to brutal murders and more. Award-winning filmmaker Deepa Dhanraj (SOMETHING LIKE A WAR) follows several cases, shining a light on how the women’s Jamaat has acquired power through both communal education and the leaders’ persistent, tenacious and compassionate investigation of the crimes. In astonishing scenes we watch the Jamaat meetings, where women often shout over each other about the most difficult facets of their personal lives. Above all, the women’s Jamaat exists to hold their male counterparts and local police to account, and to reform a profoundly corrupt system which allows men to take refuge in the most extreme interpretation of the Qur’an to justify violence towards women.

By returning to the roots of Islam and understanding how societies have found justification for their treatment of women within Islamic sources, this thoughtful and far reaching film is an essential resource that debunks myths about women and Islam. Renowned Muslim feminist scholars and journalists, including Asra Q. Nomani, Mona Eltahawy, Azadeh Moaveni, Dr. Amina Wadud, Dr. Khaled Abou El Fadl and Asma Gull Hasan, detail how from early on very different understandings of the Qur’an lead to vastly different translations, with enormous repercussions for women living in different Islamic societies around the world. The film alternates between the history of Mohammad and issues facing Muslim women today—from the wearing of the veil, to praying in the mosque, and attitudes towards domestic violence and honor killings. It also looks at how feminism works within Islam in the modern era. RIGHTS & WRONGS is indispensable for courses on Islamic and Middle Eastern studies, comparative religion, women’s studies and more.

Rapper, singer and activist, Sister Fa is hero to young women in Senegal and an unstoppable force for social change. A childhood victim of female genital cutting (FGC), she decided to tackle the issue by starting a grassroots campaign, “Education Without Excision,” which uses her music and persuasive powers to end the practice. But until 2010 there’s one place she had never brought her message – back home to her own village of Thionck Essyl, where she fears rejection. SARABAH follows Sister Fa on this challenging journey, where she speaks out passionately to female elders and students alike, and stages a rousing concert that has the community on its feet. A portrait of an artist as activist, SARABAH shows the extraordinary resilience, passion and creativity of a woman who boldly challenges gender and cultural norms. It’s an inspiring story of courage, hope and change.

“A girl’s life is cruel...A woman’s life is very cruel,” notes Sampat Pal, the complex protagonist at the center of PINK SARIS, internationally acclaimed director Kim Longinotto’s latest foray into the lives of extraordinary women (SISTERS IN LAW, DIVORCE IRANIAN STYLE, ROUGH AUNTIES). Sampat should know – like many others she was married as a young girl into a family which made her work hard and beat her often. But unusually, she fought back, leaving her in-laws and eventually becoming famous as a champion for beleaguered women throughout Uttar Pradesh, many of whom find their way to her doorstep. Like Rekha, a fourteen year old Untouchable, who is three months pregnant and homeless – unable to marry her unborn child’s father because of her low caste. Fifteen year old Renu's husband from an arranged marriage has abandoned her, her father-in-law has been raping her and she's threatening to throw herself under a train. Both young women, frightened and desperate, reach out for their only hope: Sampat Pal and her Gulabi Gang, Northern India’s women vigilantes in pink. PINK SARIS is an unflinching and often amusing look at these unlikely political activists and their charismatic leader; in extraordinary scenes, we watch Sampat launch herself into the centre of family dramas, witnessed by scores of spectators, convinced her mediation is the best path for these vulnerable girls. Her partner Babuji, who has watched Sampat change over the years, is less certain...

UMOJA (Kiswahili for “unity”) tells the life-changing story of a group of impoverished tribal Samburu women in Northern Kenya who turn age-old patriarchy on its head by setting up a women-only village. Their story began in the 1990s, when several hundred women accused British soldiers from a nearby military base of rape. In keeping with traditional Samburu customs, the women were blamed for this abuse and cast out by their husbands for bringing shame to their families. Learning of their plight, Rebecca Lolosoli, a tireless women’s rights advocate, helps the banished women establish a new village, Umoja, on an unoccupied field in the grass­lands. No men are allowed. Soon the women turn their fate around, launching a handicrafts business targeting the tourist trade. Their success and increasing fame incurs the men’s jealousy and wrath, setting off an unusual, occasionally hilarious, gender war. But in this award-winning documentary, which deftly blends fast-paced reportage with serious social critique, women who have reclaimed their lives clearly emerge the victors.

Can Islamic values co-exist with full equality for women? VOICES UNVEILED examines this timely issue through portraits of three women pursuing life paths and careers of their own choosing in present-day Turkey. Each has defied social expectations in a democratic, secular nation where religious fundamentalism has re-emerged as a political force and patriarchal values still prevail. Well-known textile artist Belkis Belpinar, whose work combines science and kilim rug traditions, resisted her father’s wishes that she study engineering. Dancer and psychologist Banu Yucelar braved family opposition to modern dance, widely perceived as a form of prostitution. Women’s rights activist Nur Bakata Mardin helps women in underserved communities, where old beliefs hold sway, form small business cooperatives. As engaging as its subjects, VOICES UNVEILED punctuates its in-depth portraits with insights from other Turks and lively discussions that include intergenerational debates over veiling. The film is a valuable companion to WOMEN OF TURKEY, which offers a different take on gender roles that embrace modern lifestyles and Islamic culture.

AFRICA IS A WOMAN’S NAME provides an opportunity for three of Africa’s leading filmmakers to tell their own country’s stories through the lives of the powerful women working to create change. Veteran filmmakers Wanjiru Kinyanjui, from Zimbabwe, and Bridget Pickering, from South Africa, join Kenyan Ingrid Sinclair, director of the critically acclaimed feature film FLAME, to profile three diverse women who eloquently demonstrate the power of women. Amai Rose, a Zimbabwean housewife and businesswoman, Phuti Ragophala, a dedicated school principal in one of South Africa’s poorest communities, and Njoki Ndung’u, a human rights attorney and member of Kenya’s parliament, tell their individual stories, reflecting upon their own achievements and failures as well as needed initiatives for women and children in their respective societies. Their richly textured self-portraits reveal the gender revolution under way among sub-Saharan women of different backgrounds and origins who are determined to transform their daily realities and the conditions of their lives.

Every day, 6,000 girls from the Horn of Africa to sub-Saharan nations are subjected to female genital mutilation (FGM). With fierce determination and deep love for their communities, brave African activists are leading a formidable, fearless grassroots movement to end 5,000 years of FGM. An insightful look at the frontlines of a quiet revolution taking the continent by storm, this extraordinarily powerful film is one of the first to focus on African solutions to FGM. Beautifully directed by Emmy Award® winner Paula Heredia and produced by Equality Now, AFRICA RISING travels through remote villages in Burkina Faso, Kenya, Mali, Somalia and Tanzania. Weaving together dynamic footage and the poignant stories of girls personally affected by FGM, it shows how African women and men are putting an end to this human rights violation. Convincing circumcisers to lay down their knives, engaging the police to implement the law, and honing leadership skills in girls, these determined activists have been working tirelessly for years to conceptualize their campaign. AFRICA RISING paints an intimate portrait of the broadly-based but little-known anti-FGM movement and shows that courageous, creative and resourceful individuals can change the course of history.

The Feminist Initiative reveals the passion, pitfalls and promise of a diverse group of women working to establish the world’s first feminist political party in Sweden in the spring of 2005. Even in one of the most gender-equal societies in the world, the advancement of women’s agenda within the patriarchal establishment requires a revolution. Beginning from the innovative and inclusive decision to elect three party leaders rather than one, the film charts every trail-blazing step (and misstep) of the Feminist Initiative (F!) from their energetic start to the climactic moments of their inspiring, celebrity-supported rally. In the face of internal discord, public backlash, and a worrisome lack of funds, the Feminist Initiative forges a new path towards parliament, raising critical questions along the way about what women really want from their government and about gender differences in leadership. This is an invaluable story about the struggle to have women’s voices heard in a patriarchal, modern society, and an amazing behind-the-scenes film about what women do with power, and what power can do to women.

In this revealing documentary five extraordinary women talk about their occupations, aspirations, and the rights and status of women in their Muslim countries. Bosnian Alma Suljevic risks her life daily clearing the landmines near Sarajevo that are war’s deadly legacy, then sells minefield earth in European art galleries so that she can continue her work. Eren Keskin, a longtime human rights activist and lawyer with music conservatory training, fights to change Turkey’s legal practices that perpetuate violence against women. Veteran filmmaker Rakshan Bani-Ehmad, true to her credo that art must “look, observe, and discover”, frequently pushes Iran’s censorship rules to the limit. Surrounded by conflict since childhood, young Afghani writer Moshagan Saadat creates brave, profoundly moving and memorable poems. And renowned Pakistani dancer Nahid Siddiqui, once forced to live outside her homeland when her work was banned, continues to perfect, renew, and teach her art form. Captured by Spanish filmmaker Alba Sotorra, who hitchhiked from Barcelona to Pakistan to shoot UNVEILED VIEWS, these self-portraits of hope, heroism, and pride challenge conventional Western stereotypes about women in the Islamic world.

In 2002, Mukhtar Mai, a rural Pakistani woman from a remote part of the Punjab, was gang-raped by order of her tribal council as punishment for her younger brother’s alleged relationship with a woman from another clan. Instead of committing suicide or living in shame, Mukhtar spoke out, fighting for justice in the Pakistani courts—making world headlines. Further defying custom, she started two schools for girls in her village and a crisis center for abused women. Mukhtar, who had never learned to read but knew the Koran by heart, realized that only a change in mentality could break brutal, archaic traditions and social codes. Her story, included in the bestseller “Half the Sky” by Nicholas D. Kristof and Sheryl WuDunn, and the subject of Mukhtar’s own memoir, “In the Name of Honor”, has inspired women across the globe. Revealing the progress and fruits of Mukhtar’s labor, this powerful documentary tracks the school’s profound impact on the girls and families of Meerwala and shows how the crisis center empowers women seeking its help. An important look inside Pakistan, where the impact of Islamic fundamentalism is revealed and how women are fighting its oppressive and violent impact.

After surviving a 14-year civil war and a government riddled with corruption, Liberia is ready for change. On January 16, 2006, Ellen Johnson-Sirleaf was inaugurated President – the first freely elected female head of state in Africa. Having won a hotly contested election with the overwhelming support of women across Liberia, Sirleaf faces the daunting task of lifting her country from debt and devastation. She turns to a remarkable team of women, appointing them in positions such as police chief, finance minister, minister of justice, commerce minister and minister of gender. With exclusive access, directors Siatta Scott Johnson and Daniel Junge follow these “Iron Ladies” behind the scenes during their critical first year in office as they tackle indolent bureaucracy, black markets and the omnipresent threat of violent riots. Highlighting the challenges that African countries currently face, this film provides an uplifting example of women who have become the backbone of change. As the filmmakers explore a historic transition from authoritarianism to democracy, the viewer is treated to a joyous, inspirational testimony of the political power of women's leadership and diplomacy.

On March 18, 2005, Amina Wadud shocked the Islamic world by leading a mixed-gender Friday prayer congregation in New York. THE NOBLE STRUGGLE OF AMINA WADUD is a fascinating and powerful portrait of this African-American Muslim woman who soon found herself the subject of much debate and Muslim juristic discourse. In defying 1400 years of Islamic tradition, her action caused global awareness of the struggle for women’s rights within Islam but also brought violence and death threats against her. Filmmaker Safari follows this women’s rights activist and scholar around the world as she quietly but with utter conviction explains her analysis of Islam in the classroom, at conferences, in her home, and in the hair dresser’s shop. Wadud explains how Islam, with its promise of justice, appeals to the African American community. And she links the struggle for racial justice with the need for gender equality in Islam. Deeply engaging, this film offers rare insights into the powerful connections between Islam, women’s rights, and racial justice.

"In September 2005, Afghanistan held its first parliamentary elections in 35 years. Among the candidates for 249 assembly seats was Malalai Joya, a courageous, controversial 27-year-old woman who had ignited outrage among hard-liners when she spoke out against corrupt warlords at the Grand Council of tribal elders in 2003. ENEMIES OF HAPPINESS is a revelatory portrait of this extraordinary freedom fighter and the way she won the hearts of voters, as well as a snapshot of life and politics in war-torn Afghanistan. Amidst vivid, poetic images of Joya's dusty Farah Province, the film tracks the final weeks of her campaign, when death threats restrict her movements. But the parade of trusting constituents arriving on her doorstep leaves no doubt that Joya is a popular hero. Among her visitors is a 100-year-old woman who treks two hours to offer loyalty and herbal medicine. King Solomon-style, Joya acts as folk mediator and advocate, adjudicating between a wife and her violent, drug-addicted husband and counseling a family forced to marry off their adolescent daughter to a much older man. Protected by armed guards, Joya heads to poor rural areas to address crowds of women, pledging to be their voice and ‘expose the enemies of peace, women, and democracy.’ In the presence of her fierce tenacity, we can imagine the future of an enlightened nation.” - Caroline Libresco, Sundance Film Festival

In popular Western imagination, a Muslim woman in a veil – or hijab – is a symbol of Islamic oppression. But what does it mean for women’s freedom when a democratic country forbids the wearing of the veil? In this provocative documentary, filmmaker Diana Ferrero portrays the struggle of two women – one in France and one in Iran – to express themselves freely. In 2004, the French government instituted an "anti-veil law," forbidding Muslim girls from wearing the hijab to school. Samah, a teenager in Paris who, at 14 decided to wear the veil, explains how the law attacks her sense of identity – and does not make her feel liberated. “Who says that freedom is not wearing anything on your head?” she asks. Half a world away in Tehran, “K,” forced to wear the hijab by the Islamic regime, defiantly wears it her own way – and her translucent scarf loosely draped over her hair puts her at risk of arrest. When Ferrero films her at home, K, comfortable in a tank top and shorts, says, “They call me Muslim... But do you see me as a Muslim? What do you have in your mind for a Muslim person?” Beautifully shot and finely crafted, THEY CALL ME MUSLIM highlights how women still must struggle for the right to control their own bodies – not only under theocratic regimes, but also in secular, democratic countries where increasing discrimination against Muslims and sexism intersect.

Inspired by organizers at the Beijing Conference on Women in 1995, former construction worker Vivian Price spent years documenting the current and historical roles of women in the construction industry in Asia – discovering several startling facts. Capturing footage that shatters any stereotypes of delicate, submissive Asian women, Price discovers that women in many parts of Asia have been doing construction labor for centuries. But conversations with these women show that development and the resulting mechanization are pushing them out of the industry. Their stories disturb the notion of “progress” that many people hold and show how globalization, modernization, education and technology don’t always result in gender equality and the alleviation of poverty. Celebrating a range of women workers – from a Japanese truck driver, to two young Pakistani women working on a construction site in Lahore, to a Taiwanese woman doing concrete work alongside her husband – this film deftly probes the connections in their experiences. In a segment exploring the history of the Samsui women in Singapore (Chinese women who were recruited as construction laborers in the 1920's until they lost their jobs to mechanization in the 1970’s) unique archival footage and interviews with surviving Samsui offer an importation perspective on the historical and global scope of women workers’ struggles.

NEW DIRECTIONS is award-winning documentarian Joanne Burke's series about women's empowerment in developing countries. Each one spotlights the critical role women are playing as community based leaders: providing education, inspiration and practical assistance to other women in their countries. WOMEN OF ZIMBABWE (1997, 30 minutes) focuses on a group of five daring women who have taken up the challenge of creating their own future in the traditionally male field of carpentry. At its center is Fatima Shoriwa, an inspiration to many of her countrywomen. Owner of a thriving carpentry business, she also openly advocates education, family planning, safe sex practices, and economic self-sufficiency to achieve women's full voices in their own destinies. In Klong Toey, Bangkok's largest slum, Duang Prateep, a foundation created and run entirely by women, provides empowering choices and role models to the area's residents. WOMEN OF THAILAND (1997, 30 minutes) centers on Rotjana Phraesrithong, a remarkable young social worker who first came to Klong Toey as a poor, ill-educated country girl of twelve. As it follows Rotjana in her work with the women and children of Klong Toey, the film reveals how her innovative programs promote schooling for children and provide AIDS and health eduction. WOMEN OF GUATEMALA (2000, 30 minutes) is a compelling portrait of Maria Del Carmen Chavajay and Micaela Chavajay, part of the new generation of Mayan women. They head the Health Promoter Group of San Pedro La Laguna, a group of seventy-five women that provides health education and tackles the grave social and economic injustices facing Mayan women in Guatemala. In a region where doctors are few or non-existent and where the cost of medical care is prohibitively high, these dedicated women share the aspirations, insights and experiences that underscore the important contributions of Mayan women--and their roles as future leaders--in Guatemalan women's struggle for empowerment. The fourth installment of the series, SPEAKING OUT: WOMEN, AIDS AND HOPE IN MALI (2002, 55 minutes) profiles a remarkable HIV and AIDS support project in Bamako, Mali, sponsored by The Center for Care, Activity and Council for People Living with HIV (CESAC) and three brave women who tirelessly work on behalf of the infected community.

"THROUGH CHINESE WOMEN'S EYES offers an insightful journey into the transformations in the lives of Chinese women over the 20th century. In a fascinating overview, anthropologist/director Mayfair Yang documents the attempts to erase gender differences under Mao, today's changing ideas of femininity, and the crystallization of Chinese feminism at the UN Women's conference in Beijing. As propaganda films and news footage of the 1960's, present day television images, and interview footage from the 1990's mingle in a rich visual history, teachers, karaoke singers, organizers, and others share their lives. This sensitive portrayal of the daily experiences and historical memories of Chinese is essential to an understanding of contemporary feminisms." - Faye Ginsburg, New York University

The 1995 United Nations Fourth World Conference on Women and the parallel Forum (NGO) that took place in Beijing assembled the largest global gathering of women in recorded history. BEYOND BEIJING, a personal document of the epoch-making events, captures their exciting spirit and shows the strength of the worldwide movement to improve the status of women. Moving back and forth from NGO workshops convened by grassroots activists to ceremonies commemorating women's art and achievements, the film also includes informal cross-cultural get-togethers, compelling North-South exchanges and candid interviews with individual participants. English and Spanish versions available. Discussion Guide/Action Kit available.

An extraordinarily powerful documentary, CALLING THE GHOSTS is the first-person account of two women caught in a war where rape was as much an everyday weapon as bullets or bombs. Jadranka Cigelj and Nusreta Sivac, childhood friends and lawyers, enjoyed the lives of "ordinary modern women" in Bosnia-Herzegovina until one day former neighbors became tormentors. Taken to the notorious Serb concentration camp of Omarska, the two women, like other Muslim and Croat women interned there, were systematically tortured and humiliated by their Serb captors. Once released, the pair turned personal struggles for survival into a larger fight for justice-aiding other women similarly brutalized and successfully lobbying to have rape included in the international lexicon of war crimes by the UN Tribunal at the Hague. Chronicling the two women's experience and their remarkable transformation, CALLING THE GHOSTS is an indispensable resource for deepening understanding of human rights abuses and combating violence against women in the global arena.

Highlights of moving personal testimonies at the Global Tribunal on Violations of Women's Rights-held in conjunction with U.N. World Conference on Human Rights in Vienna in 1993-reveal why women's rights need to be seen as human rights. Made in conjunction with the Center for Women's Global Leadership at Rutgers University, THE VIENNA TRIBUNAL is not simply a film documenting events of the past, but a thought-provoking analysis of the abuses women suffer all over the world.

Powerful political analysis is combined with a passionate personal story in this exceptional documentary about the Japanese women’s liberation movement in the 1970’s and its influence on contemporary Japanese society. Director Nanako Kurihara left her homeland in the 1980’s, frustrated by the lack of interesting roles for women in Japan. In New York, she met a Japanese woman who had been involved in the women’s liberation movement in Japan in the 1970’s. Kurihara returned to Japan, bringing together interviews with veterans of the movement, fascinating archival footage and her personal impressions to produce a film which explores the meaning of the liberation movement, the factors that motivated it and the effect it has had on people’s attitudes. RIPPLES OF CHANGE is an excellent resource for the study of global feminism, women’s roles and Japanese society.

WARRIOR MARKS is a poetic and political film about female genital mutilation from the director of A PLACE OF RAGE, presented by the Pulitzer Prize winning author of THE COLOR PURPLE and POSSESSING THE SECRET OF JOY.

Angolan women are rarely heard describing the impact of South Africa’s undeclared war against their country. This moving documentary, produced in conjunction with the Organization of Angolan Women (OMA), highlights the contribution women make to the reconstruction of a country where war has consumed more than half the national budget and produced at least a million internal refugees.