Diversity

Tired of watching local government ignore their communities’ interests, five diverse female activists decide to run for municipal office in Denver — one of the fastest gentrifying cities in the U.S.

In this Peabody Award-winning exposé,  director  Deeyah  Khan uses her uniquely intimate filming style to investigate the  rise in anti-Muslim hate crimes in the  U.S. 

A former right-wing extremist explores why people join hate groups and what makes them decide to leave.

LOVE THE SINNER is a personal documentary exploring the connection between Christianity and homophobia in the wake of the 2016 shooting at Pulse nightclub in Orlando.

Muslim filmmaker Deeyah Khan’s Emmy-winning look at the personal and political motivations behind the resurgence of far-right extremism in the U.S.

For many Black girls raised in the suburbs, the experiences of going to school, playing on the playground, and living day-to-day life can be uniquely alienating. BLACK GIRL IN SUBURBIA looks at the suburbs of America from the perspective of women of color. Filmmaker Melissa Lowery shares her own childhood memories of navigating racial expectations both subtle and overt-including questions like, "Hey, I just saw a Black guy walking down the street; is that your cousin?" Through conversations with her own daughters, with teachers and scholars who are experts in the personal impacts of growing up a person of color in a predominately white place, this film explores the conflicts that many Black girls in homogeneous hometowns have in relating to both white and Black communities. BLACK GIRL IN SUBURBIA is a great discussion starter for Freshman orientation week and can be used in a wide variety of educational settings including classes in sociology, race relations, African American Studies, Women's Studies, and American Studies.

Profiled knits the stories of mothers of Black and Latino youth murdered by the NYPD into a powerful indictment of racial profiling and police brutality, and places them within a historical context of the roots of racism in the U.S. Some of the victims—Eric Garner, Michael Brown—are now familiar the world over. Others, like Shantel Davis and Kimani Gray, are remembered mostly by family and friends in their New York neighborhoods. Ranging from the routine harassment of minority students in an affluent Brooklyn neighborhood to the killings and protests in Staten Island and Ferguson, Missouri, PROFILED bears witness to the racist violence that remains an everyday reality for Black and Latino people in this country. Moving interviews with victims’ family members are juxtaposed with sharply etched analyses by evolutionary biologist, Joseph L.Graves, Jr, (The Race Myth) and civil rights lawyer, Chauniqua D. Young, (Center for Constitutional Rights, Stop and Frisk lawsuit). PROFILED gives us a window on one of the burning issues of our time.

Broadcast nationally on HBO, SOUTHERN RITES is a powerful portrayal of how perceptions and politics have divided two towns in southeast Georgia along racial lines for years. In 2009, The New York Times Magazine published filmmaker and acclaimed photographer Gillian Laub’s controversial images of Montgomery County High School’s racially segregated proms. A media furor ensued and under extreme pressure, the Georgian town was forced to finally integrate the proms in 2010. Laub returned camera in hand to document the changes, only to stumble upon a series of events far more indicative of race relations in the Deep South: old wounds are reopened following the murder of an unarmed young black man by an elderly white town patriarch. Against the backdrop of an historic campaign to elect its first African-American sheriff, the case divides locals along well-worn racial lines and threatens to drag the town back to darker days. SOUTHERN RITES documents one town's painful struggle to progress while confronting longstanding issues of race, equality and justice. Through her hauntingly intimate portrait, Laub reveals the horror and humanity of these complex, intertwined narratives, a chronicle of their courage in the face of injustice. Laub’s film captures a world caught between eras and values with extraordinary candor and immediacy— and ultimately asks whether a new generation can make a different future for itself from a difficult past.

When one thinks of the American Deep South, the image of veiled Muslim students strolling the University of Alabama campus is the last thing that comes to mind. VOICES OF MUSLIM WOMEN FROM THE US SOUTH is a documentary that explores the Muslim culture through the lens of five University of Alabama Muslim students. The film tackles how Muslim women carve a space for self-expression in the Deep South and how they negotiate their identities in a predominantly Christian society that often has unflattering views about Islam and Muslims. Through interviews with students and faculty at Alabama, this film examines representations and issues of agency by asking: How do Muslim female students carve a space in a culture that thinks of Muslims as terrorists and Muslim women as backward?

Wildly popular at home, Turkish soap operas have taken the world by storm with more than 300 million viewers in 80 countries across the Middle East, North Africa, the Balkans, and Asia. With unprecedented access, KISMET delves into this phenomenon, weaving together excerpts from the major shows including interviews with their talent and the writers, producers and directors behind the scenes—primarily made up of women—and portraits of the everyday viewers in Turkey, Egypt, the United Arab Emirates, Bulgaria, and Greece. Exploring how the serials captivate, inspire and empower women, the film reveals how the soaps impact and break down negative stereotypes and traditional taboos. The soaps openly discuss rape, sexual and domestic violence, child and arranged marriages, and honor killings while also sparking change in gender relationships, activism against sexual abuse, and a wave of divorce across the Middle East. Invaluable for studies in media and popular culture, KISMET discloses how profoundly Turkish soaps penetrate viewers’ social and religious realities while empowering and helping women to transform their lives and strengthen the debate about women’s rights across the region.

Anna May Wong knew she wanted to be a movie star from the time she was a young girl—and by 17 she became one. A third generation Chinese-American, she went on to make dozens of films in Hollywood and Europe. She was one of the few actors to successfully transition from silent to sound cinema, co-starring with Marlene Dietrich, Anthony Quinn and Douglas Fairbanks along the way. She was glamorous, talented and cosmopolitan—yet she spent most of her career typecast either as a painted doll or a scheming dragon lady. For years, older generations of Chinese-Americans frowned upon the types of roles she played; but today a younger generation of Asian Americans sees her as a pioneering artist, who succeeded in a hostile environment that hasn’t altogether changed. Yunah Hong’s engrossing documentary is an entertaining and imaginative survey of Wong’s career, exploring the impact Wong had on images of Asian American women in Hollywood, both then and now. Excerpts from Wong’s films, archival photographs and interviews enhance this richly detailed picture of a woman and her extraordinary life.

TEA & JUSTICE chronicles the experiences of three women who joined the New York Police Department during the 1980s—the first Asian women to become members of a force that was largely white and predominantly male. In this award-winning documentary, Officer Trish Ormsby and Detectives Agnes Chan and Christine Leung share their fascinating stories about careers and personal lives, as well as satisfactions and risks on the job, the stereotypes they defied, and how they persevered. Intrigued by the image of Asian women in a non-traditional profession, filmmaker Ermena Vinluan explores her own mixed feelings about cops while honoring the challenges Ormsby, Chan and Leung embraced, and the far-reaching changes they helped bring about. Interviews with ordinary New Yorkers, leading advocates of law enforcement reform, and anti-police abuse activists consider proposed changes in police culture and explain how women’s preventive policing style, based on communication, contrasts with more reactive, physically forceful methods used by men. Humorous cartoons, lively graphics depicting cultural icons of strong Asian women, and original music enhance this nuanced study of race, gender, and power.

Thirteen years, two radical activist all-stars-one conversation. Internationally renowned scholar, professor and writer Angela Davis and 89-year-old grassroots organizer and Nobel Peace Prize nominee Yuri Kochiyama spent over a decade conversing intimately about personal histories and influences that shaped them and their overlapping experiences. MOUNTAINS THAT TAKE WING offers the gift of these two remarkable women’s lives, sharing the pair’s recorded exchanges in 1996 and 2008. The film’s unique format honors the scope and depth of their knowledge on topics ranging from Jim Crow laws and Japanese American internment camps, to Civil Rights, anti-war, women’s and gay liberation movements, to today’s campaigns for political prisoners and prison reform. Intercut with compelling period footage, Davis and Kochiyama’s cogent observations, keen analyses, and steadfast resolve to create a more equitable, humane world offer inspiring lessons in empowerment and community building for current and future generations.

In a hip hop and R&B world dominated by men and noted for misogyny, the unstoppable female lyricists of SAY MY NAME speak candidly about class, race, and gender in pursuing their passions as female MCs. This worldwide documentary takes viewers on a vibrant tour of urban culture and musical movement, from hip hop’s birthplace in the Bronx, to grime on London’s Eastside, to Philly, Detroit, Chicago, Atlanta, and L.A., and points in between. Featuring interviews and musical performances from a diverse cast of women that includes Remy Ma, Rah Digga, Jean Grae, Erykah Badu, Estelle, as well as newcomers Chocolate Thai, Invincible and Miz Korona, this powerful documentary delves into the amazing personal stories of women balancing professional dreams with the stark realities of poor urban communities, race, sexism, and motherhood. The more than 18 artists featured in SAY MY NAME battle for a place in a society that creates few chances for women. From emerging artists filled with new creativity, to true pioneers like MC Lyte, Roxxanne Shante, and Monie Love, these are women turning adversity into art.

In 1965, Patsy Takemoto Mink became the first woman of color in the United States Congress. Seven years later, she ran for the US presidency and was the driving force behind Title IX, the landmark legislation that transformed women’s opportunities in higher education and athletics.

Fearless, feisty and resolute, the “Rough Aunties” are a remarkable group of women unwavering in their stand to protect and care for the abused, neglected and forgotten children of Durban, South Africa. This documentary by internationally acclaimed director Kim Longinotto (SISTERS IN LAW, DIVORCE IRANIAN STYLE) follows the outspoken, multiracial cadre of Thuli, Mildred, Sdudla, Eureka and Jackie, as they wage a daily battle against systemic apathy, corruption, and greed to help the most vulnerable and disenfranchised of their communities. Despite the harsh realities of violence, poverty, and racism in the women’s work at the Bobbi Bear child welfare organization and in the heartaches of their personal lives, the portraits that emerge on screen are filled with grace, wisdom, friendship, and a deeply stirring conviction. Neither politics, nor social or racial divisions stand a chance against the united force of the women. Once again Longinotto has managed to bring us an intimate portrait of change from Africa, this time from post-apartheid South Africa, a nation being transformed with hope and energy into a new democracy.

Single, frustrated, and lonely in the middle of Sydney’s thriving gay community, director Poppy Stockell decides to “research” a light-hearted look at the lesbian Internet-dating scene. To her surprise and delight, she forges a deep online connection with an English woman, Sandeep Virdi. When their innocent flirtation turns into true attachment, Poppy sends Sandeep a camcorder and viewers watch as Poppy and Sandeep’s virtual relationship blooms into a poignant love complicated by the reality that Sandeep is Sikh, lives at home with her conservative family, and has kept her sexuality a secret. Humorous and thoughtful, Searching 4 Sandeep explores the collision of love and ethnic, religious, and sexual identity. Filmmaker Stockell raises serious questions about a new kind of global romance at odds with the cultural, social, and geographical distances between people. Will Sandeep’s family overcome their homophobia? Will the star-crossed lovers surmount the obstacles separating them? Through raw, incredibly frank footage, Searching 4 Sandeep follows the couple’s tumultuous relationship across two years, and three continents, in a touching examination of sexuality, religion, globalization, and culture seen through the lens of this uniquely modern love story.

BELFAST GIRLS is a quiet, powerful story of two young women growing up in a city where neighbors are cut off from each other by permanent concrete and corrugated iron screens. These so-called “peace walls” have also become mental walls, dividing one community from another. Living in different worlds within the same city, Mairéad Mc Ilkenny and Christine Savage share the legacy of 30 years of conflict in Northern Ireland. With insightful clarity, Swedish director Malin Andersson reveals how, in their daily struggles and triumphs, these two strong women have more in common with each other than they have differences. For 20-year-old Catholic Mairéad, childhood memories of brutal arrests of her father at night and a constant fear for her life mix with wonderings what the “other side” looks like. She has never gotten to know a Protestant in her entire life – until the day her flatmate starts a new relationship. Suddenly “the other side” has moved into her house. Christine is Protestant and walks on the other side of the wall, dreaming about a house of her own and a boy to love. When she finally finds him, he’s a Catholic. Both girls find the courage to defy the legacy of separation handed down to them, creating a more hopeful future for themselves.

BLACK AND WHITE is one of the early films to shine a sensitive light on the experiences of intersex people. This beautiful and stylish film artfully explores the potent creative collaboration between Mani Bruce Mitchell and the acclaimed photographer Rebecca Swan. Portrayed through this lens, Mitchell’s story introduces viewers to notions of fluid gender identity, challenging rigid and binary categories. Mitchell was assigned male at birth, but when investigative surgery subsequently revealed that she had ovaries, she was renamed “Ruth” and reassigned the gender “female.” BLACK AND WHITE picks up on Mitchell’s story in 2005, weaving together her unflinching yet unexpectedly humorous insights, along with Swan’s descriptions of their creative collaboration on a book about gender identity. Documenting Mitchell's bold expression of her own intersex identity through the medium of art, the film portrays Mitchell with fullness and sensitivity. Combining intimate, present-day interviews with rich archival slides, photographs and film footage, as well as playful fragments of Super-8 stop-motion animation, BLACK AND WHITE is a stunning tribute to Mitchell’s courage and fierce commitment to change.

In popular Western imagination, a Muslim woman in a veil – or hijab – is a symbol of Islamic oppression. But what does it mean for women’s freedom when a democratic country forbids the wearing of the veil? In this provocative documentary, filmmaker Diana Ferrero portrays the struggle of two women – one in France and one in Iran – to express themselves freely. In 2004, the French government instituted an "anti-veil law," forbidding Muslim girls from wearing the hijab to school. Samah, a teenager in Paris who, at 14 decided to wear the veil, explains how the law attacks her sense of identity – and does not make her feel liberated. “Who says that freedom is not wearing anything on your head?” she asks. Half a world away in Tehran, “K,” forced to wear the hijab by the Islamic regime, defiantly wears it her own way – and her translucent scarf loosely draped over her hair puts her at risk of arrest. When Ferrero films her at home, K, comfortable in a tank top and shorts, says, “They call me Muslim... But do you see me as a Muslim? What do you have in your mind for a Muslim person?” Beautifully shot and finely crafted, THEY CALL ME MUSLIM highlights how women still must struggle for the right to control their own bodies – not only under theocratic regimes, but also in secular, democratic countries where increasing discrimination against Muslims and sexism intersect.

Nearly a decade in the making, this refreshingly honest film documents the challenges and desires of a group of young women in New Orleans by letting them film their own stories. As this diverse group of young women - two teenagers from the Desire housing projects, a single mother from the working-class suburb of Belle Chase across the river, and two girls from the most prestigious private high school in New Orleans—make short films about their own desires, this provocative film records the intimate dramas of their changing lives. Sensitively and intelligently interweaving the girls' short films throughout the film’s narrative, DESIRE pivots around the intimacy and risk that the two generations of filmmakers share together and with the audience. Addressing everything from sex and contraception to the impact of educational and material opportunities on their futures as women, DESIRE presents a nuanced and authentic look at modern young womanhood.

This compelling documentary takes an in-depth look at the 1972 presidential campaign of Shirley Chisholm, the first black woman elected to Congress and the first to seek nomination for the highest office in the land.

Are tomboys tamed once they grow up? This lively and inspiring documentary explodes that archaic myth with the stories of proud tomboys of all ages: African-American teenager Jay Gillespie; Massachusetts firefighter Tracy Driscoll, lesbian artist Nancy Brooks Brody and the inimitable political activist Doris Haddock, aka “Granny D”, whose walk across America in support of campaign finance reform has gained global attention. Interviews with these feisty women are intercut with personal photographs and archival footage to celebrate tomboys of all ages. Exploring the myriad ways gender identity is constructed from a very young age, TOMBOYS makes the connections between rebel girl and spirited women gloriously clear. With additional commentary by girls’ studies pioneer Carol Gilligan, these tales of energy and enterprise are a revelation to us all.

Academy Award Nominee for Best Documentary Short, FERRY TALES exposes a secret world that exists in the powder room of the Staten Island Ferry.

In 1965, when three women walked into the US House of Representatives in Washington D.C., they had come a very long way. Neither lawyers nor politicians, they were ordinary women from Mississippi,and descendants of African slaves. They had come to their country’s capital seeking civil rights, the first black women to be allowed in the senate chambers in nearly 100 years. A missing chapter in our nation’s record of the Civil Rights movement, this powerful documentary reveals the movement in Mississippi in the 1950’s and 60’s from the point of view of the courageous women who lived it – and emerged as its grassroots leaders. Their living testimony offers a window into a unique moment when the founders’ promise of freedom and justice passed from rhetoric to reality for all Americans. Through moving interviews and powerful archival footage, STANDING ON MY SISTERS' SHOULDERS weaves a story of commitment, passion and perseverance and tells the story of the women fought for change in Mississippi and altered the course of American history forever.

BETWEEN THE LINES offers rare interviews with over 15 major Asian-Pacific American women poets. Organized in interwoven sections such as Immigration, Language, Family, Memory, and Spirituality, it is a sophisticated merging of Asian-American history and identity with the questions of performance, voice, and image. This engaging documentary serves as poetry reading, virtual anthology, and, perhaps most importantly, moving testimony about gender, ethnicity, aesthetics, and creative choice. The carefully edited interviews and poems read reflect the filmmaker's desire to show both individual voice and diversity within the Asian-American women’s community. Theoretically as rich as the images and poems provided, there is also an implicit conversation in the film about the possibility and usefulness of an Asian-American women’s aesthetic/poetic. Using carefully selected archival images, historical footage, and brilliant photography as the scrim through which we hear the poets, BETWEEN THE LINES provides important and lively viewing for literature, history, ethnic and women’s studies classes.” - Joseph Boles, Visiting Scholar, Center for Visual Culture, Bryn Mawr

"This fascinating film follows the physically grueling and mentally exhausting training regimen of several young wanna-be GAEA GIRLS, a group of Japanese women wrestlers. The idea of them may seem like a total oxymoron in a country where women are usually regarded as docile and subservient. However, in training and in the arena, the female wrestlers depicted in this film are just as violent as any member of the World Wrestling Federation, and the blood that’s drawn is very real indeed. One recruit, Takeuchi, endures ritual humiliation not seen on screen since the boot camp sequences of FULL METAL JACKET. In DIVORCE IRANIAN STYLE, Kim Longinotto cinematically explored the previously unexplored world of the Tehran divorce courts. Working with co-director Jano Williams, Longinotto has been given access to shoot an insider’s verité account of this closely guarded universe." - Chicago Film Festival

WOMEN ORGANIZE! is an inspirational, half hour film that portrays women organizers across the U.S. who are involved in the global struggles for racial, social, and economic justice. In this film, we meet five women organizers of various backgrounds, peek at the campaigns they wage, and watch as they begin to pick up the tools to document their own transformative work. From working with high schools girls in a low-income neighborhood in Oregon to speaking out for Black lesbians and gays against homophobia or working with Asian immigrant women factory workers in California for decent working conditions, WOMEN ORGANIZE is an important film that should be used in women’s and ethnic studies classes and community based organizations.

Lou Glover grew up in New South Wales repeating the same homophobic and racist taunts she heard around her. Though she was raised in a white family, she was dark-haired and dark-eyed and was often asked if she was Aboriginal--a suggestion she vehemently denied. It wasn't until she came out as a lesbian and left the racist and homophobic environment in which she was raised that she began to explore her ancestry. And that's when she uncovered the secret that her father's family had been hiding for three generations. In this upbeat film from Australia, Lou Glover tells her own story as lesbian, one-time police officer, and recently-discovered Aboriginal woman.

BLACK WOMEN ON: THE LIGHT, DARK THANG explores the politics of color within the African-American community. Women representing a variety of hues--from honey-vanilla to brown-sugar chocolate--speak candidly about the longstanding "caste system" that permeates black society. These women share provocative, heart-wrenching personal stories about how being too light or too dark has profoundly influenced their life and relationships--from childhood on and throughout their adult years. Originating in a culture of slavery, the "light, dark thang" still persists. Even today it haunts black women's individual and collective memories. Both entertaining and transformative viewing, BLACK WOMEN ON: THE LIGHT, DARK THANG combines personal interviews and historical footage with literary and dramatic vignettes.

Afros, braids or corn rows--hairstyles have always carried a social message, and few issues cause as many battles between black parents and their daughters. To "relax" one's hair into straight tresses or to leave it "natural" inevitably raises questions of conformity and rebellion, pride and identity. Today, trend-setting teens happily reinvent themselves on a daily basis, while career women strive for the right "professional" image, and other women go "natural" as a symbol of comfort in their Blackness. Filmmaker Nadine Valcin meets a diverse group of black women who reveal how their hairstyles relate to their lives and life choices. BLACK, BOLD AND BEAUTIFUL celebrates the bonds formed as women attend to each other's hair while exploring how everyday grooming matters tap into lively debates about self-determination and society's perceptions of beauty.

This classic rerelease from award-winning filmmaker Lourdes Portillo (Señorita Extraviada, Las Madres: The Mothers of Plaza de Mayo ) is a complex tribute to Selena, the Tejana superstar gunned down in 1995 at the age of 23 by the president of her fan club, just as she was on the brink of blockbuster crossover fame. While the story of her murder, which was filled with sex, glamour and betrayal, caught the attention of many outside the Chicano community, this film moves well beyond the sensational to present a nuanced feminist analysis of Selena's story. Clips of rare home movies, family photos, and glossy music videos from later in Selena's career are interspersed with lively conversations with her father, sister and Latina intellectuals that shed light into just who Selena was and what makes her such a powerful figure today. Staying true to the “home movie” feel, Portillo interviews ordinary people in Selena's hometown of Corpus Christie, including starry-eyed teenaged fans and tearful strangers who visit her grave. With a compassionate lens, Portillo places Selena's life and legacy in a cultural context, revealing powerful social forces that transformed a popular entertainer into a Chicana cultural icon turned modern-day saint.

"A visually expressive personal documentary that explores a family's history. Filmmaker Thakur mixes richly abstract filmmaking with disturbing archival war footage to narrate the story of her Danish mother's and Indian father's experiences. Her mother survives Nazi-occupied Denmark while her father experiences the devastating civil war in India between Hindus and Muslims. Both émigrés to Canada, they meet and marry, linking two parallel wars. Their daughter lyrically turns these two separate histories into a visually rich poem linking past and present in a new singular identity." Doubletake Documentary Film Festival Catalogue

"Five Native American Women from diverse tribal backgrounds tell moving stories, from their lives and cultural memory that concern wellness — physical, emotional, mental and spiritual — and the connection of Native women through shared experience and cultural legacy. That legacy enables them to merge traditional ways of living and healing with contemporary life in this hopeful, heartfelt, and beautiful piece. Highly recommended for classes in Women's Studies, American Studies, Diversity, and Multicultural Studies." - Jane Caputi, Florida Atlantic University Sundance Film Festival

MY FEMINISM is a critically important look at second wave feminism in the 1990’s, a time rife with anti-feminist backlash. Powerful interviews with feminist leaders including bell hooks, Gloria Steinem, and Urvsahi Vaid are intercut with documentary sequences to engagingly explore the past and present and future status of the women's movement. Discussing the unique contributions of second wave feminism, they explore their racial, economic and ideological differences and shared vision of achieving equality for women. An essential component of women's studies curricula, MY FEMINISM introduces feminism's key themes while exposing the cultural fears underlying the lesbian baiting, backlash, and political extremism which informed feminist dialogues in the 90’s, some of which continues to this day.

An autobiography charts the influence of the filmmaker’s six-year experience as an African American woman in Taiwan after college graduation. The highly original film recounts Welbon’s discovery, through another language and culture, of being respected for who she is, without the constant of American racism, and how it helped her achieve self-knowledge. Linking this story with that of earlier women in Welbon’s family, the richly textured memoir blends dramatic sequences with documentary footage.

BEYOND BLACK AND WHITE is a personal exploration of the filmmaker’s bicultural heritage (Caucasian and Asian/Begali) in which she relates her experiences to those of five other women from various biracial backgrounds. In lively interviews and group discussions these women reveal how they have been influenced by images of women in American media, how racism has affected them, and how their families and environments have shaped their racial identities. Their experiences are placed within the context of history, including miscegenation laws and governmental racial classifications. BEYOND BLACK AND WHITE is a remarkable celebration of diversity in American society.

Refreshingly sophisticated in both form and content, BRINCANDO EL CHARCO contemplates the notion of “identity” through the experiences of a Puerto Rican woman living in the US. In a wonderful mix of fiction, archival footage, processed interviews and soap opera drama, BRINCANDO EL CHARCO tells the story of Claudia Marin, a middle-class, light-skinned Puerto Rican photographer/videographer who is attempting to construct a sense of community in the US. Confronting the simultaneity of both her privilege and her oppression, BRINCANDO EL CHARCO becomes a meditation on class, race and sexuality as shifting differences. BRINCANDO EL CHARCO was funded by the Independent Television Service (ITVS) with funds provided by the Corporation for Public Broadcasting.

Yuri Kochiyama was a Japanese American woman who lived in Harlem for more than 40 years and had a long history of activism on a wide range of issues. Through extensive interviews with family and friends, archival footage, music and photographs, YURI KOCHIYAMA chronicles this remarkable woman’s contribution to social change through some of the most significant events of the 20th century, including the Black Liberation movement, the struggle for Puerto Rican independence, and the Japanese American Redress movement. In an era of divided communities and racial conflict, Kochiyama offered an outstanding example of an equitable and compassionate multiculturalist vision.

Inspired by the controversy surrounding the 500th anniversary of Christopher Columbus' "discovery" of America, Portillo has fashioned a fanciful version of a courtroom were Columbus to return from his grave to stand trial. Cross-examined by the Latino comedy group, Culture Clash, Columbus is charged with atrocities against the Native peoples of the New World, including the rape and violent treatment of women. Satire and parody rule in this dynamic document about American history and colonization.

The stereotype of the polite, docile, exotic Asian woman is shattered in this documentary in which a dozen women speak about their experiences as part of the "model minority." JAPANESE AMERICAN WOMEN explores the ambivalent feelings the women have both towards Japan and the United States. The underlying theme is the burden of being different, of being brought up “one of a kind” as opposed to growing up part of an ethnic community. An uneasy feeling prevails of being neither Japanese nor American, and the documentary ultimately becomes the story of Japanese American women and their search for a sense of place.

Using interviews, photographs and theatrical vignettes, Home is Struggle explores the lives of women who have come to the United States from different Latin American countries-Nicaragua, Chile, Argentina and the Dominican Republic-for very different reasons, economic and political. In sharing stories about their pasts and present and their views on issues such as sexism and personal and political repression, Home is Struggle presents an absorbing picture of the construction of 'Latina' identity and the immigrant experience.

An upbeat, ironic look at America’s multicultural society, COLOR SCHEMES uses the metaphor of “color wash” to tackle conceptions of racial assimilation. Challenging stereotypes, twelve writer/performers collaborate on four performance sequences—soak, wash, rinse and extract. Spinning through this tumble- jumble of America’s washload, the performers scheme to claim racial images that remain color vivid. Digital preservation copy now available for exhibition! Please contact [email protected] for more information.

Common themes of identity, alienation and herstory in the context of the diasporan experience emerge in this powerful film. Four Black and Third World women artists, among them African American feminist poet Audre Lorde and Palestinian performance artist Mona Hatoum, speak forcefully through their art and writing.