Breast Cancer

Unlike anyone you've ever met, LuLu is a hard-living, chain-smoking rebel with a tender heart; poet with a potty mouth; farm girl; former cheerleader; world-class biochemistry pioneer; and beloved professor. Aka Dr. Louise Nutter, she has just discovered a new anti-cancer drug when, at 42, she learns she has terminal breast cancer. Reminiscent of Peter Friedman and Tom Joslin’s SILVERLAKE LIFE, THE LULU SESSIONS, via video diary, records the journey S. Casper Wong shared with her mentor, best friend, and on-again-off-again lover over the last 15 months before LuLu died. Her compelling film chronicles how the two women test the limits of their bond and take on life's ultimate adventure, shedding old presumptions and values while adopting new ones in the process. Reflective, intensely honest, and surprisingly humorous, this unforgettable documentary makes life’s last journey accessible in ways rarely seen before on screen.

A multi-layered work featuring animation, archival footage and interviews with the likes of William Burroughs, Carolee Schneemann and Richard Hell, Who’s Afraid of Kathy Acker by Austrian artist Barbara Caspar and co-produced by Annette Pisacane (Nico Icon) and Markus Fischer, is a thoughtful and creative film biography/essay on the late outlaw writer and punk icon, whose formally inventive novels, published from the ’70s through the mid-’90s, challenged assumptions about gender roles, sexuality, and the literary canon. A beguiling and intensely contradictory figure, Acker is best known for books which creatively appropriated texts from Great White Male writers, retelling them in an emotionally raw, sexually blunt, and politically questioning female voice. With her conceptual art videos in the ’70s, her close-cropped dyed blond hair, her tattoos, and her piercings, Acker was a performance artist, proto riot grrl, and living link to the transgressive authors of the ’50s and ’60s US and French experimental fiction scenes. Caspar has made a film that captures the essence of both Acker the writer and Acker the person while celebrating the avant-garde legacy of an artist who forever expanded the limits of self-expression. — Scott Macaulay, Filmmaker Magazine

In this highly personal and visually evocative testimonial, critically acclaimed South Asian filmmaker Nandini Sikand poignantly presents her sister’s triumphal recovery from the emotional and physical scars of breast cancer. Lyrically incorporating poetry, experimental video and Super-8 montage, this moving piece looks at the myth of Amazonian women - warriors who were said to have cut off their right breast to become better archers - and compares their legendary battles to the war being waged against breast cancer. As Sikand’s sister reads passages describing her fight with the disease, the geography of her body is explored and compared to the scarred landscape of the urban environment. Traversing the pulsating and dizzying streets, the city and body become one to highlight women’s lives as triumphant urban warriors. Moving and inspiring, this short experimental film is a tribute to all women who have struggled with breast cancer.

“Every once in a while someone comes up with a film that sends us a clear signal that it's time to re-evaluate our lives. The film MY LEFT BREAST is not just for women living with breast cancer--it's for everyone.” – Canadian Breast Cancer Foundation. Incorporating a unique blend of wit, wisdom and resilience, filmmaker Gerry Rogers bravely recounts her story of breast cancer survival to share with the world that life, indeed, can continue with full force and vigor. Shortly after being diagnosed at age 42, Rogers began to document her ordeal on camera in an attempt to confront her own questions and fears about breast cancer. Rather than present a somber and morose meditation on this difficult experience, she decides to invoke humor to frankly reflect on the meaning of this disease on her life, as well as on the lives of her friends and family. The result is a one-of-kind approach to positively coping with a potentially fatal disease. Rather than merely chronicling how one copes with an infirmity, MY LEFT BREAST serves as a model for overcoming every challenge and obstacle in life with clarity and honesty. In the same vein as the most highly regarded films on health, such as COMPLAINTS OF A DUTIFUL DAUGHTER, this powerful film intimately embraces the emotional challenges of disease, demonstrates acceptance and, above all, affirms life.

From the makers of the Oscar-winning IN THE SHADOWS OF THE STARS, this fascinating documentary follows a group of women - all breast cancer activists who are fighting or have survived the disease - who are on a personal mission to unearth the causes of breast cancer. The result is RACHEL'S DAUGHTERS, an engaging detective story and detailed analysis of the science and politics of this epidemic. Seeing themselves as spiritual heirs of author Rachel Carson, whose 1962 book SILENT SPRING warned of the dangers of DDT exposure, they focus on issues including chemical contamination, radiation, and electromagnetic exposure to find breast cancer's causes. Addressing environmental racism, inequalities in research funding, and disparities in cancer rates for women of color, they track the effects of social biases on cancer incidence and health care delivery. Incorporating interviews with prominent scientists, documentary footage from high cancer rate areas, and the investigating womens' personal battles to stay healthy, RACHEL'S DAUGHTERS offers a scientifically rigorous and intensely affecting view of this growing epidemic. An unprecedented warning of the dangers of industrialization; it is an inspiring rallying cry for those working to change current views about women's health.

“I’m the first among our friends to have cancer... Many will see their future in the way I handle mine,” Barbara Rosenblum wrote after learning she had advanced breast cancer. For three years Barbara had yet to live, she and her partner, Sandra Butler, documented their lives with courage and frankness. This stunning film provides a unique view into the intimacy of a relationship in a time of crisis. The two women talk about their identity as Jewish women and as lesbians, and they speak openly about the difficult issues each is facing: anger, guilt, feelings about their bodies and changing sexuality, about death and loss. Never once losing either its balance or its fierce emotional integrity, CANCER IN TWO VOICES provides a practical example of dealing with death with sensitivity and a deep commitment to living.

This bold, stunning exploration of a white mother who undergoes a radical mastectomy and her Black daughter who embarks on a modeling career reveals the profound effects of body image and the strain of racial and sexual identity on their charged, intensely loving bond. At the heart of Onwurah’s brave excursion into her mother’s scorned sexuality is a provocative interweaving of memory and fantasy. The filmmaker plumbs the depths of maternal strength and daughterly devotion in an unforgettable tribute starring her real-life mother, Madge Onwurah.