The Righteous Babes

A film by Pratibha Parmar

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SYNOPSIS

In this accomplished documentary, acclaimed filmmaker Pratibha Parmar (A PLACE OF RAGE, WARRIOR MARKS) explores the intersection of feminism with popular music, focusing on the role of female recording artists in the 1990s and their influence on modern women. Parmar argues that, far from being dead, feminism has thrived and expanded its reach through the direct, aggressive, and revolutionary medium of rock music, and through the role models of performers like Madonna and Ani DiFranco. Intercutting performance footage with interviews, Parmar explores her thesis with some of the most outspoken female musicians, feminist theorists, and journalists of the UK and US, including Sinead O’Connor, Skin (Skunk Anansie), Chrissie Hynde (The Pretenders), Tori Amos, Ani DiFranco, Camille Paglia, and Gloria Steinem. THE RIGHTEOUS BABES offers a searing and timely critique of the commercialization of feminism through 'Girl Power' Spice Girls style, ditzy Ally McBeal and her trans-Atlantic counterpart, Bridget Jones. With critical insight and candidness, this powerful and timely documentary demonstrates the vibrancy and relevance of feminism to women and young girls today. Essential viewing for feminists, post-feminists and anti-feminists alike.

PRESS

“The righteous rage of The Righteous Babes tears the cobwebs off feminism: these fierce rock divas roll it out of the libraries and into packed concert halls. A sexy, invigorating must-see...”

Patricia R. Zimmermann Ithaca College

“Move over Spice Girls. Fast-paced, wryly observed, insightful, The Righteous Babes demolishes the “post” in “post-feminism.” In this video, popular culture — rock music — rather than marking the end of feminism through the commodification and containment of its revolutionary promise, instead emerges as a vital and contested ground of feminism’s on-going possibilities.”

Ann Pellegrini English and Women’s Studies, Harvard University

SCREENING HIGHLIGHTS AND AWARDS

Women's Film Festival, Seoul

ABOUT FILMMAKER(S)

Pratibha Parmar

Pratibha Parmar is an award-winning British filmmaker – a writer, director and producer with a track record of bringing deeply compelling stories into the mainstream media, stories that resonate beyond the margins. She has worked across multiple genres – feature documentaries, short dramas, music videos, a narrative feature, and is a recent director of episodic television, LAW & ORDER SUV and Ava DuVernay’s QUEEN SUGAR. Her work has appeared in a variety of broadcast and theatrical platforms.

Pratibha’s documentary A PLACE OF RAGE, on African American women and the civil rights movement, which focused on June Jordan and Angela Davis, received international critical acclaim and was named Best Historical Documentary at the National Black Programming Consortium in the US. Her other documentaries include the award-winning KHUSH, the first film to document the lives and experiences of South Asian lesbian and gay people in UK, Canada and India. KHUSH was the recipient of multiple international awards and became a cult classic in India where bootlegged copies created community screenings and opportunities for Indian LGBT people at a time when homosexuality was still illegal in India. Pratibha’s debut narrative feature, NINA’S HEAVENLY DELIGHTS, a rom-com set in Scotland, was released in the UK and US. Her documentary ALICE WALKER: BEAUTY IN TRUTH is the definitive film on this Pulitzer Prize-winning author and was broadcast on American Masters (PBS) and BBC.

A globally recognized filmmaker and human rights activist, Pratibha Parmar's films WARRIOR MARKS and KHUSH helped gain much-needed rights for women and girls as well as contributing to the visibility of marginalized LGBT communities. Her accomplishments have been recognized with multiple awards. In 2017, Pratibha was awarded the ICON award presented by Bagari London Indian Film Festival in Association with the British Film Institute for Outstanding Contribution to Indian and World Cinema. In 2016 she was included in the BBC’s list of 100 inspirational and influential women. Pratibha was awarded the Pink Peacock Award in recognition of exemplary Service to the South Asian Queer Community. She is the proud recipient of the Frameline Film Festival’s Lifetime Achievement Award (US), presented to an individual who has made a significant and outstanding contribution to lesbian and gay media. Pratibha is a member of the Academy of Motion Picture Arts and Sciences and the Directors Guild of America. (2/24)

Subject Areas

Alice Walker: Beauty in Truth

ALICE WALKER: BEAUTY IN TRUTH tells the compelling story of an extraordinary woman. Alice Walker made history as the first black woman to win the Pulitzer Prize for fiction for her groundbreaking novel, The Color Purple. Her early life unfolded in the midst of violent racism and poverty during some of the most turbulent years of profound social and political changes in North American history during the Civil Rights Movement. Mixing powerful archival footage with moving testimonials from friends and colleagues such as Howard Zinn, Angela Y. Davis, Gloria Steinem, Beverly Guy-Sheftall, Quincy Jones, Steven Spielberg and Danny Glover, ALICE WALKER: BEAUTY IN TRUTH offers audiences a penetrating look at the life and art of an artist, intellectual, self-confessed renegade and human rights activist.

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Wavelengths

WAVELENGTHS explores the time honored quest for love and human intimacy in the polished world of computers and the Internet. Set in gay bars, dreams, and cyberspace, this perceptive and highly visual film contemplates one woman's search for emotionally safer sex. Mona's girlfriend has left Mona with a broken heart, an empty goldfish tank, and—in her altered state—the ability to pick up other people's conversations. Stuck in the post relationship blues, Mona just can't seem to move on...that is until she discovers "cybersex". This stylish new film from Pratibha Parmar features photographs by Nan Goldin and the hit single "Missing" by Everything But The Girl.

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Warrior Marks

WARRIOR MARKS is a poetic and political film about female genital mutilation from the director of A PLACE OF RAGE, presented by the Pulitzer Prize winning author of THE COLOR PURPLE and POSSESSING THE SECRET OF JOY.

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Sari Red

Made in memory of Kalbinder Kaur Hayre, a young Indian woman killed in 1985 in a racist attack in England, SARI RED eloquently examines the effect of the ever-present threat of violence upon the lives of Asian women in both private and public spheres. In this moving visual poem, the title refers to red, the color of blood spilt and the red of the sari, symbolizing sensuality and intimacy between Asian women.

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Some American Feminists

SOME AMERICAN FEMINISTS explores one of the most significant social histories of this century-the second wave of the women's movement-and is a fascinating flashback on the women's liberation agenda in the light of 1990s backlash. Inspirational interviews with Ti-Grace Atkinson, Rita Mae Brown, Betty Friedan, Margo Jefferson, Lila Karp and Kate Millett are intercut with newsreel footage of the tumultuous sixties and early seventies. Produced by the National Film Board of Canada, Some American Feminists is critical viewing for all those interested in women's studies, history and social studies.

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My Feminism

MY FEMINISM is a critically important look at second wave feminism in the 1990’s, a time rife with anti-feminist backlash. Powerful interviews with feminist leaders including bell hooks, Gloria Steinem, and Urvsahi Vaid are intercut with documentary sequences to engagingly explore the past and present and future status of the women's movement. Discussing the unique contributions of second wave feminism, they explore their racial, economic and ideological differences and shared vision of achieving equality for women. An essential component of women's studies curricula, MY FEMINISM introduces feminism's key themes while exposing the cultural fears underlying the lesbian baiting, backlash, and political extremism which informed feminist dialogues in the 90’s, some of which continues to this day.

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Step by Step: Building a Feminist Movement, 1941-1977

"****Proving beyond a doubt that feminism began well before the 1960s, and that its players were not just the white middle class, this inspiring film follows the lives of eight Midwestern women, six of whom became founders of NOW. Set against a backdrop of decades of war, prosperity and reform, their stories beautifully illustrate the continuity and diversity of 20th-century feminism, as the participants describe the labor, civil rights, and political movements of the '40s and '50s that led them to take independent action for women. Using well-chosen archival footage, stills, music, and primary-source narration, producer Joyce Follet of the University of Wisconsin and consulting producer Terry Rockefeller (EYES ON THE PRIZE and AMERICA'S WAR ON POVERTY) offer a first-rate, panoramic-yet-personal view of the women on feminism's front lines." K.Glaser, Video Librarian

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The Edge of Each Other's Battles: The Vision of Audre Lorde

This powerful documentary is a moving tribute to legendary black lesbian feminist poet Audre Lorde, One of the most celebrated icons of feminism's second wave.

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I Was a Teenage Feminist

Why is it that some young, independent, progressive women in today's society feel uncomfortable identifying with the F-word? Join filmmaker Therese Shechter as she takes a funny, moving and very personal journey into the heart of feminism. Armed with a video camera and an irreverent sense of humor, Shechter talks with feminist superstars, rowdy frat boys, liberated Cosmo girls and Radical Cheerleaders, all in her quest to find out whether feminism can still be a source of personal and political power. In this enlightening documentary, screened worldwide, Shechter hunts down the answers to questions many women are grappling with about their roles and identities in today’s society: Is feminism dead, hibernating, or trapped below the radar? Have the goals of the ‘70s been accomplished or have feminism’s opponents appropriated and denigrated the movement beyond all recognition? If so, how did this happen? Do you have to be political to be a feminist? And do you even have to be female? With home movies clips of Shechter as a budding feminist, archival materials from old health classes, and music by Ani DiFranco, Lavababy, Gina Young, Moxie Starpark and the legendary Helen Reddy, I WAS A TEENAGE FEMINIST redefines the F-Word for a new generation.

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Say My Name

In a hip hop and R&B world dominated by men and noted for misogyny, the unstoppable female lyricists of SAY MY NAME speak candidly about class, race, and gender in pursuing their passions as female MCs. This worldwide documentary takes viewers on a vibrant tour of urban culture and musical movement, from hip hop’s birthplace in the Bronx, to grime on London’s Eastside, to Philly, Detroit, Chicago, Atlanta, and L.A., and points in between. Featuring interviews and musical performances from a diverse cast of women that includes Remy Ma, Rah Digga, Jean Grae, Erykah Badu, Estelle, as well as newcomers Chocolate Thai, Invincible and Miz Korona, this powerful documentary delves into the amazing personal stories of women balancing professional dreams with the stark realities of poor urban communities, race, sexism, and motherhood. The more than 18 artists featured in SAY MY NAME battle for a place in a society that creates few chances for women. From emerging artists filled with new creativity, to true pioneers like MC Lyte, Roxxanne Shante, and Monie Love, these are women turning adversity into art.

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A Place of Rage

This exuberant celebration of African American women and their achievements features interviews with Angela Davis, June Jordan and Alice Walker. Within the context of the civil rights, Black power and feminist movements, the trio reassess how women such as Rosa Parks and Fannie Lou Hamer revolutionized American society. A stirring chapter in African American history, highlighted by music from Prince, Janet Jackson, the Neville Brothers and the Staple Singers.

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Memory Pictures

A beautifully composed profile of gay Indian photographer, Sunil Gupta, and the way his work portrays issues of sexual and racial identity in relation to personal and familial history.

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Khush

KHUSH means ecstatic pleasure in Urdu. For South Asian lesbians and gay men in Britain, North America, and India (where homosexuality is still illegal) the term captures the blissful intricacies of being queer and of color. Inspiring testimonies bridge geographical differences to locate shared experiences of isolation and exoticization but also the unremitting joys and solidarity of being “khush”. Accentuated by beautifully lit dream sequences, dance segments and a dazzlingly sensuous soundtrack, this uplifting documentary conveys the exhilaration of a culturally rooted experience of sexuality.

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Jodie: An Icon

Jodie is a fast paced, breezy look at the transatlantic phenomenon that has made Hollywood actress Jodie Foster an icon for lesbians who identify with, adore and celebrate the screen personas of her remarkable career. Fans and queer cultural critics share their favorite ‘iconic’ moments giving illuminating lesbian readings of Foster’s key films which trace the charismatic actor’s progression from early tomboy parts as a child star to mature performances depicting active, strong willed women with attitude. Die hard Foster fans like comedienne Lea de Laria’s comment that “If I was Hannibal Lecter, it wouldn’t be her liver I’d want to eat,” express the desire and lust shared by Foster’s lesbian fans around the world. The film captures the Jodie Foster look alike contest in San Francisco and a visually slick montage of views on Foster’s butch femme indeterminacy all help to confirm Foster’s status as a dyke icon.

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Flesh and Paper

FLESH AND PAPER is a lyrical exploration of the sense and sensibilities of Indian lesbian poet and writer, Suniti Bamjoshi. This moving and powerful portrait of a unique and brave woman weaves Namjoshi’s life and writings into a sensual tapestry. Born into an Indian royal family, Namjoshi discusses her reasons for leaving India (she fell in love with her best friend), and her experiences as a cultural outsider in the U.S. Showing how “language invents worlds,” her vision as an Indian lesbian feminist is informed both by a lesbian consciousness and a deep Indian cultural framework. A prolific writer who has been widely published in the U.K., Canada and India over the past twenty years, Namjoshi’s poems, fables and novels are characterized by her wit and wry, satirical sense of humor. Shot on location in Devon, England as well as at the Old Palace in India, the film includes interviews with young Indo-British lesbians, expressive readings and choreographed dance segments. Sharing her life with fellow writer and poet Gilllian Hanscombe, Namjoshi’s passionate correspondence with her love reflects the intimacy and detail of this meditative piece. With great visual beauty and lyricism, FLESH AND PAPER, captures the spirit of Namjoshi’s poetry in an evocative, multi-layered way.

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Emergence

Common themes of identity, alienation and herstory in the context of the diasporan experience emerge in this powerful film. Four Black and Third World women artists, among them African American feminist poet Audre Lorde and Palestinian performance artist Mona Hatoum, speak forcefully through their art and writing.

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Double the Trouble, Twice the Fun

A rare and lively examination of disability and homosexuality as it affects both women and men

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Bhangra Jig

A vibrant short film about how young Asian people in Scotland celebrate desire and self-pride through dance and music.

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Sarabah

Rapper, singer and activist, Sister Fa is hero to young women in Senegal and an unstoppable force for social change. A childhood victim of female genital cutting (FGC), she decided to tackle the issue by starting a grassroots campaign, “Education Without Excision,” which uses her music and persuasive powers to end the practice. But until 2010 there’s one place she had never brought her message – back home to her own village of Thionck Essyl, where she fears rejection. SARABAH follows Sister Fa on this challenging journey, where she speaks out passionately to female elders and students alike, and stages a rousing concert that has the community on its feet. A portrait of an artist as activist, SARABAH shows the extraordinary resilience, passion and creativity of a woman who boldly challenges gender and cultural norms. It’s an inspiring story of courage, hope and change.

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Grrrl Love and Revolution: Riot Grrrl NYC

Fed up with the calcification of punk into a male-dominated, misogynistic and increasingly mainstream movement, the birth of Riot Grrrl inthe late 1980s brought together feminism and pop culture in an empowering, noisy union. The angry music of Riot Grrrl bands such as Bikini Kill and Bratmobile became a creative outlet to confront issues too often silenced in the media: rape, domestic abuse, sexuality, racism and female empowerment. Riot Grrrl created a feminist subculture which made its members active, front and center participants in the alternative punk scene. Filmmaker Abby Moser was at the heart of the NYC Riot Grrrl movement, filming them between 1993 and 1996, creating an invaluable archive for students learning the history of feminism. She captured the excitement of the times, and the articulate self-awareness of its members. She also documents their frustration with a mainstream media which dismissed feminism as a hobby, and the group’s own difficulties respecting the race and class divisions amongst themselves. Interweaving contemporary interviews with archival footage, this documentary examines the role of Riot Grrrl in launching third-wave feminism, and changing the face of women in music for future generations.

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