Skydancer

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Skydancer

A film by Katja Esson

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SYNOPSIS

Renowned for their balance and skill, six generations of Mohawk men have been leaving their families behind on the reservation to travel to New York City, to work on some of the biggest construction jobs in the world. Jerry McDonald Thundercloud and his colleague Sky shuttle between the hard drinking Brooklyn lodging houses they call home during the week and their rural reservation, a gruelling drive six hours north, where a family weekend awaits. Their wives are only too familiar with the sacrifices that their jobs have upon family life. While the men are away working, the women often struggle to keep their children away from the illegal temptations of this economically deprived area. Through archival documents and interviews, Academy Award®-nominated director Katja Esson (FERRY TALES, LATCHING ON) explores the colorful and at times tragic history of the Mohawk skywalkers, bringing us a nuanced portrait of modern Native American life and a visually stunning story of double lives.

PRESS

“Paints a fine portrait of the courage and conflicts of both the men who travel far from home to build skyscrapers in the bustling city, and of their families back on the Reservation who deal with their absences. This is a poignant and subtle film that shines a tender light upon contemporary Akwesasne Mohawk life…”

Peter M. Whiteley, Ph.D. Curator of North American Ethnology, American Museum of Natural History

"Insightful, retrospective, and balanced. A strong account of the Mohawk who SKYWALK and the personal toll on their family and community. Highly recommended."

-Michael Smith (Sioux) Founder/Director American Indian Film Festival

"Skydancer is a poignant film that captures the grit, pride, and sacrifice associated with a profession that has become a time-honored tradition for many Iroquois. … By revealing, in full context, the lives of those who have pursued this work, and in the process built America, the filmmakers have revealed the full skill and courage of Mohawk ironworkers."

Tim Johnson (Mohwak), Assoc. Director National Museum of the American Indian, Smithsonian Institution

“Highly Recommended... a harrowing documentary about Native American Iron Workers who tempt fate every time a high rise is being built in New York City... The film does a superb job of telling the history of Mohawk stereotypes when America was being founded…”

Educational Media Reviews Online

"3 stars! Esson captures the interesting lives of these Mohawk skywalkers."

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SCREENING HIGHLIGHTS AND AWARDS

One World Film Festival, Prague
Margaret Mead Film Festival, New York
Big Sky Documentary Festival, Missoula
Hot Springs Film Festival
Salem Film Festival * Nomination EDA Award
Environmental Film Festival, Smithsonian Washington DC
Shanghai Television and Film Festival * Magnolia Award Nomination for ‘Best Documentary, Best Director, Best Camera’
Brooklyn Film Festival
ReFrame Peterborough International Film Festival
Salem Film Festival
Arlington International Film Festival

ABOUT FILMMAKER(S)

Katja Esson

Katja Esson is an Academy Award-nominated filmmaker, born in Germany and based in Miami. Known for her intimate character-driven documentaries tackling race, class, and gender, her credits include WMM release FERRY TALES, which turns the unlikely setting of the Staten Island Ferry Powder Room into a celebration of sisterhood (HBO 2004). In 2007, HOLE IN THE SKY - THE SCARS OF 9/11 received the Gold-Award at the World-Media-Festival. Her 2011 film SKYDANCER, a WMM release, about two Mohawk ironworkers torn between the Akwesasne reservation and New York City, received nominations for Best Film, Best Director, and Best Cinematography at the Shanghai Film Festival and premiered on PBS and ARTE in 2011. Katja’s POETRY OF RESILIENCE, a WMM release, was nominated for the Cinema for Peace Award in 2012. Her five-part documentary series BACKROADS USA (2014) and AMERICAN RIVERS (2016) premiered on ARTE and PBS in 2018. A Simons-Public Humanities Fellow at Kansas University, her films have screened at the Museum of Modern Art, American Museum of Natural History, and the Smithsonian. Katja’s work has been supported by the National Endowment for the Arts, the Knight Foundation, ITVS, IDA Enterprise, NYSCA, the Redford Center, Sundance and the Ford Foundation. (10/23)

Clips

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Subject Areas

Anthropology Family Relations History Labor Studies Native American Population Studies Sociology

Ferry Tales

Academy Award Nominee for Best Documentary Short, FERRY TALES exposes a secret world that exists in the powder room of the Staten Island Ferry.

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Poetry of Resilience

Academy® Award nominated director Katja Esson’s (FERRY TALES, LATCHING ON) exquisitely made film explores survival, strength and the power of the human heart, body and soul—as expressed through poetry. She highlights six different poets, who individually survived Hiroshima, the Holocaust, China’s Cultural Revolution, the Kurdish Genocide in Iraq, the Rwandan Genocide, and the Iranian Revolution. By summoning the creative voice of poetry to tell stories of survival and witness, each reclaims humanity and dignity in the wake of some of history’s most dehumanizing circumstances. POETRY OF RESILIENCE gives us an intimate look into the language of the soul and brings us closer to understanding the insanity of war and how art will flourish, in spite of any obstacle.This film is recommended for courses in poetry studies, literature, peace and conflict studies and genocide studies.

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Latching On

After filmmaker Katja Esson’s sister gave birth in Germany, she was able to breastfeed her baby anywhere and at any time. Returning home to New York, Esson found that breastfeeding was rarely practiced and largely unseen. Academy Award® Nominee Esson (Ferry Tales) turned her quirky eye on the subject and set out to learn why this was so. Her wide-ranging, frequently funny documentary highlights the intersecting economic, social, and cultural forces that have helped replace mother’s milk with formula produced by a billion dollar industry, and reveals the challenges and rewards for women who buck the trend. Latching On draws on lively first-hand accounts from mothers of diverse ethnicities and economic backgrounds, as well as candid observations by pediatricians, healthcare providers, lactation specialists, and the proprietor of New York’s first breastfeeding boutique. Including data about paid maternity leave, hospital post-delivery policies, and workplace accommodations for nursing mothers, the film compares current US practices with standards adopted elsewhere. Tensions around public breastfeeding and "breast is best" promotion campaigns highlight society's perceived interest in regulating women's reproductive behavior, as well as the power of culture to assign sexual and moral meaning to mothers' bodies. Entertaining and insightful, Latching On is an important analysis of the politics of breastfeeding, illuminating the complexities behind a simple, natural act.

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Conscience Point

CONSCIENCE POINT unearths a deep clash of values between the Shinnecock Indian Nation and their elite Hamptons neighbors, who have made sacred land their playground.

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Waging Change

WAGING CHANGE shines a light on an American struggle hidden in plain sight: the women-led movement to end the federal tipped minimum wage for restaurant workers.

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Navajo Talking Picture

In NAVAJO TALKING PICTURE film student Arlene Bowman (Navajo) travels to the Reservation to document the traditional ways of her grandmother. The filmmaker persists in spite of her grandmother's forceful objections to this invasion of her privacy. Ultimately, what emerges is a thought-provoking work which abruptly calls into question issues of "insider/outsider" status in a portrait of an assimilated Navajo struggling to use a "white man's" medium to capture the remnants of her cultural past. Excellent for film studies as well as those interested in Native American culture.

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Apache 8

For 30 years, the all-female Apache 8 unit has protected their reservation from fire and also responded to wildfires around the nation. This group of firefighters, which recently became co-ed, soon earned the reputation of being fierce, loyal and dependable—and tougher than their male colleagues. Facing gender stereotypes and the problems that come with life on the impoverished reservation, the women became known as some of the country’s most elite firefighters. From director Sande Zeig and executive producer Heather Rae, APACHE 8 combines archival footage and present-day interviews and focuses primarily on four women from different generations of Apache 8 crewmembers, who speak tenderly and often humorously of hardship, loss, family, community and pride in being a firefighter. The women are separated from their families, face tribe initiation, and struggle to make a living in a community ravaged by unemployment and substance abuse. But while the women may have initially set out to try and earn a living in their economically challenged community, they quickly discover an inner strength and resilience that speaks to their traditions and beliefs as Native women.

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The Desert Is No Lady

With provocative imagery and spirited juxtapositions, THE DESERT IS NO LADY looks at the Southwest through the eyes of its leading contemporary women artists and writers, including author Sandra Cisneros. The nine women profiled are Pat Mora (poet), Sandra Cisneros (writer), Lucy Tapahonso (poet), Emmi Whitehorse (painter), Harmony Hammond (painter), Meridel Rubinstein (photographer), Nora Naranjo Morse (sculptor), Pola Lopez de Jaramillo (painter) and Ramona Sakiestewa (tapestry artist). The Southwest is a border territory - where cultures meet and mix - and the work of these nine women from Pueblo, Navajo, Mexican-American and Anglo backgrounds reflects its special characteristics. THE DESERT IS NO LADY is a vibrant celebration of the diversity of women's creativity and changing multicultural America. "An inspiring tapestry of history, imagination and daily life. I highly recommend it." - Vicki L. Ruiz, Arizona State University

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LaDonna Harris: Indian 101

LADONNA HARRIS: INDIAN 101 from Comanche filmmaker Julianna Brannum, chronicles the life of Comanche activist and national civil rights leader LaDonna Harris and the role that she has played in Native and mainstream America history since the 1960s. In this new verite style documentary, Brannum, the great niece of Harris, celebrates her life and the personal struggles that led her to become a voice for Native people and her contemporary work to strengthen and rebuild indigenous communities and train emerging Native leaders around the world. Harris’s activism began in Oklahoma, fighting segregation and assisting grassroots Native and women’s groups. In Washington LaDonna introduced landmark programs and legislation returning territory to tribes, improving education and healthcare for Native Americans, ending job discrimination against women, and targeting other pressing issues of the time. For over three decades, “Indian 101,” her course for legislators, combatted ignorance about America’s most marginalized population. Using interviews, archival footage and photographs, this film justly celebrates one of the most important women leaders in Native American and U.S. history.

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Transnational Tradeswomen

Inspired by organizers at the Beijing Conference on Women in 1995, former construction worker Vivian Price spent years documenting the current and historical roles of women in the construction industry in Asia – discovering several startling facts. Capturing footage that shatters any stereotypes of delicate, submissive Asian women, Price discovers that women in many parts of Asia have been doing construction labor for centuries. But conversations with these women show that development and the resulting mechanization are pushing them out of the industry. Their stories disturb the notion of “progress” that many people hold and show how globalization, modernization, education and technology don’t always result in gender equality and the alleviation of poverty. Celebrating a range of women workers – from a Japanese truck driver, to two young Pakistani women working on a construction site in Lahore, to a Taiwanese woman doing concrete work alongside her husband – this film deftly probes the connections in their experiences. In a segment exploring the history of the Samsui women in Singapore (Chinese women who were recruited as construction laborers in the 1920's until they lost their jobs to mechanization in the 1970’s) unique archival footage and interviews with surviving Samsui offer an importation perspective on the historical and global scope of women workers’ struggles.

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OUR CATALOG

Skydancer

SYNOPSIS

PRESS

SCREENING HIGHLIGHTS AND AWARDS

ABOUT FILMMAKER(S)

Clips

Subject Areas

RELATED LINKS

YOU MIGHT ALSO BE INTERESTED IN

Ferry Tales

Poetry of Resilience

Latching On

Conscience Point

Waging Change

Navajo Talking Picture

Apache 8

The Desert Is No Lady

LaDonna Harris: Indian 101

Transnational Tradeswomen