Coffee Colored Children

A film by Ngozi Onwurah

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SYNOPSIS

This lyrical, unsettling film conveys the experience of children of mixed racial heritage. Suffering the aggression of racial harassment, a young girl and her brother attempt to wash their skin white with scouring powder. Starkly emotional and visually compelling, this semi-autobiographical testimony to the profound internalized effects of racism and the struggle for self-definition and pride is a powerful catalyst for discussion.

PRESS

“Raw and raptly personal, an elegiac exploration of Black childhood’s enforced pains.”

John Lyttle Philadelphia City Limits

“Onwurah’s award-winning first film is a terrifying heartbreaker.”

Ellen Cohn Village Voice

SCREENING HIGHLIGHTS AND AWARDS

Films de Femmes, Creteil, France
San Francisco Film Festival, Golden Gate Award
Nat’l Black Programming Consortium, Prized Pieces

ABOUT FILMMAKER(S)

Ngozi Onwurah

Black British filmmaker Ngozi Onwurah takes on the issues of time and space in her work which embraces heterogeneity and multiple sites of subjectivity. Onwurah consistently navigates and challenges the limits of narrative and ethnographic cinema by insisting that the body is the central landscape of an anti-imperialist cinematic discourse.

An accomplished director with several episodes of the top British TV drama series "Heartbeat" to her credit, Ngozi Onwurah also wrote and directed the prize-winning feature "Welcome II the Terrordome." Sometimes fierce and at others more gently humorous, Onwurah tackles the clashes and ironies of the apparent gulf separating black and white, whilst showing that under the skin, emotions are universal.

Onwurah’s films have won prizes at the Berlin Film Festival, Germany; Melbourne Film Festival, Australia; Toronto Film Festival, Canada; and at NBPC, USA. (09/09)

Subject Areas

The Body Beautiful

This bold, stunning exploration of a white mother who undergoes a radical mastectomy and her Black daughter who embarks on a modeling career reveals the profound effects of body image and the strain of racial and sexual identity on their charged, intensely loving bond. At the heart of Onwurah’s brave excursion into her mother’s scorned sexuality is a provocative interweaving of memory and fantasy. The filmmaker plumbs the depths of maternal strength and daughterly devotion in an unforgettable tribute starring her real-life mother, Madge Onwurah.

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And Still I Rise

Inspired by a poem by Maya Angelou, this powerful film explores images of Black women in the media, focusing on the myths surrounding Black women's sexuality. Like COLOR ADJUSTMENT, in which Marlon Riggs looked at images of Black people on television, AND STILL I RISE uses images from popular culture to reveal the way the media misrepresents Black women's sexuality. A combination of fear and fascination produces a stereotypical representation which in turn impacts on the real lives of Black women. AND STILL I RISE intercuts historical and media images with hard-hitting contemporary views of women of African heritage as they struggle to create a new and empowered perspective. Both a celebration and a critique, AND STILL I RISE is essential viewing for those interested in African American studies, women's studies, media studies and popular culture. From the director of THE BODY BEAUTIFUL and COFFEE COLORED CHILDREN.

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The Desired Number

The Desired Number is only available as part of a series "Women's Lives and Choices." View series.

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Monday’s Girls

This fascinating documentary, by the filmmaker of THE BODY BEAUTIFUL, follows two young Nigerian women’s different experiences of a traditional rite of passage. Young virgins, irabo, spend five weeks in “fattening rooms”, emerging to dance before the villagers and to be married. The girls wear heavy copper coils on their legs to enforce inactivity as they are waited on and honored by their families. One of the young village women, Florence, is keen to take part. But Akisiye, who returns from the city at her father’s behest, is not certain she wants to. Combining voice-over and interviews, MONDAY'S GIRLS documents tradition, modernity, dissent and contradiction in African women’s lives.

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Too Black to be French

In this documentary film, Isabelle Boni-Claverie explores the role of race and the persistence of racism in France, as well as the impact of the French colonial past. Through an exploration of her personal family history, and interviews with historians and academics, TOO BLACK TO BE FRENCH peels back the layers of race relations in supposedly institutionally colorblind France. Boni-Claverie, a French-Ivorian, who grew up in upper class French society, unpacks how socio-economic privilege doesn’t mean protection from racial discrimination. Boni-Claverie solicits anonymous individuals to speak on their daily experiences with race, class, discrimination and micro-aggressions. TOO BLACK TO BE FRENCH also features interviews with acclaimed sociologists and historians including Pap Ndiaye, Eric Fassin, Achille Mbembe, and Patrick Simon to help contextualize racial history in France. Boni-Claverie’s film starts an urgent discussion on French society's inequalities and discrimination.

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