Browse Films

Array
(
    [id] => 588
    [title] => What Happened to Her
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/what-happened-to-her
            [title] => more
        )

    [image_thumb] => https://www.wmm.com/storage/films/what-happened-to-her/320x-whth_hires1.png
    [created_at] => Array
        (
        )

    [year_released] => 2016
    [text] => WHAT HAPPENED TO HER is a forensic exploration of our cultural obsession with images of the dead woman on screen. Interspersing found footage from films and police procedural television shows and one actor’s experience of playing the part of a corpse, the film offers a meditative critique on the trope of the dead female body.
 
The visual narrative of the genre, one reinforced through its intense and pervasive repetition, is revealed as a highly structured pageant. The experience of physical invasion and exploitation voiced by the actor pierce the fabric of the screened fantasy. The result is recurring and magnetic film cliché laid bare. Essential viewing for Pop Culture, Women’s and Cinema Studies classes.
    [image] => https://www.wmm.com/storage/films/what-happened-to-her/whth_hires1.jpg
)

Array
(
    [id] => 587
    [title] => Faces of Harassment
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/faces-of-harassment
            [title] => more
        )

    [image_thumb] => https://www.wmm.com/storage/films/faces-of-harassment/320x-FOH1.png
    [created_at] => Array
        (
        )

    [year_released] => 2016
    [text] => FACES OF HARASSMENT is an experiment in storytelling about trauma. When the hashtag #MyFirstHarassment swept across Brazil, it showed not only the widespread experience of sexual harassment and assault, but a widespread hunger to bring it out of the shadows. FACES OF HARASSMENT amplifies this movement, by opening space for women to speak their own truth. The film was shot in a mobile storytelling van, parked in rich and poor neighborhoods alike across São Paulo and Rio de Janeiro and open to any woman. The van was a free, autonomous space, where women spoke to the camera directly, no interviewer or other influence present. FACES OF HARASSMENT offers an honest and unflinching look at the scourge of sexual harassment and assault - and at the radical possibilities for dignity and healing that can happen when women are free to speak completely for themselves.
    [image] => https://www.wmm.com/storage/films/faces-of-harassment/FOH1.jpg
)

Array
(
    [id] => 592
    [title] => Black Girl in Suburbia
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/black-girl-in-suburbia
            [title] => more
        )

    [image_thumb] => https://www.wmm.com/storage/films/black-girl-in-suburbia/320x-cbe_blasub_catalogbox.png
    [created_at] => Array
        (
        )

    [year_released] => 2016
    [text] => For many Black girls raised in the suburbs, the experiences of going to school, playing on the playground, and living day-to-day life can be uniquely alienating. BLACK GIRL IN SUBURBIA looks at the suburbs of America from the perspective of women of color. Filmmaker Melissa Lowery shares her own childhood memories of navigating racial expectations both subtle and overt-including questions like, "Hey, I just saw a Black guy walking down the street; is that your cousin?"

Through conversations with her own daughters, with teachers and scholars who are experts in the personal impacts of growing up a person of color in a predominately white place, this film explores the conflicts that many Black girls in homogeneous hometowns have in relating to both white and Black communities. BLACK GIRL IN SUBURBIA  is a great discussion starter for Freshman orientation week and can be used in a wide variety of educational settings including classes in sociology, race relations, African American Studies, Women's Studies, and  American Studies.
    [image] => https://www.wmm.com/storage/films/black-girl-in-suburbia/cbe_blasub_catalogbox.jpg
)

Array
(
    [id] => 582
    [title] => The Revival: Women and the Word
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/the-revival-women-and-the-word
            [title] => more
        )

    [image_thumb] => https://www.wmm.com/storage/films/the-revival-women-and-the-word/320x-REVIV_hires1.png
    [created_at] => Array
        (
        )

    [year_released] => 2016
    [text] => THE REVIVAL: WOMEN AND THE WORD chronicles the US tour of a group of Black lesbian poets and musicians, who become present-day stewards of a historical movement to build community among queer women of color. Their journey to strengthen their community is enriched by insightful interviews with leading Black feminist thinkers and historians, including Dr. Alexis Pauline Gumbs, Nikki Finney, and Alexis Deveaux. As the group tours the country, the film reveals their aspirations and triumphs, as well as the unique identity challenges they face encompassing gender, race, and sexuality. This is a rarely seen look into a special sisterhood - one where marginalized voices are both heard and respected.
    [image] => https://www.wmm.com/storage/films/the-revival-women-and-the-word/REVIV_hires1.jpg
)

Array
(
    [id] => 591
    [title] => Siberian Love
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/siberian-love
            [title] => more
        )

    [image_thumb] => https://www.wmm.com/storage/films/siberian-love/320x-siblove_hires1.png
    [created_at] => Array
        (
        )

    [year_released] => 2016
    [text] => In rural Siberia, romantic expectations are traditional and practical. The man is the head of the household. The woman takes care of the housekeeping and the children. But filmmaker Olga Delane doesn’t agree. While she was born in this small Siberian village, as a teenager she migrated to Berlin with her family, and 20 years of living in Germany has changed her expectations. SIBERIAN LOVE follows Delane home to her community of birth, where she interviews family and neighbors about their lives and relationships. Amusing and moving, this elegant film paints a picture of a world completely outside of technology, a hard-farming community where life is hard and marriage is sometimes unhappy—but where there are also unexpected paths to joy and family togetherness. Through clashing ideals of modern and traditional womanhood, SIBERIAN LOVE is a fascinating study of a country little known in the US and of a rural community that raises questions about domesticity, gender expectations, domestic abuse, childcare, and romance. Excellent for anthropology, women's studies, sociology, Russian and Eastern European Studies.
    [image] => https://www.wmm.com/storage/films/siberian-love/siblove_hires1.jpg
)

Array
(
    [id] => 586
    [title] => Girls' War
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/girls-war
            [title] => more
        )

    [image_thumb] => https://www.wmm.com/storage/films/girls-war/320x-GWAR1.png
    [created_at] => Array
        (
        )

    [year_released] => 2016
    [text] => As the forces of ISIS and Assad tear through villages and society in Syria and Northern Iraq, a group of brave and idealistic women are taking up arms against them—and winning inspiring victories. Members of “The Free Women’s Party” come from Paris, Turkish Kurdistan, and other parts of the world. Their dream: To create a Democratic Syria, and a society based on gender equality. Guns in hand, these women are carrying on a movement with roots that run 40 years deep in the Kurdish Workers’ Party (PKK) in Turkey. GIRL’S WAR honors the legacy of Sakine Cansiz, co-founder of the PKK who was assassinated in Paris in 2013, and reflects on the sacrifices made by all of the women in the movement, who have endured jail, rape, war, and persecution in their quest to liberate their lives and sisters from male dominance. With scenes of solidarity, strength, and love amongst these brave women soldiers, GIRL'S WAR is a surprising story of Middle Eastern feminism on the front lines.
    [image] => https://www.wmm.com/storage/films/girls-war/GWAR1.jpg
)

Array
(
    [id] => 581
    [title] => A Revolution in Four Seasons
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/a-revolution-in-four-seasons
            [title] => more
        )

    [image_thumb] => https://www.wmm.com/storage/films/a-revolution-in-four-seasons/320x-cbe_REVFOUR_hires1.png
    [created_at] => Array
        (
        )

    [year_released] => 2016
    [text] => The Tunisian Revolution sparked the Arab Spring. But revolution was the easy part—as two women learned on the journey from protest to functioning government. Emna Ben Jemaa and Jawhara Ettis represent opposite sides of their country’s politics: One is a well-known journalist in the city, fighting for free speech. The other is a strict Islamist from a rural town, elected to help draft the new constitution. Despite their differences, both face the threat of extremists hijacking their fragile political process, and both Emna and Jawhara have to make difficult choices to balance their public political roles with their domestic environment. 

The film is a gripping and surprising perspective on the clash between Islam and secularism, and the political role of women in the Arab world. Offering an insightful portrait of the messy work of democracy, A REVOLUTION IN FOUR SEASONS is especially poignant in this global era of divided politics.
    [image] => https://www.wmm.com/storage/films/a-revolution-in-four-seasons/cbe_REVFOUR_hires1.jpg
)

Array
(
    [id] => 564
    [title] => Great Unsung Women of Computing: The Computers, The Coders and The Future Makers
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/great-unsung-women-of-computing-the-computers-the-coders-and-the-future-makers
            [title] => more
        )

    [image_thumb] => https://www.wmm.com/storage/films/great-unsung-women-of-computing-the-computers-the-coders-and-the-future-makers/320x-comp_hires1.png
    [created_at] => Array
        (
        )

    [year_released] => 2016
    [text] => In the United States, women are vastly underrepresented in STEM (Science, Technology, Engineering & Math) fields, holding under 25% of STEM jobs and a disproportionately low share of STEM undergraduate degrees.  Great Unsung Women of Computing is a series of three remarkable documentary films that show how women revolutionized the computing and Internet technology we use today, inspiring female students to believe that programming careers lie within their grasp. 

The Computers features the extraordinary story of the ENIAC Programmers, six young women who programmed the world’s first modern, programmable computer, ENIAC, as part of a secret WWII project. They programmed ENIAC without programming language (for none existed), and harnessed its power to perform advanced military calculations at lighting speeds. However, when the ENIAC was unveiled in 1946, the Programmers were never introduced and they became invisible. This stunning documentary features rare footage and never-before-seen interviews with the ENIAC Programmers. 70 years later, this is their story. 
  
The Coders tells the story of two extraordinary women, Sarah Allen and Pavni Diwanji whose technologies revolutionized the Internet: Sarah co-invented Flash, the first multimedia platform supporting video, graphics, games and animation for the internet, while Pavni invented the Java servlet to allow web applications to respond quickly to requests from users everywhere. 

In The Future Makers, Andrea Colaço, a young MIT PhD, shares her dream of a world in which we interact with our smart devices using natural hand gestures, not static keyboards or touchpads. She invented 3D “gestural recognition technology” and co-founded 3dim to develop and market it. In 2013, 3dim won MIT’s $100K Entrepreneurship Prize and launched Andrea towards her dream of innovation and changing the world.
    [image] => https://www.wmm.com/storage/films/great-unsung-women-of-computing-the-computers-the-coders-and-the-future-makers/comp_hires1.jpg
)

Array
(
    [id] => 559
    [title] => Love Between the Covers
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/love-between-the-covers
            [title] => more
        )

    [image_thumb] => https://www.wmm.com/storage/films/love-between-the-covers/320x-lovcov_hires1.png
    [created_at] => Array
        (
        )

    [year_released] => 2015
    [text] => LOVE BETWEEN THE COVERS was selected as the #1 choice of all 2015 videos by the American Library Association's Booklist Review. 

Romance fiction outsells all other genres of writing, from crime to science fiction, combined. So why is the genre so often dismissed as frivolous "scribble"? Could it be that it's because the overwhelming majority of writers and readers are women? This funny and inspiring look into a billion dollar industry turns up trailblazers who push the discussion on gender, race, sexuality and diversity at the front lines of the biggest power shift in publishing.

In LOVE BETWEEN THE COVERS Emmy Award® Winning director Laurie Kahn (TUPPERWARE!, A MIDWIFE'S TALE) turns her insightful eye towards another American pop culture phenomenon: the romance industry. Creating online empires and inventing new markets are authors like Beverly Jenkins, a pioneer of African American romance, Len Barot (aka Radclyffe, L.L. Raand), a surgeon and lesbian-romance legend who started her own publishing house, and the incomparable Nora Roberts. This documentary offers fascinating insights into the history and popularity of this female-centric literary world.


 Book LOVE BETWEEN THE COVERS filmmaker Laurie Kahn to speak at your university
    [image] => https://www.wmm.com/storage/films/love-between-the-covers/lovcov_hires1.jpg
)

Array
(
    [id] => 580
    [title] => Drawing the Tiger
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/drawing-the-tiger
            [title] => more
        )

    [image_thumb] => https://www.wmm.com/storage/films/drawing-the-tiger/320x-tiger_hires1.png
    [created_at] => Array
        (
        )

    [year_released] => 2015
    [text] => Shot over seven years, Drawing the Tiger takes a sweeping view of one Nepalese family’s daily struggle to survive off of subsistence farming. Eat, pay their debts, stay alive—that’s their day-to-day reality. But when their bright daughter receives a scholarship to study in Kathmandu, the family’s prospects suddenly improve by leaps and bounds overnight. They rest their hopes and dreams on her narrow shoulders, but will the weight of their expectations crush her? Can she really break the cycle of poverty and redefine their collective destiny? She seems eager to try, promising to return and free her family from their hand-to-mouth existence. But when she doesn’t come home, the family is forced to face their fate. Is their future set in stone or sand; is it solid or ever-shifting? Drawing The Tiger is a powerful portrait of pressure and the price one family pays for their golden opportunity that reminds us of what we can and cannot change.
    [image] => https://www.wmm.com/storage/films/drawing-the-tiger/tiger_hires1.jpg
)

Array
(
    [id] => 568
    [title] => Deep Run
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/deep-run
            [title] => more
        )

    [image_thumb] => https://www.wmm.com/storage/films/deep-run/320x-deeprun_hires1.png
    [created_at] => Array
        (
        )

    [year_released] => 2015
    [text] => Executive produced by Susan Sarandon, DEEP RUN is a powerful verité portrait of trans life in rural North Carolina. Exiled by her family and rejected by an ex-partner, 17-year-old Spazz has no one to lean on for support. But when Spazz falls in love again and summons up the courage to become Cole, a strong-willed trans-man, his candid humor and steadfast, all-inclusive Christian beliefs counter the bigotry he experiences daily.

This deeply personal documentary reveals rebirth and courage within America’s deeply conservative Bible Belt as Cole struggles to find a church that will affirm his identity and the couple's relationship.  With a small group of supportive friends, relatives, and his girlfriend, Ashley, Cole's search for love and belonging leads him to a radical revision of what faith and church can be. An intimate study of young outsiders in an insular Christian community, DEEP RUN explores the intersection of modern identity and faith in the American South. Essential viewing for LGBTQIA Audiences, Queer and Gender studies classes.
    [image] => https://www.wmm.com/storage/films/deep-run/deeprun_hires1.jpg
)

Array
(
    [id] => 569
    [title] => Feed the Green: Feminist Voices for the Earth
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/feed-the-green-feminist-voices-for-the-earth
            [title] => more
        )

    [image_thumb] => https://www.wmm.com/storage/films/feed-the-green-feminist-voices-for-the-earth/320x-FEDGRE_hires1.png
    [created_at] => Array
        (
        )

    [year_released] => 2015
    [text] => FEED THE GREEN: FEMINIST VOICES FOR THE EARTH challenges the cultural imagination surrounding the destruction of the environment and its impact on femicide and genocide. This informative documentary, by Women, Gender and Sexuality Studies professor and scholar Jane Caputi, highlights an active global resistance movement and an alternative imagery communicating resistant green consciousness.  

FEED THE GREEN features a variety of feminist thinkers, including ecological and social justice advocates Vandana Shiva, Starhawk and Andrea Smith, ecosexual activists Annie Sprinkle and Beth Stephens; ecofeminist theorist and disability rights activist Ynestra King, poet Camille Dungy, scholars and bloggers Janell Hobson and Jill Schneiderman and grass roots activist La Loba Loca. Their voices are powerfully juxtaposed with images from popular culture, including advertising, myth, art, and the news, pointing to the ways that an environmentally destructive worldview is embedded in popular discourses, both contemporary and historical. 

Discussions include the parallels between men’s violence against women and violence against Earth, the disastrous and continuing impacts of European colonization, and the ways that the ill effects of environmental damage are felt disproportionately by those who face racial and socioeconomic inequalities.   Required viewing for Women’s and Environmental Studies as well as Pop Culture.
    [image] => https://www.wmm.com/storage/films/feed-the-green-feminist-voices-for-the-earth/FEDGRE_hires1.jpg
)

Array
(
    [id] => 561
    [title] => The Room of Bones (El Cuarto de los Huesos)
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/the-room-of-bones-el-cuarto-de-los-huesos
            [title] => more
        )

    [image_thumb] => https://www.wmm.com/storage/films/the-room-of-bones-el-cuarto-de-los-huesos/320x-bones_hires1.png
    [created_at] => Array
        (
        )

    [year_released] => 2015
    [text] => THE ROOM OF BONES follows the passage of four mothers in the Institute for Legal Medicine as they search for their children’s remains in the midst of three decades of social violence in El Salvador. Across Mexico and Central America, the last twenty years have been plagued by a meteoric and troubling rise in desaparecidos, or missing persons. Mass murder has become all too common, and the identity of the perpetrators remains unknown as the relationship between governments, gangs, and other criminal organizations is shrouded in mystery. As civil and legal systems have failed to thoroughly investigate the crisis, families of victims are left to seek closure and justice on their own. Salvadoran filmmaker Marcela Zamora profiles a group of forensic anthropologists in her home country tasked with the noble but gruesome work of unearthing human remains and matching them with names of desaparecidos. The result is a harrowing portrait of a region in crisis.
    [image] => https://www.wmm.com/storage/films/the-room-of-bones-el-cuarto-de-los-huesos/bones_hires1.jpg
)

Array
(
    [id] => 555
    [title] => On Beauty
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/on-beauty
            [title] => more
        )

    [image_thumb] => https://www.wmm.com/storage/films/on-beauty/320x-onbeau_hires1.png
    [created_at] => Array
        (
        )

    [year_released] => 2015
    [text] => From Emmy®-nominated IN THE FAMILY filmmaker Joanna Rudnick and Chicago’s Kartemquin Films comes a story about challenging norms and redefining beauty. ON BEAUTY follows fashion photographer Rick Guidotti, who left the fashion world when he grew frustrated with having to work within the restrictive parameters of the industry’s standard of beauty. After a chance encounter with a young woman who had the genetic condition albinism, Rick re-focused his lens on those too often relegated to the shadows to change the way we see and experience beauty.

At the center of ON BEAUTY are two of Rick's photo subjects: Sarah and Jayne. In eighth grade Sarah left public school because she was bullied so harshly for the birthmark on her face and brain. Jayne lives with albinism in Eastern Africa where society is blind to her unique health and safety needs and where witch doctors hunt people with her condition to sell their body parts. We follow Rick as he uses his lens to challenge convention and media’s narrow scope of with the help of two extraordinary women.
    [image] => https://www.wmm.com/storage/films/on-beauty/onbeau_hires1.jpg
)

Array
(
    [id] => 557
    [title] => Portraits of a Search
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/portraits-of-a-search
            [title] => more
        )

    [image_thumb] => https://www.wmm.com/storage/films/portraits-of-a-search/320x-porsea_hires1.png
    [created_at] => Array
        (
        )

    [year_released] => 2015
    [text] => More than 20,000 people disappeared in Mexico during the horrifically violent war on drugs waged by former President Calderon. With each missing person, a family is left behind in a desperate search to get answers from a government that is suspiciously ambivalent. Putting a human face on the most harrowing of statistics, director Alicia Calderon courageously captures the stories of three mothers - Natividad, Guadalupe, and Margarita - as they search for their children who have gone missing. One mother constantly retraces the last steps of her son, combing empty fields for his body; another travels all the way to Washington, DC, to plead for US intervention; and the last simply tries to forget the emptiness and raise her now-motherless grandson. In one of the most powerful documentaries about the human casualties of the Mexican narco-wars, these women’s stories are among the many that stand for truth and justice for the 26,000 missing people in Mexico today. With their lives now completely devoted to seeking out the truth, they pursue any avenue possible, in the face of an indifferent government which considers their loved ones to be "collateral casualties" of the drug war.
    [image] => https://www.wmm.com/storage/films/portraits-of-a-search/porsea_hires1.jpg
)

Array
(
    [id] => 560
    [title] => Absences (Ausencias)
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/absences-ausencias
            [title] => more
        )

    [image_thumb] => https://www.wmm.com/storage/films/absences-ausencias/320x-ABSENCE_hires1.png
    [created_at] => Array
        (
        )

    [year_released] => 2015
    [text] => ABSENCES, by award winning filmmaker Tatiana Huezo (The Tiniest Place), exposes the ever-intensifying phenomenon of enforced disappearance in Mexico. A boy and his father disappear one morning, snatched off the road by armed men. Left behind, alone with her daughter, Lulu, a victim who refuses to give in, decides to tell the unacceptable story: the unfillable void, the absence of loved ones, the unanswered questions and the suffocating silence. After 5 years, absence has her living in a limbo that gives way to desire, hope and the struggle to find her 9-year old son Brandon and her husband, alive. This hauntingly beautiful short film illuminates the way disappearance affects women, and broadens our awareness on disappearance and its social consequences in Mexico and Central America.
    [image] => https://www.wmm.com/storage/films/absences-ausencias/ABSENCE_hires1.jpg
)

Array
(
    [id] => 578
    [title] => Forgetting Vietnam
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/forgetting-vietnam
            [title] => more
        )

    [image_thumb] => https://www.wmm.com/storage/films/forgetting-vietnam/320x-forvie_hires1.png
    [created_at] => Array
        (
        )

    [year_released] => 2015
    [text] => One of the myths surrounding the creation of Vietnam involves a fight between two dragons whose intertwined bodies fell into the South China Sea and formed Vietnam’s curving S-shaped coastline. Influential feminist theorist and filmmaker Trinh T. Minh-ha’s lyrical film essay commemorating the 40th anniversary of the end of the war draws inspiration from ancient legend and from water as a force evoked in every aspect of Vietnamese culture. Minh-ha’s classic Surname Viet Given Name Nam (1989) used no original footage shot in the country; in Forgetting Vietnam images of contemporary life unfold as a dialogue between land and water—the elements that form the term "country." Fragments of text and song evoke the echoes and traces of a trauma of international proportions. The encounter between the ancient as related to the solid earth, and the new as related to the liquid changes in a time of rapid globalization, creates a third space of historical and cultural re-memory—what local inhabitants, immigrants and veterans remember of yesterday’s stories to comment on today’s events.
    [image] => https://www.wmm.com/storage/films/forgetting-vietnam/forvie_hires1.jpg
)

Array
(
    [id] => 570
    [title] => People Are the Sky
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/people-are-the-sky
            [title] => more
        )

    [image_thumb] => https://www.wmm.com/storage/films/people-are-the-sky/320x-peosky_hires1.png
    [created_at] => Array
        (
        )

    [year_released] => 2015
    [text] => Director Dai Sil Kim-Gibson (MOTHERLAND CUBA KOREA USA) is the first Korean American filmmaker to be given official permission by the North Korean government to film inside its borders.  In PEOPLE ARE THE SKY, Kim-Gibson’s eighth and most personal film, the filmmaker makes a pilgrimage to her place of birth in North Korea for the first time in nearly 70 years, to explore if it is still home. 

Kim-Gibson seamlessly weaves her own personal story as a native born North Korean, with the fractious history of the North/South division and pinpoints the roots of North Korean’s hatred of the United States, giving Americans a much better understanding of the conflict. A mix of interviews epic images and graceful musings, PEOPLE ARE THE SKY offers some of the best political and social history of the relations between North and South Korea, and also a contemplative exploration of the meaning of home. The result is unprecedented, at times startling, for hers is an up close look of the hurts and desires, beauty and contradiction, pride and aspirations of the long held demonized nation.
    [image] => https://www.wmm.com/storage/films/people-are-the-sky/peosky_hires1.jpg
)

Array
(
    [id] => 572
    [title] => Southern Rites
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/southern-rites
            [title] => more
        )

    [image_thumb] => https://www.wmm.com/storage/films/southern-rites/320x-cbe_sourit_hires2.png
    [created_at] => Array
        (
        )

    [year_released] => 2015
    [text] => Broadcast nationally on HBO, SOUTHERN RITES is a powerful portrayal of how perceptions and politics have divided two towns in southeast Georgia along racial lines for years. In 2009, The New York Times Magazine published filmmaker and acclaimed photographer Gillian Laub’s controversial images of Montgomery County High School’s racially segregated proms. A media furor ensued and under extreme pressure, the Georgian town was forced to finally integrate the proms in 2010. Laub returned camera in hand to document the changes, only to stumble upon a series of events far more indicative of race relations in the Deep South: old wounds are reopened following the murder of an unarmed young black man by an elderly white town patriarch. Against the backdrop of an historic campaign to elect its first African-American sheriff, the case divides locals along well-worn racial lines and threatens to drag the town back to darker days.  

SOUTHERN RITES documents one town's painful struggle to progress while confronting longstanding issues of race, equality and justice. Through her hauntingly intimate portrait, Laub reveals the horror and humanity of these complex, intertwined narratives, a chronicle of their courage in the face of injustice. Laub’s film captures a world caught between eras and values with extraordinary candor and immediacy— and ultimately asks whether a new generation can make a different future for itself from a difficult past.
    [image] => https://www.wmm.com/storage/films/southern-rites/cbe_sourit_hires2.jpg
)

Array
(
    [id] => 536
    [title] => India's Daughter
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/indias-daughter
            [title] => more
        )

    [image_thumb] => https://www.wmm.com/storage/films/indias-daughter/320x-cbe_inddau_hires6.png
    [created_at] => Array
        (
        )

    [year_released] => 2015
    [text] => INDIA’S DAUGHTER is the powerful story of the 2012, brutal gang rape on a Delhi bus of a 23 year old medical student, who later died from her injuries. In 2012, it made international headlines and ignited protests by women in India and around the world. BAFTA winning filmmaker Leslee Udwin, herself a victim of rape, went to India inspired by the protests against sexual assault. With an all Indian crew, Udwin got exclusive, first time on camera interviews with the rapists and defense attorney, none of whom express remorse. The defense attorney goes even further, stating that “immodest” women deserve what happens to them. An impassioned plea for change, INDIA’S DAUGHTER pays tribute to a remarkable and inspiring young woman and explores the compelling human stories behind the incident and the political ramifications throughout India. But beyond India, the film lays bare the way in which societies and their patriarchal values have spawned such acts of violence globally.
    [image] => https://www.wmm.com/storage/films/indias-daughter/cbe_inddau_hires6.jpg
)

Array
(
    [id] => 562
    [title] => Voices of Muslim Women from the US South
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/voices-of-muslim-women-from-the-us-south
            [title] => more
        )

    [image_thumb] => https://www.wmm.com/storage/films/voices-of-muslim-women-from-the-us-south/320x-voices1.png
    [created_at] => Array
        (
        )

    [year_released] => 2015
    [text] => When one thinks of the American Deep South, the image of veiled Muslim students strolling the University of Alabama campus is the last thing that comes to mind. VOICES OF MUSLIM WOMEN FROM THE US SOUTH is a documentary that explores the Muslim culture through the lens of five University of Alabama Muslim students. The film tackles how Muslim women carve a space for self-expression in the Deep South and how they negotiate their identities in a predominantly Christian society that often has unflattering views about Islam and Muslims. Through interviews with students and faculty at Alabama, this film examines representations and issues of agency by asking: How do Muslim female students carve a space in a culture that thinks of Muslims as terrorists and Muslim women as backward?
    [image] => https://www.wmm.com/storage/films/voices-of-muslim-women-from-the-us-south/voices1.jpg
)