Array
(
    [id] => 589
    [title] => Inside the Chinese Closet
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/inside-the-chinese-closet
            [title] => more
        )

    [image_thumb] => https://www.wmm.com/storage/films/inside-the-chinese-closet/320x-CHICLO_hires1.png
    [created_at] => Array
        (
        )

    [year_released] => 2016
    [text] => The complexities of gay life in modern China collide at the event where Andy and Cherry first meet—a “fake marriage fair” in Shanghai, where a new, cosmopolitan generation of gay men and lesbian women seek to make a deal with a spouse of the opposite sex. Homosexuality has only recently become legal in China, but morally and practically, life is still difficult. People in Andy and Cherry’s generation, the result of the “one child” policy, are under an unbearable pressure to meet the demands of their parents and grandparents. To these elders, who carry the trauma of the great famine and the limits of the Cultural Revolution, their gay children’s search for love and happiness in the city is unintelligible. INSIDE THE CHINESE CLOSET is a humorous and compassionate portrait of modern gay life, the eternally difficult relationship between parents and children, and the social, cultural, and moral beliefs in flux in China today.
    [image] => https://www.wmm.com/storage/films/inside-the-chinese-closet/CHICLO_hires1.png
)

Inside the Chinese Closet

The complexities of gay life in modern China collide at the event where Andy and Cherry first meet—a “fake marriage fair” in Shanghai, where a new, cosmopolitan generation of gay men and lesbian women seek to make a deal with a spouse of the opposite sex. Homosexuality has only recently become legal in China, but morally and practically, life is still difficult. People in Andy and Cherry’s generation, the result of the “one child” policy, are under an unbearable pressure to meet the demands of their parents and grandparents. To these elders, who carry the trauma of the great famine and the limits of the Cultural Revolution, their gay children’s search for love and happiness in the city is unintelligible. INSIDE THE CHINESE CLOSET is a humorous and compassionate portrait of modern gay life, the eternally difficult relationship between parents and children, and the social, cultural, and moral beliefs in flux in China today.
Learn more
Array
(
    [id] => 586
    [title] => Girls' War
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/girls-war
            [title] => more
        )

    [image_thumb] => https://www.wmm.com/storage/films/girls-war/320x-GWAR1.png
    [created_at] => Array
        (
        )

    [year_released] => 2016
    [text] => As the forces of ISIS and Assad tear through villages and society in Syria and Northern Iraq, a group of brave and idealistic women are taking up arms against them—and winning inspiring victories. Members of “The Free Women’s Party” come from Paris, Turkish Kurdistan, and other parts of the world. Their dream: To create a Democratic Syria, and a society based on gender equality. Guns in hand, these women are carrying on a movement with roots that run 40 years deep in the Kurdish Workers’ Party (PKK) in Turkey. GIRL’S WAR honors the legacy of Sakine Cansiz, co-founder of the PKK who was assassinated in Paris in 2013, and reflects on the sacrifices made by all of the women in the movement, who have endured jail, rape, war, and persecution in their quest to liberate their lives and sisters from male dominance. With scenes of solidarity, strength, and love amongst these brave women soldiers, GIRL'S WAR is a surprising story of Middle Eastern feminism on the front lines.
    [image] => https://www.wmm.com/storage/films/girls-war/GWAR1.jpg
)

Girls' War

As the forces of ISIS and Assad tear through villages and society in Syria and Northern Iraq, a group of brave and idealistic women are taking up arms against them—and winning inspiring victories. Members of “The Free Women’s Party” come from Paris, Turkish Kurdistan, and other parts of the world. Their dream: To create a Democratic Syria, and a society based on gender equality. Guns in hand, these women are carrying on a movement with roots that run 40 years deep in the Kurdish Workers’ Party (PKK) in Turkey. GIRL’S WAR honors the legacy of Sakine Cansiz, co-founder of the PKK who was assassinated in Paris in 2013, and reflects on the sacrifices made by all of the women in the movement, who have endured jail, rape, war, and persecution in their quest to liberate their lives and sisters from male dominance. With scenes of solidarity, strength, and love amongst these brave women soldiers, GIRL'S WAR is a surprising story of Middle Eastern feminism on the front lines.
Learn more
Array
(
    [id] => 592
    [title] => Black Girl in Suburbia
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/black-girl-in-suburbia
            [title] => more
        )

    [image_thumb] => https://www.wmm.com/storage/films/black-girl-in-suburbia/320x-cbe_blasub_catalogbox.png
    [created_at] => Array
        (
        )

    [year_released] => 2016
    [text] => For many Black girls raised in the suburbs, the experiences of going to school, playing on the playground, and living day-to-day life can be uniquely alienating. BLACK GIRL IN SUBURBIA looks at the suburbs of America from the perspective of women of color. Filmmaker Melissa Lowery shares her own childhood memories of navigating racial expectations both subtle and overt-including questions like, "Hey, I just saw a Black guy walking down the street; is that your cousin?"

Through conversations with her own daughters, with teachers and scholars who are experts in the personal impacts of growing up a person of color in a predominately white place, this film explores the conflicts that many Black girls in homogeneous hometowns have in relating to both white and Black communities. BLACK GIRL IN SUBURBIA  is a great discussion starter for Freshman orientation week and can be used in a wide variety of educational settings including classes in sociology, race relations, African American Studies, Women's Studies, and  American Studies.
    [image] => https://www.wmm.com/storage/films/black-girl-in-suburbia/cbe_blasub_catalogbox.jpg
)

Black Girl in Suburbia

For many Black girls raised in the suburbs, the experiences of going to school, playing on the playground, and living day-to-day life can be uniquely alienating. BLACK GIRL IN SUBURBIA looks at the suburbs of America from the perspective of women of color. Filmmaker Melissa Lowery shares her own childhood memories of navigating racial expectations both subtle and overt-including questions like, "Hey, I just saw a Black guy walking down the street; is that your cousin?" Through conversations with her own daughters, with teachers and scholars who are experts in the personal impacts of growing up a person of color in a predominately white place, this film explores the conflicts that many Black girls in homogeneous hometowns have in relating to both white and Black communities. BLACK GIRL IN SUBURBIA is a great discussion starter for Freshman orientation week and can be used in a wide variety of educational settings including classes in sociology, race relations, African American Studies, Women's Studies, and American Studies.
Learn more
Array
(
    [id] => 584
    [title] => Heather Booth: Changing the World
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/heather-booth-changing-the-world
            [title] => more
        )

    [image_thumb] => https://www.wmm.com/storage/films/heather-booth-changing-the-world/320x-cbe_BOOTH_hires1.png
    [created_at] => Array
        (
        )

    [year_released] => 2016
    [text] => Renowned organizer and activist Heather Booth began her remarkable career at the height of the Civil Rights movement. Through her life and work, this inspiring film explores many of the pivotal moments in progressive movements that altered our history over the last fifty years, from her involvement with Fannie Lou Hamer and the Freedom Summer Project, to her founding of the JANE Underground in 1964, to her personal relationships with respected leaders such as Julian Bond and Senator Elizabeth Warren. Featuring interviews from close friends, clients, political colleagues and current Midwest Academy students, HEATHER BOOTH: CHANGING THE WORLD explores Heather’s legacy in progressive politics and organizing. 

At a time when many are wondering how to make their voices heard, when civil and women's rights are under attack, Lilly Rivlin’s acclaimed documentary is an empowering look at how social change happens.
    [image] => https://www.wmm.com/storage/films/heather-booth-changing-the-world/cbe_BOOTH_hires1.jpg
)

Heather Booth: Changing the World

Renowned organizer and activist Heather Booth began her remarkable career at the height of the Civil Rights movement. Through her life and work, this inspiring film explores many of the pivotal moments in progressive movements that altered our history over the last fifty years, from her involvement with Fannie Lou Hamer and the Freedom Summer Project, to her founding of the JANE Underground in 1964, to her personal relationships with respected leaders such as Julian Bond and Senator Elizabeth Warren. Featuring interviews from close friends, clients, political colleagues and current Midwest Academy students, HEATHER BOOTH: CHANGING THE WORLD explores Heather’s legacy in progressive politics and organizing. At a time when many are wondering how to make their voices heard, when civil and women's rights are under attack, Lilly Rivlin’s acclaimed documentary is an empowering look at how social change happens.
Learn more
Array
(
    [id] => 588
    [title] => What Happened to Her
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/what-happened-to-her
            [title] => more
        )

    [image_thumb] => https://www.wmm.com/storage/films/what-happened-to-her/320x-whth_hires1.png
    [created_at] => Array
        (
        )

    [year_released] => 2016
    [text] => WHAT HAPPENED TO HER is a forensic exploration of our cultural obsession with images of the dead woman on screen. Interspersing found footage from films and police procedural television shows and one actor’s experience of playing the part of a corpse, the film offers a meditative critique on the trope of the dead female body.
 
The visual narrative of the genre, one reinforced through its intense and pervasive repetition, is revealed as a highly structured pageant. The experience of physical invasion and exploitation voiced by the actor pierce the fabric of the screened fantasy. The result is recurring and magnetic film cliché laid bare. Essential viewing for Pop Culture, Women’s and Cinema Studies classes.
    [image] => https://www.wmm.com/storage/films/what-happened-to-her/whth_hires1.jpg
)

What Happened to Her

WHAT HAPPENED TO HER is a forensic exploration of our cultural obsession with images of the dead woman on screen. Interspersing found footage from films and police procedural television shows and one actor’s experience of playing the part of a corpse, the film offers a meditative critique on the trope of the dead female body. The visual narrative of the genre, one reinforced through its intense and pervasive repetition, is revealed as a highly structured pageant. The experience of physical invasion and exploitation voiced by the actor pierce the fabric of the screened fantasy. The result is recurring and magnetic film cliché laid bare. Essential viewing for Pop Culture, Women’s and Cinema Studies classes.
Learn more
Array
(
    [id] => 583
    [title] => Footprint: Population, Consumption and Sustainability
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/footprint-population-consumption-and-sustainability
            [title] => more
        )

    [image_thumb] => https://www.wmm.com/storage/films/footprint-population-consumption-and-sustainability/320x-foot_hires1.png
    [created_at] => Array
        (
        )

    [year_released] => 2016
    [text] => FOOTPRINT takes a dizzying spin around the globe, witnessing population explosions, overconsumption, limited resources, and expert testimony as to what a world straining at its limits can sustain. We spend time with indigenous health workers, activists, and the ordinary people in the Philippines, Mexico, Pakistan and Kenya, women who all challenge the idea that our world can continue to support the weight of humanity’s footprint on it.  FOOTPRINT offers unprecedented access to the people on the ground who are all in their unique way challenging the status quo and making us rethink what’s really at stake. There are surprising revelations on who are the players standing in the way of solutions and those pushing for it, without losing sight of the array of possible solutions that open up when we take the time to ask this critical question of how many of us there are in the world and what the Earth can sustain if we are to all live a dignified life.
    [image] => https://www.wmm.com/storage/films/footprint-population-consumption-and-sustainability/foot_hires1.jpg
)

Footprint: Population, Consumption and Sustainability

FOOTPRINT takes a dizzying spin around the globe, witnessing population explosions, overconsumption, limited resources, and expert testimony as to what a world straining at its limits can sustain. We spend time with indigenous health workers, activists, and the ordinary people in the Philippines, Mexico, Pakistan and Kenya, women who all challenge the idea that our world can continue to support the weight of humanity’s footprint on it. FOOTPRINT offers unprecedented access to the people on the ground who are all in their unique way challenging the status quo and making us rethink what’s really at stake. There are surprising revelations on who are the players standing in the way of solutions and those pushing for it, without losing sight of the array of possible solutions that open up when we take the time to ask this critical question of how many of us there are in the world and what the Earth can sustain if we are to all live a dignified life.
Learn more
Array
(
    [id] => 577
    [title] => PROFILED
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/profiled
            [title] => more
        )

    [image_thumb] => https://www.wmm.com/storage/films/profiled/320x-cbe_profile_hires1.png
    [created_at] => Array
        (
        )

    [year_released] => 2016
    [text] => Profiled knits the stories of mothers of Black and Latino youth murdered by the NYPD into a powerful indictment of racial profiling and police brutality, and places them within a historical context of the roots of racism in the U.S. Some of the victims—Eric Garner, Michael Brown—are now familiar the world over. Others, like Shantel Davis and Kimani Gray, are remembered mostly by family and friends in their New York neighborhoods. 

Ranging from the routine harassment of minority students in an affluent Brooklyn neighborhood to the killings and protests in Staten Island and Ferguson, Missouri, PROFILED bears witness to the racist violence that remains an everyday reality for Black and Latino people in this country. Moving interviews with victims’ family members are juxtaposed with sharply etched analyses by evolutionary biologist, Joseph L.Graves, Jr, (The Race Myth) and civil rights lawyer, Chauniqua D. Young, (Center for Constitutional Rights, Stop and Frisk lawsuit).  PROFILED gives us a window on one of the burning issues of our time.
    [image] => https://www.wmm.com/storage/films/profiled/cbe_profile_hires1.jpg
)

PROFILED

Profiled knits the stories of mothers of Black and Latino youth murdered by the NYPD into a powerful indictment of racial profiling and police brutality, and places them within a historical context of the roots of racism in the U.S. Some of the victims—Eric Garner, Michael Brown—are now familiar the world over. Others, like Shantel Davis and Kimani Gray, are remembered mostly by family and friends in their New York neighborhoods. Ranging from the routine harassment of minority students in an affluent Brooklyn neighborhood to the killings and protests in Staten Island and Ferguson, Missouri, PROFILED bears witness to the racist violence that remains an everyday reality for Black and Latino people in this country. Moving interviews with victims’ family members are juxtaposed with sharply etched analyses by evolutionary biologist, Joseph L.Graves, Jr, (The Race Myth) and civil rights lawyer, Chauniqua D. Young, (Center for Constitutional Rights, Stop and Frisk lawsuit). PROFILED gives us a window on one of the burning issues of our time.
Learn more
Array
(
    [id] => 571
    [title] => Men: A Love Story
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/men-a-love-story
            [title] => more
        )

    [image_thumb] => https://www.wmm.com/storage/films/men-a-love-story/320x-men_hires1.png
    [created_at] => Array
        (
        )

    [year_released] => 2016
    [text] => After spending nearly a decade as a journalist documenting young women sold as slaves into the sex trade, award winning filmmaker Mimi Chakarova (THE PRICE OF SEX) sets out on a journey across the United States to explore how men feel about women and love. Piecing together a rich tapestry of vignettes, woven from stories shared by men of different races, ages, and socio-economic backgrounds, Chakarova weaves a stunningly honest and unapologetic portrayal of masculinity in America. With a diverse set of subjects from tiny blues bars of the Deep South to hedge funds of Manhattan and from ranchers in New Mexico to farmers in the Midwest, MEN: A LOVE STORY is a poignant and at times unforgettable dark comedy that reveals a deeper multilayered understanding of maleness, sexuality and gender performance in America today.
    [image] => https://www.wmm.com/storage/films/men-a-love-story/men_hires1.jpg
)

Men: A Love Story

After spending nearly a decade as a journalist documenting young women sold as slaves into the sex trade, award winning filmmaker Mimi Chakarova (THE PRICE OF SEX) sets out on a journey across the United States to explore how men feel about women and love. Piecing together a rich tapestry of vignettes, woven from stories shared by men of different races, ages, and socio-economic backgrounds, Chakarova weaves a stunningly honest and unapologetic portrayal of masculinity in America. With a diverse set of subjects from tiny blues bars of the Deep South to hedge funds of Manhattan and from ranchers in New Mexico to farmers in the Midwest, MEN: A LOVE STORY is a poignant and at times unforgettable dark comedy that reveals a deeper multilayered understanding of maleness, sexuality and gender performance in America today.
Learn more
Array
(
    [id] => 572
    [title] => Southern Rites
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/southern-rites
            [title] => more
        )

    [image_thumb] => https://www.wmm.com/storage/films/southern-rites/320x-cbe_sourit_hires2.png
    [created_at] => Array
        (
        )

    [year_released] => 2015
    [text] => Broadcast nationally on HBO, SOUTHERN RITES is a powerful portrayal of how perceptions and politics have divided two towns in southeast Georgia along racial lines for years. In 2009, The New York Times Magazine published filmmaker and acclaimed photographer Gillian Laub’s controversial images of Montgomery County High School’s racially segregated proms. A media furor ensued and under extreme pressure, the Georgian town was forced to finally integrate the proms in 2010. Laub returned camera in hand to document the changes, only to stumble upon a series of events far more indicative of race relations in the Deep South: old wounds are reopened following the murder of an unarmed young black man by an elderly white town patriarch. Against the backdrop of an historic campaign to elect its first African-American sheriff, the case divides locals along well-worn racial lines and threatens to drag the town back to darker days.  

SOUTHERN RITES documents one town's painful struggle to progress while confronting longstanding issues of race, equality and justice. Through her hauntingly intimate portrait, Laub reveals the horror and humanity of these complex, intertwined narratives, a chronicle of their courage in the face of injustice. Laub’s film captures a world caught between eras and values with extraordinary candor and immediacy— and ultimately asks whether a new generation can make a different future for itself from a difficult past.
    [image] => https://www.wmm.com/storage/films/southern-rites/cbe_sourit_hires2.jpg
)

Southern Rites

Broadcast nationally on HBO, SOUTHERN RITES is a powerful portrayal of how perceptions and politics have divided two towns in southeast Georgia along racial lines for years. In 2009, The New York Times Magazine published filmmaker and acclaimed photographer Gillian Laub’s controversial images of Montgomery County High School’s racially segregated proms. A media furor ensued and under extreme pressure, the Georgian town was forced to finally integrate the proms in 2010. Laub returned camera in hand to document the changes, only to stumble upon a series of events far more indicative of race relations in the Deep South: old wounds are reopened following the murder of an unarmed young black man by an elderly white town patriarch. Against the backdrop of an historic campaign to elect its first African-American sheriff, the case divides locals along well-worn racial lines and threatens to drag the town back to darker days. SOUTHERN RITES documents one town's painful struggle to progress while confronting longstanding issues of race, equality and justice. Through her hauntingly intimate portrait, Laub reveals the horror and humanity of these complex, intertwined narratives, a chronicle of their courage in the face of injustice. Laub’s film captures a world caught between eras and values with extraordinary candor and immediacy— and ultimately asks whether a new generation can make a different future for itself from a difficult past.
Learn more
Array
(
    [id] => 554
    [title] => Dreamcatcher
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/dreamcatcher
            [title] => more
        )

    [image_thumb] => https://www.wmm.com/storage/films/dreamcatcher/320x-dcatch_hires1.png
    [created_at] => Array
        (
        )

    [year_released] => 2015
    [text] => “You got any dreams you wanna catch?” Sundance award winner DREAMCATCHER takes us into a hidden world of prostitution and sexual trafficking through the eyes of one of its survivors, Brenda Myers-Powell. A former teenage prostitute with a drug habit, Brenda defied the odds to become a powerful advocate for change in her community, and works to help women and young girls break the cycle of sexual abuse and exploitation. DREAMCATCHER lays bare the hidden violence that devastates the lives of these young women, their families and the communities where they live in Chicago and Brenda’s unflinching intervention that turns these desperate lives around. 

With unprecedented access, multi-award winning director, Kim Longinotto (SISTERS IN LAW, ROUGH AUNTIES, SALMA) paints a vivid portrait of a community struggling to come to terms with some of its most painful truths and of the extraordinary woman who uses her past to inspire others to survive. With warmth and humor, Brenda gives hope to those who have none in the four magic words she offers up to everyone she meets: “It’s not your fault.”
    [image] => https://www.wmm.com/storage/films/dreamcatcher/dcatch_hires1.jpg
)

Dreamcatcher

“You got any dreams you wanna catch?” Sundance award winner DREAMCATCHER takes us into a hidden world of prostitution and sexual trafficking through the eyes of one of its survivors, Brenda Myers-Powell. A former teenage prostitute with a drug habit, Brenda defied the odds to become a powerful advocate for change in her community, and works to help women and young girls break the cycle of sexual abuse and exploitation. DREAMCATCHER lays bare the hidden violence that devastates the lives of these young women, their families and the communities where they live in Chicago and Brenda’s unflinching intervention that turns these desperate lives around. With unprecedented access, multi-award winning director, Kim Longinotto (SISTERS IN LAW, ROUGH AUNTIES, SALMA) paints a vivid portrait of a community struggling to come to terms with some of its most painful truths and of the extraordinary woman who uses her past to inspire others to survive. With warmth and humor, Brenda gives hope to those who have none in the four magic words she offers up to everyone she meets: “It’s not your fault.”
Learn more
Array
(
    [id] => 565
    [title] => The Same Difference
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/the-same-difference
            [title] => more
        )

    [image_thumb] => https://www.wmm.com/storage/films/the-same-difference/320x-SAMEDIF_hires1.png
    [created_at] => Array
        (
        )

    [year_released] => 2015
    [text] => THE SAME DIFFERENCE is a compelling documentary about lesbians who discriminate against other lesbians based on gender roles. Director Nneka Onuorah takes an in-depth look at the internalized hetero-normative gender roles that have become all too familiar within the African American lesbian and bisexual community. Onuorah shows how these behaviors reproduce the homophobic oppression and masculine privilege of the straight world, while looking for solutions in compelling discussions with community members. Self-identified studs—and the women who love them—discuss hypocrisy in terms of gender roles, performative expectations, and the silent disciplining that occurs between community members. This film features many queer celebrities, including actress Felicia “Snoop” Pearson from the critically acclaimed HBO drama The Wire, and Lea DeLaria from Netflix’s Orange Is the New Black, living daily with opinions about how identity should be portrayed. Onuorah's engaging documentary shines a light on the relationships and experiences within the queer black female community, intersecting race, gender and sexuality. Required viewing for Women’s, Gender and Queer Studies.
    [image] => https://www.wmm.com/storage/films/the-same-difference/SAMEDIF_hires1.jpg
)

The Same Difference

THE SAME DIFFERENCE is a compelling documentary about lesbians who discriminate against other lesbians based on gender roles. Director Nneka Onuorah takes an in-depth look at the internalized hetero-normative gender roles that have become all too familiar within the African American lesbian and bisexual community. Onuorah shows how these behaviors reproduce the homophobic oppression and masculine privilege of the straight world, while looking for solutions in compelling discussions with community members. Self-identified studs—and the women who love them—discuss hypocrisy in terms of gender roles, performative expectations, and the silent disciplining that occurs between community members. This film features many queer celebrities, including actress Felicia “Snoop” Pearson from the critically acclaimed HBO drama The Wire, and Lea DeLaria from Netflix’s Orange Is the New Black, living daily with opinions about how identity should be portrayed. Onuorah's engaging documentary shines a light on the relationships and experiences within the queer black female community, intersecting race, gender and sexuality. Required viewing for Women’s, Gender and Queer Studies.
Learn more
Array
(
    [id] => 536
    [title] => India's Daughter
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/indias-daughter
            [title] => more
        )

    [image_thumb] => https://www.wmm.com/storage/films/indias-daughter/320x-cbe_inddau_hires6.png
    [created_at] => Array
        (
        )

    [year_released] => 2015
    [text] => INDIA’S DAUGHTER is the powerful story of the 2012, brutal gang rape on a Delhi bus of a 23 year old medical student, who later died from her injuries. In 2012, it made international headlines and ignited protests by women in India and around the world. BAFTA winning filmmaker Leslee Udwin, herself a victim of rape, went to India inspired by the protests against sexual assault. With an all Indian crew, Udwin got exclusive, first time on camera interviews with the rapists and defense attorney, none of whom express remorse. The defense attorney goes even further, stating that “immodest” women deserve what happens to them. An impassioned plea for change, INDIA’S DAUGHTER pays tribute to a remarkable and inspiring young woman and explores the compelling human stories behind the incident and the political ramifications throughout India. But beyond India, the film lays bare the way in which societies and their patriarchal values have spawned such acts of violence globally.
    [image] => https://www.wmm.com/storage/films/indias-daughter/cbe_inddau_hires6.jpg
)

India's Daughter

INDIA’S DAUGHTER is the powerful story of the 2012, brutal gang rape on a Delhi bus of a 23 year old medical student, who later died from her injuries. In 2012, it made international headlines and ignited protests by women in India and around the world. BAFTA winning filmmaker Leslee Udwin, herself a victim of rape, went to India inspired by the protests against sexual assault. With an all Indian crew, Udwin got exclusive, first time on camera interviews with the rapists and defense attorney, none of whom express remorse. The defense attorney goes even further, stating that “immodest” women deserve what happens to them. An impassioned plea for change, INDIA’S DAUGHTER pays tribute to a remarkable and inspiring young woman and explores the compelling human stories behind the incident and the political ramifications throughout India. But beyond India, the film lays bare the way in which societies and their patriarchal values have spawned such acts of violence globally.
Learn more
Array
(
    [id] => 580
    [title] => Drawing the Tiger
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/drawing-the-tiger
            [title] => more
        )

    [image_thumb] => https://www.wmm.com/storage/films/drawing-the-tiger/320x-tiger_hires1.png
    [created_at] => Array
        (
        )

    [year_released] => 2015
    [text] => Shot over seven years, Drawing the Tiger takes a sweeping view of one Nepalese family’s daily struggle to survive off of subsistence farming. Eat, pay their debts, stay alive—that’s their day-to-day reality. But when their bright daughter receives a scholarship to study in Kathmandu, the family’s prospects suddenly improve by leaps and bounds overnight. They rest their hopes and dreams on her narrow shoulders, but will the weight of their expectations crush her? Can she really break the cycle of poverty and redefine their collective destiny? She seems eager to try, promising to return and free her family from their hand-to-mouth existence. But when she doesn’t come home, the family is forced to face their fate. Is their future set in stone or sand; is it solid or ever-shifting? Drawing The Tiger is a powerful portrait of pressure and the price one family pays for their golden opportunity that reminds us of what we can and cannot change.
    [image] => https://www.wmm.com/storage/films/drawing-the-tiger/tiger_hires1.jpg
)

Drawing the Tiger

Shot over seven years, Drawing the Tiger takes a sweeping view of one Nepalese family’s daily struggle to survive off of subsistence farming. Eat, pay their debts, stay alive—that’s their day-to-day reality. But when their bright daughter receives a scholarship to study in Kathmandu, the family’s prospects suddenly improve by leaps and bounds overnight. They rest their hopes and dreams on her narrow shoulders, but will the weight of their expectations crush her? Can she really break the cycle of poverty and redefine their collective destiny? She seems eager to try, promising to return and free her family from their hand-to-mouth existence. But when she doesn’t come home, the family is forced to face their fate. Is their future set in stone or sand; is it solid or ever-shifting? Drawing The Tiger is a powerful portrait of pressure and the price one family pays for their golden opportunity that reminds us of what we can and cannot change.
Learn more
Array
(
    [id] => 558
    [title] => Don't Tell Anyone (No Le Digas a Nadie)
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/dont-tell-anyone-no-le-digas-a-nadie
            [title] => more
        )

    [image_thumb] => https://www.wmm.com/storage/films/dont-tell-anyone-no-le-digas-a-nadie/320x-DOTEAN_hires1.png
    [created_at] => Array
        (
        )

    [year_released] => 2015
    [text] => Since the age of 4, Angy Rivera has lived in the United States with a secret that threatens to upend her life: She is undocumented. Angy arrived with her mother, fleeing violence, poverty, and civil war in their native Colombia. For 20 years they live in the shadows, struggling to stay afloat financially and avoid deportation while battling a complex and inequitable immigration system. "Don’t tell anyone" is a phrase whispered often and branded deeply on the consciousness of all who are undocumented.

Now 24, unable to pay tuition for college and facing an uncertain future, Angy joins the youth-led New York State Youth Leadership Council (YLC) with whom she dons a bullhorn at pro-immigration rallies, telling all who will listen that she is "undocumented and proud." Rivera becomes an activist for undocumented youth with a popular advice blog "Ask Angy" and a YouTube channel boasting more than 27,000 views. She steps out of the shadows a second time to share her story of sexual abuse, an experience all too common among undocumented women. DON’T TELL ANYONE (NO LE DIGAS A NADIE) follows Rivera’s remarkable journey from poverty in rural Colombia to the front page of The New York Times
    [image] => https://www.wmm.com/storage/films/dont-tell-anyone-no-le-digas-a-nadie/DOTEAN_hires1.jpg
)

Don't Tell Anyone (No Le Digas a Nadie)

Since the age of 4, Angy Rivera has lived in the United States with a secret that threatens to upend her life: She is undocumented. Angy arrived with her mother, fleeing violence, poverty, and civil war in their native Colombia. For 20 years they live in the shadows, struggling to stay afloat financially and avoid deportation while battling a complex and inequitable immigration system. "Don’t tell anyone" is a phrase whispered often and branded deeply on the consciousness of all who are undocumented. Now 24, unable to pay tuition for college and facing an uncertain future, Angy joins the youth-led New York State Youth Leadership Council (YLC) with whom she dons a bullhorn at pro-immigration rallies, telling all who will listen that she is "undocumented and proud." Rivera becomes an activist for undocumented youth with a popular advice blog "Ask Angy" and a YouTube channel boasting more than 27,000 views. She steps out of the shadows a second time to share her story of sexual abuse, an experience all too common among undocumented women. DON’T TELL ANYONE (NO LE DIGAS A NADIE) follows Rivera’s remarkable journey from poverty in rural Colombia to the front page of The New York Times
Learn more
Array
(
    [id] => 557
    [title] => Portraits of a Search
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/portraits-of-a-search
            [title] => more
        )

    [image_thumb] => https://www.wmm.com/storage/films/portraits-of-a-search/320x-porsea_hires1.png
    [created_at] => Array
        (
        )

    [year_released] => 2015
    [text] => More than 20,000 people disappeared in Mexico during the horrifically violent war on drugs waged by former President Calderon. With each missing person, a family is left behind in a desperate search to get answers from a government that is suspiciously ambivalent. Putting a human face on the most harrowing of statistics, director Alicia Calderon courageously captures the stories of three mothers - Natividad, Guadalupe, and Margarita - as they search for their children who have gone missing. One mother constantly retraces the last steps of her son, combing empty fields for his body; another travels all the way to Washington, DC, to plead for US intervention; and the last simply tries to forget the emptiness and raise her now-motherless grandson. In one of the most powerful documentaries about the human casualties of the Mexican narco-wars, these women’s stories are among the many that stand for truth and justice for the 26,000 missing people in Mexico today. With their lives now completely devoted to seeking out the truth, they pursue any avenue possible, in the face of an indifferent government which considers their loved ones to be "collateral casualties" of the drug war.
    [image] => https://www.wmm.com/storage/films/portraits-of-a-search/porsea_hires1.jpg
)

Portraits of a Search

More than 20,000 people disappeared in Mexico during the horrifically violent war on drugs waged by former President Calderon. With each missing person, a family is left behind in a desperate search to get answers from a government that is suspiciously ambivalent. Putting a human face on the most harrowing of statistics, director Alicia Calderon courageously captures the stories of three mothers - Natividad, Guadalupe, and Margarita - as they search for their children who have gone missing. One mother constantly retraces the last steps of her son, combing empty fields for his body; another travels all the way to Washington, DC, to plead for US intervention; and the last simply tries to forget the emptiness and raise her now-motherless grandson. In one of the most powerful documentaries about the human casualties of the Mexican narco-wars, these women’s stories are among the many that stand for truth and justice for the 26,000 missing people in Mexico today. With their lives now completely devoted to seeking out the truth, they pursue any avenue possible, in the face of an indifferent government which considers their loved ones to be "collateral casualties" of the drug war.
Learn more
Array
(
    [id] => 569
    [title] => Feed the Green: Feminist Voices for the Earth
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/feed-the-green-feminist-voices-for-the-earth
            [title] => more
        )

    [image_thumb] => https://www.wmm.com/storage/films/feed-the-green-feminist-voices-for-the-earth/320x-FEDGRE_hires1.png
    [created_at] => Array
        (
        )

    [year_released] => 2015
    [text] => FEED THE GREEN: FEMINIST VOICES FOR THE EARTH challenges the cultural imagination surrounding the destruction of the environment and its impact on femicide and genocide. This informative documentary, by Women, Gender and Sexuality Studies professor and scholar Jane Caputi, highlights an active global resistance movement and an alternative imagery communicating resistant green consciousness.  

FEED THE GREEN features a variety of feminist thinkers, including ecological and social justice advocates Vandana Shiva, Starhawk and Andrea Smith, ecosexual activists Annie Sprinkle and Beth Stephens; ecofeminist theorist and disability rights activist Ynestra King, poet Camille Dungy, scholars and bloggers Janell Hobson and Jill Schneiderman and grass roots activist La Loba Loca. Their voices are powerfully juxtaposed with images from popular culture, including advertising, myth, art, and the news, pointing to the ways that an environmentally destructive worldview is embedded in popular discourses, both contemporary and historical. 

Discussions include the parallels between men’s violence against women and violence against Earth, the disastrous and continuing impacts of European colonization, and the ways that the ill effects of environmental damage are felt disproportionately by those who face racial and socioeconomic inequalities.   Required viewing for Women’s and Environmental Studies as well as Pop Culture.
    [image] => https://www.wmm.com/storage/films/feed-the-green-feminist-voices-for-the-earth/FEDGRE_hires1.jpg
)

Feed the Green: Feminist Voices for the Earth

FEED THE GREEN: FEMINIST VOICES FOR THE EARTH challenges the cultural imagination surrounding the destruction of the environment and its impact on femicide and genocide. This informative documentary, by Women, Gender and Sexuality Studies professor and scholar Jane Caputi, highlights an active global resistance movement and an alternative imagery communicating resistant green consciousness. FEED THE GREEN features a variety of feminist thinkers, including ecological and social justice advocates Vandana Shiva, Starhawk and Andrea Smith, ecosexual activists Annie Sprinkle and Beth Stephens; ecofeminist theorist and disability rights activist Ynestra King, poet Camille Dungy, scholars and bloggers Janell Hobson and Jill Schneiderman and grass roots activist La Loba Loca. Their voices are powerfully juxtaposed with images from popular culture, including advertising, myth, art, and the news, pointing to the ways that an environmentally destructive worldview is embedded in popular discourses, both contemporary and historical. Discussions include the parallels between men’s violence against women and violence against Earth, the disastrous and continuing impacts of European colonization, and the ways that the ill effects of environmental damage are felt disproportionately by those who face racial and socioeconomic inequalities. Required viewing for Women’s and Environmental Studies as well as Pop Culture.
Learn more
Array
(
    [id] => 561
    [title] => The Room of Bones (El Cuarto de los Huesos)
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/the-room-of-bones-el-cuarto-de-los-huesos
            [title] => more
        )

    [image_thumb] => https://www.wmm.com/storage/films/the-room-of-bones-el-cuarto-de-los-huesos/320x-bones_hires1.png
    [created_at] => Array
        (
        )

    [year_released] => 2015
    [text] => THE ROOM OF BONES follows the passage of four mothers in the Institute for Legal Medicine as they search for their children’s remains in the midst of three decades of social violence in El Salvador. Across Mexico and Central America, the last twenty years have been plagued by a meteoric and troubling rise in desaparecidos, or missing persons. Mass murder has become all too common, and the identity of the perpetrators remains unknown as the relationship between governments, gangs, and other criminal organizations is shrouded in mystery. As civil and legal systems have failed to thoroughly investigate the crisis, families of victims are left to seek closure and justice on their own. Salvadoran filmmaker Marcela Zamora profiles a group of forensic anthropologists in her home country tasked with the noble but gruesome work of unearthing human remains and matching them with names of desaparecidos. The result is a harrowing portrait of a region in crisis.
    [image] => https://www.wmm.com/storage/films/the-room-of-bones-el-cuarto-de-los-huesos/bones_hires1.jpg
)

The Room of Bones (El Cuarto de los Huesos)

THE ROOM OF BONES follows the passage of four mothers in the Institute for Legal Medicine as they search for their children’s remains in the midst of three decades of social violence in El Salvador. Across Mexico and Central America, the last twenty years have been plagued by a meteoric and troubling rise in desaparecidos, or missing persons. Mass murder has become all too common, and the identity of the perpetrators remains unknown as the relationship between governments, gangs, and other criminal organizations is shrouded in mystery. As civil and legal systems have failed to thoroughly investigate the crisis, families of victims are left to seek closure and justice on their own. Salvadoran filmmaker Marcela Zamora profiles a group of forensic anthropologists in her home country tasked with the noble but gruesome work of unearthing human remains and matching them with names of desaparecidos. The result is a harrowing portrait of a region in crisis.
Learn more
Array
(
    [id] => 559
    [title] => Love Between the Covers
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/love-between-the-covers
            [title] => more
        )

    [image_thumb] => https://www.wmm.com/storage/films/love-between-the-covers/320x-lovcov_hires1.png
    [created_at] => Array
        (
        )

    [year_released] => 2015
    [text] => LOVE BETWEEN THE COVERS was selected as the #1 choice of all 2015 videos by the American Library Association's Booklist Review. 

Romance fiction outsells all other genres of writing, from crime to science fiction, combined. So why is the genre so often dismissed as frivolous "scribble"? Could it be that it's because the overwhelming majority of writers and readers are women? This funny and inspiring look into a billion dollar industry turns up trailblazers who push the discussion on gender, race, sexuality and diversity at the front lines of the biggest power shift in publishing.

In LOVE BETWEEN THE COVERS Emmy Award® Winning director Laurie Kahn (TUPPERWARE!, A MIDWIFE'S TALE) turns her insightful eye towards another American pop culture phenomenon: the romance industry. Creating online empires and inventing new markets are authors like Beverly Jenkins, a pioneer of African American romance, Len Barot (aka Radclyffe, L.L. Raand), a surgeon and lesbian-romance legend who started her own publishing house, and the incomparable Nora Roberts. This documentary offers fascinating insights into the history and popularity of this female-centric literary world.

Book LOVE BETWEEN THE COVERS filmmaker Laurie Kahn to speak at your university [image] => https://www.wmm.com/storage/films/love-between-the-covers/lovcov_hires1.jpg )

Love Between the Covers

LOVE BETWEEN THE COVERS was selected as the #1 choice of all 2015 videos by the American Library Association's Booklist Review. Romance fiction outsells all other genres of writing, from crime to science fiction, combined. So why is the genre so often dismissed as frivolous "scribble"? Could it be that it's because the overwhelming majority of writers and readers are women? This funny and inspiring look into a billion dollar industry turns up trailblazers who push the discussion on gender, race, sexuality and diversity at the front lines of the biggest power shift in publishing. In LOVE BETWEEN THE COVERS Emmy Award® Winning director Laurie Kahn (TUPPERWARE!, A MIDWIFE'S TALE) turns her insightful eye towards another American pop culture phenomenon: the romance industry. Creating online empires and inventing new markets are authors like Beverly Jenkins, a pioneer of African American romance, Len Barot (aka Radclyffe, L.L. Raand), a surgeon and lesbian-romance legend who started her own publishing house, and the incomparable Nora Roberts. This documentary offers fascinating insights into the history and popularity of this female-centric literary world.

Book LOVE BETWEEN THE COVERS filmmaker Laurie Kahn to speak at your university
Learn more
Array
(
    [id] => 566
    [title] => Wilhemina's War
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/wilheminas-war
            [title] => more
        )

    [image_thumb] => https://www.wmm.com/storage/films/wilheminas-war/320x-WW_hires1.png
    [created_at] => Array
        (
        )

    [year_released] => 2015
    [text] => In much of America, progress in HIV/AIDS treatment suggests the worst is behind us, but every year 50,000 Americans are still diagnosed with the virus that causes AIDS.  Astonishingly, it’s one of the leading causes of death of African American women.  And nearly half of the Americans with HIV live in the South, where the AIDS epidemic has taken root in rural communities. WILHEMINA’S WAR is an intimate, personal narrative that tells the story of one family’s struggle with HIV over the course of five years.  Despite facing institutional and personal obstacles every step of the way, 62-year-old Wilhemina Dixon works tirelessly to combat the stigma and care for her daughter and granddaughter, both HIV-positive. 
 
Emmy award winning journalist and Professor June Cross finds Wilhemina, a one woman army fighting against a systemic dehumanization that’s the result of centuries of racism, and lack of access to drugs and treatment. Her story touches upon many of the structural issues that contribute to the alarming rising trend of HIV-positive women in the South: lack of education, lack of access to quality healthcare, lack of transportation, and silence and stigma in the local church congregations. This urgent documentary lays bare the intersection of poverty, race and politics with women’s health and security in the rural south, while showing determination in the face of adversity, and the triumph of the human spirit. Essential viewing for African-American Studies and Public Health courses.
    [image] => https://www.wmm.com/storage/films/wilheminas-war/WW_hires1.jpg
)

Wilhemina's War

In much of America, progress in HIV/AIDS treatment suggests the worst is behind us, but every year 50,000 Americans are still diagnosed with the virus that causes AIDS. Astonishingly, it’s one of the leading causes of death of African American women. And nearly half of the Americans with HIV live in the South, where the AIDS epidemic has taken root in rural communities. WILHEMINA’S WAR is an intimate, personal narrative that tells the story of one family’s struggle with HIV over the course of five years. Despite facing institutional and personal obstacles every step of the way, 62-year-old Wilhemina Dixon works tirelessly to combat the stigma and care for her daughter and granddaughter, both HIV-positive. Emmy award winning journalist and Professor June Cross finds Wilhemina, a one woman army fighting against a systemic dehumanization that’s the result of centuries of racism, and lack of access to drugs and treatment. Her story touches upon many of the structural issues that contribute to the alarming rising trend of HIV-positive women in the South: lack of education, lack of access to quality healthcare, lack of transportation, and silence and stigma in the local church congregations. This urgent documentary lays bare the intersection of poverty, race and politics with women’s health and security in the rural south, while showing determination in the face of adversity, and the triumph of the human spirit. Essential viewing for African-American Studies and Public Health courses.
Learn more
Array
(
    [id] => 555
    [title] => On Beauty
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/on-beauty
            [title] => more
        )

    [image_thumb] => https://www.wmm.com/storage/films/on-beauty/320x-onbeau_hires1.png
    [created_at] => Array
        (
        )

    [year_released] => 2015
    [text] => From Emmy®-nominated IN THE FAMILY filmmaker Joanna Rudnick and Chicago’s Kartemquin Films comes a story about challenging norms and redefining beauty. ON BEAUTY follows fashion photographer Rick Guidotti, who left the fashion world when he grew frustrated with having to work within the restrictive parameters of the industry’s standard of beauty. After a chance encounter with a young woman who had the genetic condition albinism, Rick re-focused his lens on those too often relegated to the shadows to change the way we see and experience beauty.

At the center of ON BEAUTY are two of Rick's photo subjects: Sarah and Jayne. In eighth grade Sarah left public school because she was bullied so harshly for the birthmark on her face and brain. Jayne lives with albinism in Eastern Africa where society is blind to her unique health and safety needs and where witch doctors hunt people with her condition to sell their body parts. We follow Rick as he uses his lens to challenge convention and media’s narrow scope of with the help of two extraordinary women.
    [image] => https://www.wmm.com/storage/films/on-beauty/onbeau_hires1.jpg
)

On Beauty

From Emmy®-nominated IN THE FAMILY filmmaker Joanna Rudnick and Chicago’s Kartemquin Films comes a story about challenging norms and redefining beauty. ON BEAUTY follows fashion photographer Rick Guidotti, who left the fashion world when he grew frustrated with having to work within the restrictive parameters of the industry’s standard of beauty. After a chance encounter with a young woman who had the genetic condition albinism, Rick re-focused his lens on those too often relegated to the shadows to change the way we see and experience beauty. At the center of ON BEAUTY are two of Rick's photo subjects: Sarah and Jayne. In eighth grade Sarah left public school because she was bullied so harshly for the birthmark on her face and brain. Jayne lives with albinism in Eastern Africa where society is blind to her unique health and safety needs and where witch doctors hunt people with her condition to sell their body parts. We follow Rick as he uses his lens to challenge convention and media’s narrow scope of with the help of two extraordinary women.
Learn more
Array
(
    [id] => 570
    [title] => People Are the Sky
    [link] => stdClass Object
        (
            [url] => https://www.wmm.com/catalog/film/people-are-the-sky
            [title] => more
        )

    [image_thumb] => https://www.wmm.com/storage/films/people-are-the-sky/320x-peosky_hires1.png
    [created_at] => Array
        (
        )

    [year_released] => 2015
    [text] => Director Dai Sil Kim-Gibson (MOTHERLAND CUBA KOREA USA) is the first Korean American filmmaker to be given official permission by the North Korean government to film inside its borders.  In PEOPLE ARE THE SKY, Kim-Gibson’s eighth and most personal film, the filmmaker makes a pilgrimage to her place of birth in North Korea for the first time in nearly 70 years, to explore if it is still home. 

Kim-Gibson seamlessly weaves her own personal story as a native born North Korean, with the fractious history of the North/South division and pinpoints the roots of North Korean’s hatred of the United States, giving Americans a much better understanding of the conflict. A mix of interviews epic images and graceful musings, PEOPLE ARE THE SKY offers some of the best political and social history of the relations between North and South Korea, and also a contemplative exploration of the meaning of home. The result is unprecedented, at times startling, for hers is an up close look of the hurts and desires, beauty and contradiction, pride and aspirations of the long held demonized nation.
    [image] => https://www.wmm.com/storage/films/people-are-the-sky/peosky_hires1.jpg
)

People Are the Sky

Director Dai Sil Kim-Gibson (MOTHERLAND CUBA KOREA USA) is the first Korean American filmmaker to be given official permission by the North Korean government to film inside its borders. In PEOPLE ARE THE SKY, Kim-Gibson’s eighth and most personal film, the filmmaker makes a pilgrimage to her place of birth in North Korea for the first time in nearly 70 years, to explore if it is still home. Kim-Gibson seamlessly weaves her own personal story as a native born North Korean, with the fractious history of the North/South division and pinpoints the roots of North Korean’s hatred of the United States, giving Americans a much better understanding of the conflict. A mix of interviews epic images and graceful musings, PEOPLE ARE THE SKY offers some of the best political and social history of the relations between North and South Korea, and also a contemplative exploration of the meaning of home. The result is unprecedented, at times startling, for hers is an up close look of the hurts and desires, beauty and contradiction, pride and aspirations of the long held demonized nation.
Learn more
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