DiAna's Hair Ego: AIDS Info Up Front
Realizing the extreme inadequacy of local information on AIDS prevention, cosmetologist DiAna DiAna, with her partner Dr. Bambi Sumpter, took on the task of educating the Black community in Columbia, South Carolina. This provocative, funny and informative film documents the growth of the South Carolina AIDS Education Network which operates out of DiAna's Hair Ego, the beauty salon where a condom display is as common as a basket of curlers! DiANA'S HAIR EGO has been used by hundreds of educational and community organizations as a model for making a difference.
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Flesh and Paper
FLESH AND PAPER is a lyrical exploration of the sense and sensibilities of Indian lesbian poet and writer, Suniti Bamjoshi. This moving and powerful portrait of a unique and brave woman weaves Namjoshi’s life and writings into a sensual tapestry.
Born into an Indian royal family, Namjoshi discusses her reasons for leaving India (she fell in love with her best friend), and her experiences as a cultural outsider in the U.S. Showing how “language invents worlds,” her vision as an Indian lesbian feminist is informed both by a lesbian consciousness and a deep Indian cultural framework. A prolific writer who has been widely published in the U.K., Canada and India over the past twenty years, Namjoshi’s poems, fables and novels are characterized by her wit and wry, satirical sense of humor.
Shot on location in Devon, England as well as at the Old Palace in India, the film includes interviews with young Indo-British lesbians, expressive readings and choreographed dance segments. Sharing her life with fellow writer and poet Gilllian Hanscombe, Namjoshi’s passionate correspondence with her love reflects the intimacy and detail of this meditative piece. With great visual beauty and lyricism, FLESH AND PAPER, captures the spirit of Namjoshi’s poetry in an evocative, multi-layered way.
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Age 12
Unforgettable in its vivid construction of lesbian identity, AGE 12 is a riveting amalgam of forbidden desire, transgression and piercing self-recognition. Raw adolescent memories of girl cliques in kilts, cruel games and a hidden stash of Playboys counterpoint staged scenes exploring mechanisms of power and submission.
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My Filmmaking, My Life
Matilde Landeta entered the flourishing Mexican film industry in the 1930s, working her way up from script girl to direct 110 shorts and, in the late 40s, to produce and direct three features, including LA NEGRA ANGUSTIAS. In this engrossing documentary filmed in Mexico City, a vibrant Landeta, now in her 70s, recalls those years. Interviews with Mexican directors Marcela Fernandez-Violante and Maria Novaro enrich this illuminating tribute. Produced by Jane Ryder.
With gratitude to the Moving Image Archiving and Preservation program at NYU, a digital preservation copy of this film now available for exhibition! Please contact [email protected] for more information.
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Honored by the Moon
In this upbeat and empowering film, Native American lesbians and gay men speak of their unique historical and spiritual role. Within the Native American community, homosexuality was traditionally associated with the power to bridge worlds. Interviews with leading activists and personal testimony attest to the positive and painful experiences of being Native and gay. Produced by Smith (Dakota) for the Minnesota American Indian AIDS Task Force to raise issues of homophobia within the Indian community, this ground-breaking documentary is also an important contribution to culturally sensitive discussions of homosexuality.
With gratitude to the Moving Image Archiving and Preservation program at NYU, a digital preservation copy of this film now available for exhibition! Please contact [email protected] for more information.
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Memory/all echo
“Based on selections from late Korean-American writer Theresa H.K. Cha’s ‘Dictee’, this work by filmmaker Yun-ah Hong gives primacy to her staccato, patterned prose. Her chosen words--sometimes written across the screen, more often spoken by three voices--deal with Korean cultural and personal identity in a range of ways both confessional and contemplative, concrete and abstract. Hong weds them to images as varied, including historical footage and silent dramatic enactment. Their often incantatory combination--as if echoing Cha’s thought that ‘truth. . . oblivious to parallels other durations. . . oblivious to itself’ –conveys a recurring sense of loss and need. Though at once emotionally intriguing, ‘Memory/all echo’ still demands multiple viewings for fuller appreciation in art and social studies.” -Jeff Clark, James Madison University Library
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Miss Amy and Miss May
Amy Bailey, daughter of an eminent Black family, was a leader of the Jamaican women’s movement in the 1930s. May Farquharson, daughter of a wealthy white planter, fought for reproductive rights for women and reforms to benefit the elderly. Combining contemporary interviews and dramatized scenes from their long, unlikely friendship, this fascinating docudrama covers the history of the fight for social justice for women in Jamaica. Useful for courses on women’s history, women and development and Caribbean studies. A Phase 3 Production.
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Troubled Harvest
This award-winning documentary examines the lives of women migrant workers from Mexico and Central America as they work in grape, strawberry and cherry harvests in California and the Pacific Northwest. Interviews with women farm workers reveal the dangerous health effects of pesticides on themselves and their children, the problems they encounter as working mothers of young children, and the destructive consequences of U.S. immigration policies on the unity of their families. Featuring an interview with Dolores Huerta, co-founder of the United Farm Workers Union.
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Canto a la Vida
CANTO A LA VIDA illuminates exile through the remarkable stories of Chilean women, including the assassinated president’s widow Hortensia de Allende, their niece, author Isabel Allende, and folk singer Isabel Parra. In this powerful exploration of cultural displacement, language loss and personal dislocation, seven different women discuss their altered notions of home, work and daily life. Moving testimonies are underscored by archival footage, paintings, songs and memories. Since Pinochet’s ouster in 1989, many Chileans have journeyed back to their birthplace, and are now faced with the difficult decision of whether to remain in Chile or return to their adoptive countries. Filmmaker Briones, who herself left Chile in 1986, presents a beautiful, unforgettable testament to life in exile.
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Dry Kisses Only
Through manipulated film clips, the hilarious commentary of Theory Woman and interviews with the Lesbian on the Street, this marvelous film explores the lesbian subtext of classical films—the dry kisses of the film’s title. Hollywood movies are re-edited to find the truth behind the relationships between the heroine and the “other woman.” Dykella and Dykenna chew over lesbian vampire stereotypes. And gossip columnist Lady Manilla Lively gives the inside scoop on lesbians in today’s Hollywood. DRY KISSES ONLY tells a story at once obvious and long-overdue, affirming the validity of lesbian readings of popular culture and the tenuous truths of gossip.
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Night Cries
On an isolated, surreal Australian homestead, a middle-aged Aboriginal woman nurses her dying white mother. The adopted daughter’s attentive gestures mask an almost palpable hostility. Their story alludes to the assimilation policy that forced Aboriginal children to be raised in white families. The stark, sensual drama unfolds without dialogue against vivid painted sets as the smooth crooning of an Aboriginal Christian singer provides ironic counterpoint. Moffatt’s first 35mm film displays rare visual assurance and emotional power.
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Knowing Her Place
A moving investigation of the cultural schizophrenia experienced by Vasu, an Indian woman who has spent most of her life in the U.S. Vasu's relationships with her mother and grandmother in India and her husband and teenage sons in New York, reveal profound conflicts between her traditional upbringing and her personal and professional aspirations. The film fuses photographs, vérité sequences and experimental techniques to probe the multilayered experience of immigrant women with rare candor and emotional resonance. Useful for courses on immigration, sex roles and the study of documentary form.
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Sally's Beauty Spot
A large black mole above an Asian woman's breast serves as a metaphor for cultural and racial difference in this engaging experimental film. Offscreen women's voices and scenes from THE WORLD OF SUZIE WONG parallel and counterpoint Sally's own interracial relationships and emerging self-awareness. A provocative and stylish meditation on Asian femininity.
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Women Filmmakers in Russia
Since Lenin's fervent embrace of cinema in the 1920s, more women have worked in the film industry in Russia than in the West. This fascinating documentary - produced during glasnost and prior to the dissolution of the USSR - includes interviews with actresses, critics, technicians and leading directors Kira Muratova and Lana Gogoberidze. Clips from films such as Larissa Shepitko's WINGS are contrasted with more traditional representations of women in "Soviet" cinema. WOMEN FILMMAKERS IN RUSSIA (aka I AM AN OX, I AM A HORSE, I AM A MAN, I AM A WOMAN) was directed by Sally Potter (ORLANDO). A Triple Vision Production.
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I Is a Long-Memoried Woman
This extraordinary film chronicles the history of slavery through the eyes of Caribbean women. A striking combination of monologue, dance, and song—griot-style—conveys a young African woman’s quest for survival in the new world. Based on award-winning poems by Guyanese British writer Grace Nichols, the evocatively rendered story charts abusive conditions on sugar plantations, acts of defiance and the rebellion which led to eventual freedom. Produced by a Black women’s collective, I IS A LONG-MEMORIED WOMAN illuminates Black diasporic culture and heritage.
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Hidden Faces
Originally intended as a film about internationally renowned feminist writer Nawal El Saadawi, HIDDEN FACES develops into a fascinating portrayal of Egyptian women’s lives in Muslim society. In this collaborative documentary, Safaa Fathay, a young Egyptian woman living in Paris, returns home to interview the famed writer and activist, but becomes disillusioned with her. Illuminated by passages from El Saadawi’s work, the film follows Fathay’s journey to her family home and discovers similar complex frictions between modernity and tradition. Her mother’s decision to return to the veil after twenty years and her cousins’ clitoridectomies reveal a disturbing renewal of fundamentalism. This absorbing documentary broaches the contradictions of feminism in a Muslim environment; a startling, unforgettable picture of contemporary women in the Arab world.
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After the Montreal Massacre
On December 6, 1989, a gunman entered the engineering building at the University of Montreal and killed fourteen women. This forceful, moving documentary situates this extraordinary crime within the context of other kinds of violence against women. A wounded survivor and other students describe the harrowing event, widely understood as a backlash against feminism. Activists and journalists explain its impact, linking the massacre with cases of rape, sexual harassment and torture worldwide. This lucid, thought-provoking film is indispensable for organizations dealing with violence against women, as well as for women's studies classes.
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Mary Lou Williams
Pioneering Black American composer-arranger-pianist Mary Lou Williams is one of the most remarkable figures in the history of jazz. In this authoritative film, lively interviews with Williams, Dizzy Gillepsie and Buddy Tate interweave the musical and personal elements of her dramatic life. At the height of her career, she dropped out of music to help drug-addicted musicians in Harlem, making a triumphant comeback fifteen years later. A spirited tribute to Williams’ indelible contribution to American culture, narrated by Roberta Flack.
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As the Mirror Burns
Most representations of the Vietnam War show women as innocent by-standers who sometimes became caught up in the conflict but who were otherwise uninvolved. AS THE MIRROR BURNS is an amazing redressing of this misconception. It is estimated that over 70% of the guerrilla forces in the war were women who were not victims but who were active participants in the struggle against foreign domination. AS THE MIRROR BURNS shows how the war still shapes life for the women of Vietnam as they continue their work in the fields and factories, on the roads and in the homes, to restore peace to their land. Study guide available.
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Home Avenue
With commanding cinematic style, Montgomery retraces events of a night nine years ago when, between her boyfriend's dorm and her parent's house, she was raped at gunpoint. Super 8 camera in tow, she uncovers the psychology of the incident, relating how the authorities and her family tried to disavow her claims and the crime. Pondering the bland suburban landscape, her subsequent obsession with guns and the blurring of guilt, responsibility and betrayal, Montgomery boldly masters the trauma through memory, self-narration and artistic intervention. By the maker of ART FOR TEACHERS OF CHILDREN.
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Positive Images
People with disabilities constitute nearly twenty percent of the American population. Sexism and often racism compound discrimination based on disability. Designed to provide positive, realistic pictures of the lives of women with disabilities and the social, economic, and political issues they face, POSITIVE IMAGES focuses on three strong and articulate women. Offering crucial role models for women and girls with disabilities, this powerful film also locates disability as a women's issue of concern to us all by discussing education, employment and careers, sexuality, family life and parenting, and societal attitudes.
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