Host a Screening

WAGING CHANGE shines a light on an American struggle hidden in plain sight: the women-led movement to end the federal tipped minimum wage for restaurant workers.

COUNCILWOMAN follows the first term of Rhode Island Councilwoman Carmen Castillo as she balances her day job as a hotel housekeeper with the demands of public office.

Why do women bring your food at local diners, while in high-end establishments waiters are almost always men? DISH, by Maya Gallus, whose acclaimed GIRL INSIDE (2007) won Canada’s Gemini Award for documentary directing, answers this question in a delicious, well-crafted deconstruction of waitressing and our collective fascination with an enduring popular icon. Digging beyond the obvious, Gallus, who waited tables in her teens, explores diverse dynamics between food servers and customers, as well as cultural biases and attitudes they convey. Her feminist analysis climbs the socio-economic ladder—from the bustling world of lower-end eateries, where women prevail as wait staff, to the more genteel male-dominated sphere of haute cuisine. Astute, amusing observations from women on the job in Ontario’s truck stop diners, Montreal’s topless"sexy restos," a Parisian super-luxe restaurant, and Tokyo’s fantasy "maid cafés", as well as male customers’ telling comments, disclose how gender, social standing, earning opportunities, and working conditions intersect in the food service industry.

In the United States, women are vastly underrepresented in STEM (Science, Technology, Engineering & Math) fields, holding under 25% of STEM jobs and a disproportionately low share of STEM undergraduate degrees. Great Unsung Women of Computing is a series of three remarkable documentary films that show how women revolutionized the computing and Internet technology we use today, inspiring female students to believe that programming careers lie within their grasp. The Computers features the extraordinary story of the ENIAC Programmers, six young women who programmed the world’s first modern, programmable computer, ENIAC, as part of a secret WWII project. They programmed ENIAC without programming language (for none existed), and harnessed its power to perform advanced military calculations at lighting speeds. However, when the ENIAC was unveiled in 1946, the Programmers were never introduced and they became invisible. This stunning documentary features rare footage and never-before-seen interviews with the ENIAC Programmers. 70 years later, this is their story. The Coders tells the story of two extraordinary women, Sarah Allen and Pavni Diwanji whose technologies revolutionized the Internet: Sarah co-invented Flash, the first multimedia platform supporting video, graphics, games and animation for the internet, while Pavni invented the Java servlet to allow web applications to respond quickly to requests from users everywhere. In The Future Makers, Andrea Colaço, a young MIT PhD, shares her dream of a world in which we interact with our smart devices using natural hand gestures, not static keyboards or touchpads. She invented 3D “gestural recognition technology” and co-founded 3dim to develop and market it. In 2013, 3dim won MIT’s $100K Entrepreneurship Prize and launched Andrea towards her dream of innovation and changing the world.

Renowned for their balance and skill, six generations of Mohawk men have been leaving their families behind on the reservation to travel to New York City, to work on some of the biggest construction jobs in the world. Jerry McDonald Thundercloud and his colleague Sky shuttle between the hard drinking Brooklyn lodging houses they call home during the week and their rural reservation, a gruelling drive six hours north, where a family weekend awaits. Their wives are only too familiar with the sacrifices that their jobs have upon family life. While the men are away working, the women often struggle to keep their children away from the illegal temptations of this economically deprived area. Through archival documents and interviews, Academy Award®-nominated director Katja Esson (FERRY TALES, LATCHING ON) explores the colorful and at times tragic history of the Mohawk skywalkers, bringing us a nuanced portrait of modern Native American life and a visually stunning story of double lives.

One hundred years ago, American teachers established the English-speaking public school system of the Philippines. Now, in a striking turnabout, American schools are recruiting Filipino teachers. THE LEARNING, from award-winning filmmaker Ramona S. Diaz (IMELDA), is the story of four Filipina women who reluctantly leave their families and schools to teach in Baltimore. With their increased salaries, they hope to transform their families' lives back in their impoverished country. This absorbing, beautifully crafted film follows these teachers as they take their place on the frontline of the No Child Left Behind Act. Across the school year's changing seasons, the film chronicles the sacrifices they make as they try to maintain a long-distance relationship with their children and families, and begin a new one with the mostly African-American students whose schooling is now entrusted to them. Their story is intensely personal, as each woman deals with the implications of her decision to come to the US, and fundamentally public, as they become part of the machinery of American education reform policy.

Working as a videographer at weddings in Casablanca, Khadija Harrad is part of the new generation of young, divorced Moroccan women seeking to realize their desires for freedom and independence while honoring their families' wishes. Mother of an 11-year-old son and primary breadwinner for her parents and siblings as well, she navigates daily between the elaborate fantasy world of the parties she films and harassment from her traditionally conservative family, which disapproves of her occupation and wants her only to remarry. CAMERA/WOMAN, shot in vérité style, follows Khadija on the job, at home, and with supportive women friends who are divorced and share similar experiences. As it unveils the issues that confront working-class Muslim women in societies now undergoing profound change, this arresting film reveals that for Khadija, unbowed in the face of overwhelming odds, the camera becomes a liberating force.

Impassioned about freedom of sexual expression, Australian sex worker Rachel Wotton specializes in a long overlooked clientele— people with disabilities. Working in New South Wales—where prostitution is legal— Rachel’s philosophy is that human touch and sexual intimacy can be the most therapeutic aspects to our existence. Indeed, she is making a dramatic impact on the lives of her customers, many of whom are confined to wheelchairs or cannot speak or move unaided. Through her graduate studies and her nonprofit group Touching Base, Rachel both fights for the rights of sex workers and promotes awareness and access to sexual expression for the disabled through sex work—and brings together these two often marginalized groups. We follow her from conducting sex and disability workshops to speaking to the World Congress on Sexual Health about her mission to observing her overnight stays with severely disabled clients who blossom under her attention—with one man even gaining back lost movement and sensation thanks to his time spent with her. Rachel has made it her life’s work to end the stigma surrounding these populations; the depth, humor and passion in this positive and pro-active documentary will transform the way we see sex workers and people with disabilities forever.