The Rest I Make Up
US | 2018 | 79 minutes | Color | DVD | English | Order No. 181226 |
A portrait of visionary Cuban-American dramatist Maria Irene Fornes and the story of her unexpected collaboration with filmmaker Michelle Memran.
SYNOPSIS
The duo travels from New York to Havana, Miami to Seattle, exploring the playwright's remembered past and their shared present. Theater luminaries such as Edward Albee, Ellen Stewart, Lanford Wilson, and others weigh in on Fornes's important contributions. What began as an accidental collaboration becomes a story of love, creativity, and connection that persists even in the face of forgetting.
PRESS
One of "The Best Movies of 2018"
"A lyrical and lovingly made documentary."
"Intimate and exhilarating...Fornes exerts a hypnotic force of stardom, while her offhanded yet urgent remarks resound with life-tested literary authority."
"Best Documentaries of 2019"
"A tender exploration of Fornes’ life and the meaning of memory."
"Fabulous. The Rest I Make Up is as inspiring as its subject."
"The film’s overarching theme of life’s ephemeral nature paired with the deep friendship and vital creativity that percolates between this young writer-turned-filmmaker and the iconic playwright offer a much-needed and refreshingly loving take on aging and illness."
"A touching portrait of an unheralded artist."
"Memran’s documentary is as untraditional and unpredictable as the woman herself. In it, Memran manages to take us through Irene’s extraordinary life, while capturing the essence of what made it extraordinary - all while transitioning into an impressive artist in her own right."
"An enduring portrait of an artist who defied expectations right until the end."
"At turns, funny, smart, sad, and poetic, The Rest I Make Up examines the gifts of collaboration and creativity, as well as what it means to be an artist and a friend."
"An exquisite documentary portrait. While the movie doesn’t flinch from the sadness of Fornes’s decline…it nonetheless leaves the viewer feeling exhilarated, bringing us into the creative aura of a lively, unassailable imagination."
"A story of spontaneity, creativity, genius and madness. It showcases the life, inspiration and virtuosity of Fornes."
"A moving study in biography and its collaborative failures, asking how it might be possible to write a life when memory is elusive"
SCREENING HIGHLIGHTS AND AWARDS
- Audience Award for Best Documentary, Frameline Film Festival
- Best Documentary, MIX Copenhagen
- AARP Silver Image Award, Reeling: Chicago LGBTQ+ International Film Festival
- Jury Award for Best Documentary and Runner-Up Audience Award for Best Documentary, OUTshine Film Festival
- Jury Award for Best Documentary Feature, Reeling: Chicago LGBTQ+ International Film Festival
- Special Mention, Queer Porto 4 - International Queer Film Festival
- Best Documentary Feature, Sebastopol Documentary Film Festival
- Audience Award and Jury Award for Best Documentary, Some Prefer Cake Film Festival
- Heartland International Film Festival
- Freep Film Festival
- The Institute of Contemporary Arts, London
- Lesbian Looks Series
- FEMCINE
- FilmBar Phoenix
- ReFrame Film Fest
- Havana Film Festival
- NW Film Center
- Hallwalls Contemporary Arts Center
- Pink Panorama Film Fest
- Houston Cinema Arts Festival
- Tough Broads Film Festival
- Chicago Filmmakers
- Eau Queer Film Festival
- Coral Gables Art Cinema
- Boston Latino International Film Festival
- DCTV
- Inside Out Toronto LGBT Festival
- Women Texas Film Festival
- Mardi Gras Film Festival
- Female Eye Film Festival
- MoMA Doc Fortnight
- Festival International de Films De Femmes de Creteil
- Miami Film Festival
ABOUT FILMMAKER(S)
Michelle Memran is a filmmaker and journalist. For nearly twenty years she has worked as a reporter and researcher in New York City and has written for numerous publications. Her award-winning documentary feature debut, The Rest I Make Up, had its world premiere at MoMA's Doc Fortnight in 2018, and returned for a sold-out week-long run at MoMA later that year. It was named one of "The Best Movies of 2018" by Richard Brody in The New Yorker and is currently screening worldwide. (04/19)
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