Derby Crazy Love

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Derby Crazy Love

A film by Maya Gallus, Justine Pimlott

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SYNOPSIS

This popular documentary from Toronto filmmakers Maya Gallus and Justine Pimlott takes viewers inside the adrenaline-fueled phenomenon of women’s roller derby. With over 1,400 leagues worldwide, it is now the fastest growing women’s sport.

DERBY CRAZY LOVE accompanies Montreal’s top team, New Skids on the Block, on its exhilarating journey to regional championships, where they face off in a pitched battle against U.K. powerhouse, London Rollergirls, and reigning world champions, New York’s Gotham Girls. New Skids players and their British and U.S. rivals share stories of being powerful women in traditional sports, along with insights about derby’s recent rebirth, after decades of decline, as a vibrant, original expression of third wave feminism and Amazon-like physicality rooted in punk’s colorful DIY counterculture. Deftly tackling issues of masculinity, femininity, aggression, body image, queer identity and gender norms, this fast-paced yet reflective film captures the spirit of community, inclusiveness, and sisterhood at roller derby’s core today.

PRESS

"The film deftly tackles the stereotypes of masculinity, femininity and the inherent aggression both genders possesses."

Third Row

"DERBY CRAZY LOVE takes us to the heart of one of the last decade’s most thrilling sporting phenomena."

POV Magazine

"The “DIY punk rock” environment is what keeps roller derby true to its core of being community-oriented and inclusive…people who feel marginalized because of their gender identity or sexual orientation find a safe space to play sports."

The Daily Xtra

"As gritty as any doc set in the wide and wild world of sport, DERBY CRAZY LOVE is also as revealing as any in the genre."

Montreal Gazette

SCREENING HIGHLIGHTS AND AWARDS

DOXA Documentary Film Festival
Salem Film Fest
RIDM Montreal International Documentary Festival
Frameline International LGBT Film Festival
Inside Out Toronto LGBT Film Festival
Qdocs Portland
Northside Film Festival
Sheffield DocFest
This Human World Human Rights Festival Vienna

ABOUT FILMMAKER(S)

Maya Gallus

Maya Gallus is an award-winning filmmaker whose work has screened around the world, including the Boston Musuem of Art, Canada House UK, Toronto International Film Festival, Hot Docs, Melbourne Film Festival, MostraRIO, Feminale Festival, Fetisch Film Festival, Thessalonika Film Festival, One WorldHuman Rights Festival, Dok Leipzig, Bergen International Film Festival, Cuenca Women in Direction, FIFA - Films Sur L’art, Montreal World Film Festival, RIDM - Montreal, Yorkton, St John’s Women’s Festival, Citizen Jane , the TFMS Film Series, DOXA, Atlantic Film Festival, Frameline, New Fest, Out Fest, Reel Out, Image et Nation, Ladyfest UK, QDoc, QFilm Festival Indonesia, and Singapore International Film Festival,

Her first film, ELIZABETH SMART; ON THE SIDE OF THE ANGELS, was a hybrid documentary-drama about the author of By Grand Central Central Station I Sat Down And Wept. The film launched at the Toronto International Film Festival and won three Golden Sheaf Awards for Best Production of the Festival, Best Documentary and Best Editing; it was also nominated for a Gemini (Canada’s Emmy Awards) for Best Direction.

Her follow up documentary EROTICA: A JOURNEY INTO FEMALE SEXUALITY, featuring the final interview with 90-year-old Pauline Réage, the mysterious author of Story of O, as well as interviews with the notorious French dominatrix Catherine Robbe-Grillet and performer Annie Sprinkle, among others, launched at the Toronto International Film Festival and was released theatrically in Toronto, San Francisco, San Sebastian and Tokyo. EROTICA was nominated for a Genie (Canada’s Oscars) for Best Feature-Length Documentary as well as Best Arts Documentary at Hot Docs.

GIRL INSIDE, a documentary portrait of 23-year-old Madison, transitioning to her female self over three years with the help of her 80-year-old grandmother, won a Gemini for Best Direction In A Documentary and was nominated for the prestigious Donald Brittain Gemini Award for Best Social Political Documentary.

Her Gemini-nominated feature documentary, DISH-WOMEN, WAITRESSING & THE ART OF SERVICE, a portrait of working women in the service industry, from North American diners, to topless restos, to Japanese fantasy maid cafes, to high end Parisian restaurants, was launched to critical acclaim at Hot Docs.

THE MYSTERY OF MAZO DE LA ROCHE, exploring the love story behind the fiction of one of the most famous, yet secretive women writers of the 20th century, is her second hybrid documentary-drama, nominated for three Canadian Screen Awards and recipient of the Golden Sheaf Award for Best Social Issue Documentary.

Her most recent film, co-directed with Justine Pimlott, is DERBY CRAZY LOVE.
Other credits include co-directing and co-producing the Gemini-nominated PUNCH LIKE A GIRL, with Justine Pimlott, about amateur women’s boxing; co-producing and writing the award-winning FAG HAGS: WOMEN WHO LOVE GAY MEN, and co-producing CAT CITY. (04/14)

Justine Pimlott

Justine Pimlott is an award-winning filmmaker who made her directorial debut with LAUGH IN THE DARK, which won the Best Social Issue Documentary Award at Hot Docs and Best Canadian Film at the Inside Out Film & Video Festival in Toronto.

In 2003, she formed Red Queen Productions with Maya Gallus and launched their company with the critically acclaimed six-part reality series on women’s boxing, PUNCH LIKE A GIRL, for which they each received two Gemini nominations (Canada’s Emmy Awards) for Best Direction in a Documentary Series. PUNCH LIKE A GIRLwas also re-released as a single documentary.

Her documentary FAG HAGS:Women Who Love Gay Men, which she directed and co-produced, won the Audience Award for Best Documentary at the Inside Out Film Festival and the Audience Award for Best Canadian Film at the Reel Out Festival. FAG HAGS was broadcast on CBC: The Passionate Eye, SRC, Showcase, IFC, SBS, YLE, SBS Australia and numerous others.

She also wrote and directed CAT CITY, an hour-long documentary that takes the viewer into the heart of the cat overpopulation crisis in Canada. CAT CITY premiered at the Royal Cinema in Toronto, and screened at numerous festivals including Blue Planet Film Fest, Commfest, Moving Image Film Festival and Wisconsin International Film Festival. Additional directing credits include several episodes of a 13-part reality series, FIRE STATION, for the Discovery Channel and CHASING THE DREAM, a pre-Olympic one hour special for CBC Sports on international women’s hockey.

As a producer, Justine’s credits include LAUGH IN THE DARK, PUNCH LIKE A GIRL, FAG HAGS, CAT CITY and DERBY CRAZY LOVE, as well as several documentaries directed by Maya Gallus, including the hybrid documentary-drama, THE MYSTERY OF MAZO DE LA ROCHE, nominated for three Canadian Screen Awards and recipient of the Golden Sheaf Award for Best Social Issue Documentary, the feature documentary, DISH-WOMEN, WAITRESSING & THE ART OF SERVICE and the feature documentary, GIRL INSIDE, which won the Gemini Award for Best Direction In A Documentary and was nominated for the Donald Brittain Gemini Award for Best Social Political Documentary.

Most recently, Justine co-produced and co-directed, DERBY CRAZY LOVE, with Maya Gallus, which launched at RIDM in Montreal in 2013 and is playing at various film festivals, including DOXA, QDoc Portland, Inside Out, Frameline and Northside in Brooklyn. She is currently in development with a several projects for Red Quen Productions, including the feature documentary THE FRUIT MACHINE, about the rise of the early gay rights movement in Canada and the U.S. as told through the story of the radical gay and lesbian newspaper, The Body Politic. (4/14)

Subject Areas

Dish

Why do women bring your food at local diners, while in high-end establishments waiters are almost always men? DISH, by Maya Gallus, whose acclaimed GIRL INSIDE (2007) won Canada’s Gemini Award for documentary directing, answers this question in a delicious, well-crafted deconstruction of waitressing and our collective fascination with an enduring popular icon. Digging beyond the obvious, Gallus, who waited tables in her teens, explores diverse dynamics between food servers and customers, as well as cultural biases and attitudes they convey. Her feminist analysis climbs the socio-economic ladder—from the bustling world of lower-end eateries, where women prevail as wait staff, to the more genteel male-dominated sphere of haute cuisine. Astute, amusing observations from women on the job in Ontario’s truck stop diners, Montreal’s topless"sexy restos," a Parisian super-luxe restaurant, and Tokyo’s fantasy "maid cafés", as well as male customers’ telling comments, disclose how gender, social standing, earning opportunities, and working conditions intersect in the food service industry.

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Girl Inside

Following 26-year-old Madison during a crucial three years of her gender transition, GIRL INSIDE offers a window into the emotional, intellectual and spiritual journey of self-discovery that is as important as – if not more than – the physical experience of taking hormones and undergoing surgery. Vivien, Madison’s glamorous 80-year-old grandmother, who has taken on the job of advising her on all things feminine, is also featured. While Vivien's attempts to school Madison in old-fashioned codes of fashion and behavior are often hilarious, the juxtaposition of two vastly different experiences of womanhood, from very different generations, cause viewers to contemplate about the nature of gender, femininity and sexuality. Sometimes funny, sometimes painful, this heartwarming coming of age story is both an intimate portrait and a thoughtful exploration of what it means to be a woman. Recommended for courses in transgender and queer studies, gender studies, women’s studies and sociology.

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Tomboys!

Are tomboys tamed once they grow up? This lively and inspiring documentary explodes that archaic myth with the stories of proud tomboys of all ages: African-American teenager Jay Gillespie; Massachusetts firefighter Tracy Driscoll, lesbian artist Nancy Brooks Brody and the inimitable political activist Doris Haddock, aka “Granny D”, whose walk across America in support of campaign finance reform has gained global attention. Interviews with these feisty women are intercut with personal photographs and archival footage to celebrate tomboys of all ages. Exploring the myriad ways gender identity is constructed from a very young age, TOMBOYS makes the connections between rebel girl and spirited women gloriously clear. With additional commentary by girls’ studies pioneer Carol Gilligan, these tales of energy and enterprise are a revelation to us all.

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A Knock Out

Boxing champion Michele Aboro grew up in South London, where life for a girl was never easy, let alone for a mixed-race lesbian girl. Thanks to her tenacious spirit and an uncanny talent for combat sports, she put her difficult past behind her and managed to sign a contract with the biggest boxing promoter in Europe. She won all 21 fights, 18 of them with a knockout - an exceptional achievement in women’s boxing. But despite her spectacular record in the ring, her career came to a sudden halt when her promoter broke her contract under the belief that she was not "promotable." Refusing to vamp up her image and pose naked in magazines, this undefeated world champion was abandoned by an industry more interested in selling sex than sport. A KNOCK OUT interweaves Aboro’s personal story with interviews with boxers whose wild success strikes a painful contrast with Aboro's struggles. Searching for logic behind Aboro’s case, this poignant documentary captures a universal story of fighting for one's identity and offers a probing look at the intersection of gender, ethnicity, sexuality and the increased commercialization of women's sports.

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THE HERETICS

Tracing the influence of the Women’s Movement’s Second Wave on art and life, THE HERETICS is the exhilarating inside story of the New York feminist art collective that produced “Heresies: A Feminist Publication on Art and Politics” (1977-92). In this feature-length documentary, cutting-edge video artist/writer/director Joan Braderman, who joined the group in 1975 as an aspiring filmmaker, charts the collective’s challenges to terms of gender and power and its history as a microcosm of the period’s broader transformations. On the road with her camera crew from New Mexico to Italy, Braderman reconnects with 28 other group members, including writer/critic Lucy Lippard, architect Susanna Torre, filmmaker Su Friedrich, and artists Ida Applebroog, Mary Miss, Miriam Schapiro, and Cecilia Vicuña. Still funny, smart and sexy, the geographically dispersed participants revisit how and why they came together and the extraordinary times they shared—supporting and exploring women’s art and demanding the right to be heard. Enlivened by striking digital motion graphics, THE HERETICS intercuts interviews with archival film clips, video and stills from the period, texts and images from “Heresies” magazines, and footage of completed artworks and works-in-progress. An exuberant, multi-layered collage, the film brings the Heresies collective—and its strategies for unlocking the potential in women’s lives—vividly to the screen.

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Grrrl Love and Revolution: Riot Grrrl NYC

Fed up with the calcification of punk into a male-dominated, misogynistic and increasingly mainstream movement, the birth of Riot Grrrl inthe late 1980s brought together feminism and pop culture in an empowering, noisy union. The angry music of Riot Grrrl bands such as Bikini Kill and Bratmobile became a creative outlet to confront issues too often silenced in the media: rape, domestic abuse, sexuality, racism and female empowerment. Riot Grrrl created a feminist subculture which made its members active, front and center participants in the alternative punk scene. Filmmaker Abby Moser was at the heart of the NYC Riot Grrrl movement, filming them between 1993 and 1996, creating an invaluable archive for students learning the history of feminism. She captured the excitement of the times, and the articulate self-awareness of its members. She also documents their frustration with a mainstream media which dismissed feminism as a hobby, and the group’s own difficulties respecting the race and class divisions amongst themselves. Interweaving contemporary interviews with archival footage, this documentary examines the role of Riot Grrrl in launching third-wave feminism, and changing the face of women in music for future generations.

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Light Fly, Fly High

Thulasi, a young Indian woman in her twenties, is literally willing to box her way out of poverty and into a better life. A Dalit or “untouchable” born outside of caste, she rejected her place on society’s lowest rung at an early age and was forced to leave her parents’ home when only 14. Ten years later, despite her impressive record in the ring, ranking 3rd in India’s Light Fly category, Thulasi remains stuck at the bottom, deprived of opportunities she rightly deserves. Despite an uphill battle against sexual harassment, poverty and the pressure to marry, Thulasi refuses to compromise herself and her goals and takes her destiny into her own hands. Filmed during three eventful years, LIGHT FLY, FLY HIGH is a beautifully shot, gripping and inspirational story of a courageous young woman who refuses to be anyone’s victim and ends up a hero of her own making against all odds.

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OUR CATALOG

Derby Crazy Love

SYNOPSIS

PRESS

SCREENING HIGHLIGHTS AND AWARDS

ABOUT FILMMAKER(S)

Subject Areas

RELATED LINKS

YOU MIGHT ALSO BE INTERESTED IN

Dish

Girl Inside

Tomboys!

A Knock Out

THE HERETICS

Grrrl Love and Revolution: Riot Grrrl NYC

Light Fly, Fly High