Don't Fence Me In

A film by Nandini Sikand

1998 | 55 minutes | Color | DVD | Order No. 00662

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SYNOPSIS

Against the broader backdrop of modern India's political and social history, this lyrical documentary tells the story of the life of Krishna Sikand, the filmmaker's mother, from childhood to maturity. A rich mosaic of memory and impressions, DON'T FENCE ME IN captures the fragmented way in which we journey back through time. Evoking Krishna's earliest years in pre-independence Bombay as the daughter of a well-to-do Bengali family, the film also traces her post-colonial experiences--from marriage to a Punjabi army officer in the face of fierce family opposition, through the raising of two daughters and successful careers as an academic, small business entrepreneur, media consultant, journalist, and poet. Black-and-white photos of Krishna as a child and young woman are juxtaposed with clips from home movies shot by the filmmaker's father nearly thirty years ago, and recent location footage. Krishna's personal narrative is highlighted by her wonderful letters to her daughter and the poems that serve as milestones in her life.

PRESS

"'Don't Fence Me In' is a rich and beautiful film and an exquisite and loving tribute of a daughter to her mother."

Marion Lear Swaybill TV Producer

" A cinematic tapestry that is part lyrical, part impressionistic, wholly cinematic."

Riyad Wadia Indian Express

"The film captures the triumphs, tragedies and the choices of an individual set against a larger social and political landscape."

Lavina Melwani India Today International

"A lyrical tribute by the filmmaker to her poet mother. Weaves together scenes shot on location, super-8 movies made 30 years ago, black and white photographs, and splendidly preserved letter to evoke the story of mother Krishna, her choices and personal battles."

Jyotirmoy Datta India in New York

SCREENING HIGHLIGHTS AND AWARDS

Philafilm/Philadelphia International Film Festival, Best Super 8mm
Chingari Film Festival, University of Wisconsin

ABOUT FILMMAKER(S)

Nandini Sikand

Nandini is Assistant Professor of an interdisciplinary film and media studies program at Lafayette College, a liberal arts college in Pennsylvania. Sikand’s documentary and experimental films have screened and won awards at over 100 domestic and international film festivals. Her work has aired on PBS and has been awarded grants from The Jerome Foundation, the Center for Asian American Media, and she is two-time awardee of New York State Council on the Arts (NYSCA). Her films include: The Bhangra Wrap (1995), Don't Fence Me In (1998), Amazonia (2001), In Whose Name? (2004), Soma Girls (2009), and Cranes of Hope (2011). She also produced the documentary Mahasweta Devi: Witness, Advocate, Writer (2001). In television, she has worked as a producer and director on projects for Channel Four: UK, Ovation: the Arts Network, HBO, Oxygen, and The History Channel. She served on the board of directors of Women Make Movies, a non-profit feminist media distribution organization from 1997-2006. She was on the Fulbright IIE National Selection committee for film and video for 2008-2011.

Nandini choreographs and performs regularly with her neo-classical Odissi dance company, Sakshi Productions. Her dance work has been funded by LMCC (Lower Manhattan Cultural Council), the Asian American Arts Alliance and Joyce Soho and combines the use of film imagery, live music and elements unique to Indian theatre and performance. She is also the Associate Director/Choreographer of Harmattan Theater a performance group committed to an environmentally and socially-engaged theater.

She was recently awarded an American Association of University Women (AAUW) postdoctoral fellowship towards her book project, Bodies, Bells and Borders: Choreographing a New Odissi Tradition. (8/14)

Subject Areas

Amazonia

In this highly personal and visually evocative testimonial, critically acclaimed South Asian filmmaker Nandini Sikand poignantly presents her sister’s triumphal recovery from the emotional and physical scars of breast cancer. Lyrically incorporating poetry, experimental video and Super-8 montage, this moving piece looks at the myth of Amazonian women - warriors who were said to have cut off their right breast to become better archers - and compares their legendary battles to the war being waged against breast cancer. As Sikand’s sister reads passages describing her fight with the disease, the geography of her body is explored and compared to the scarred landscape of the urban environment. Traversing the pulsating and dizzying streets, the city and body become one to highlight women’s lives as triumphant urban warriors. Moving and inspiring, this short experimental film is a tribute to all women who have struggled with breast cancer.

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Too Black to be French

In this documentary film, Isabelle Boni-Claverie explores the role of race and the persistence of racism in France, as well as the impact of the French colonial past. Through an exploration of her personal family history, and interviews with historians and academics, TOO BLACK TO BE FRENCH peels back the layers of race relations in supposedly institutionally colorblind France. Boni-Claverie, a French-Ivorian, who grew up in upper class French society, unpacks how socio-economic privilege doesn’t mean protection from racial discrimination. Boni-Claverie solicits anonymous individuals to speak on their daily experiences with race, class, discrimination and micro-aggressions. TOO BLACK TO BE FRENCH also features interviews with acclaimed sociologists and historians including Pap Ndiaye, Eric Fassin, Achille Mbembe, and Patrick Simon to help contextualize racial history in France. Boni-Claverie’s film starts an urgent discussion on French society's inequalities and discrimination.

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Daughter Rite

"Daughter Rite is a classic, the missing link between the 'direct Cinema' documentaries and the later hybrids that acknowledged truth couldn't always be found in front of a camera lens. Scandalous in its day for bending the rules of representation to enlighten its audience about filmmaking, DAUGHTER RITE has a lot to teach folks hooked on reality TV, too. Citron's documentary inquiries into feminism, women in the trades, and feminist approaches to media representation are time capsules that merit re-opening." -B. Ruby Rich, author of " Chick Flicks: Theories and Memories of the Feminist Film Movement" Includes special bonus feature, WHAT YOU TAKE FOR GRANTED, also by Michelle Citron.

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...And Woman Wove It in a Basket

For the Klickitat Indians in Washington, basket weaving is a way of reclaiming native forms and heritage. This evocative portrayal of basket weaver Nettie Jackson Kuneki and her family explores Klickitat river culture within an investigation of documentary practice and cultural preservation. Capturing native life as experienced by a contemporary Klickitat woman, the film presents her daily activities through seasonal changes, the documentation of her craft and a visual history of Indian tales and legends. Voices of the filmmakers' own quest supplement Kuneki's reflections, creating a unique tapestry of personal memory and cultural collaboration that is invaluable for ethnographic film studies, Native American collections and women's studies.

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Eternal Seed

With insightful interviews and rare footage from India's agricultural industry, this keenly observed film depicts Indian women's struggles to use traditional farming practices instead of chemically-based agriculture. Comparing the practices of women who consider seeds sacred with multinational companies' use of sterilized hybrids, this evocative analysis celebrates the scientific basis of women's native traditions in a provocative look at the evolving meanings of healthy land use.

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OUR CATALOG

Don't Fence Me In

SYNOPSIS

PRESS

SCREENING HIGHLIGHTS AND AWARDS

ABOUT FILMMAKER(S)

Subject Areas

RELATED LINKS

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Amazonia

Too Black to be French

Daughter Rite

...And Woman Wove It in a Basket

Eternal Seed